It’s been stated that the quantity of Tim Matheson net worthy of is really as high as 5 million dollars, based on the recent calculations. He’s perhaps most widely known for his portrayals of the smooth-speaking Eric ‘Otter’ Stratton in the 1978 comedy National Lampoon’s Pet Home and of Vice President John Hoynes in the NBC drama, The West Wing. He was noticed continuously in the function of Vice President on “The West Wing”. After that, he made an appearance in the NBC creation known as “The West Wing”, where he played the function of Vice President John Hoynes. In most cases, Matheson’s appeared just on three CBS movies including Three for the street , a short-lived drama, Keep It to Beaver and My Three Sons . He made an appearance in the series in the time from 1961 till 1962. In this film, he made an appearance following to Henry Fonda and Lucille Ball. Born in 1947, the actor was 13 years outdated, when he got his 1st professional work as an actor. Aside from directing in Burn off Notice , Matheson has aswell played a recurring function in the film. Tim Matheson in addition has appeared as a tone of voice actor. Two years afterwards, he got his initial job as a tone of voice actor in the earlier mentioned animated series “Jonny Quest”. Another animated production where he appeared was known as “Space Ghost”, where he made an appearance as Jace. In 1969, Matheson became a member of the cast of NBC’s The Virginian western series in the eighth period as Jim Horn. As such, he was selected to tone of voice the leading part in the animated series known as “Jonny Quest”. Tim never taken care of immediately this comment. In 1969, Tim Matheson started to come in the NBC Television series known as “The Virginian”, which he became a member of in the 8th time of year. In these series, he got the part of Jim Horn. In furthering his acting profession, Matheson starred in Fletch or more the Creek , both which are comedy movies. In the last time of year of the series known as “Bonanza”, the actor was selected to seem as Griff King. After that, in 1973, Tim Matheson appeared as Phil Nice in the film called “Magnum Pressure”. Before that, he made an appearance in a few series on CBS, called “Keep it to Beaver” and “My Three Sons”. –> Quick facts Day of Birth 31-12-1947 Birth Place Glendale, California, USA Height 1. Consequently, his many Television appearances have produced him well known and in addition added up to the quantity of Tim Matheson net well worth. In 1976, he was became a member of by Kurt Russell to surface in a short-resided series on NBC known as “The Quest”. The series had been made up of 15 episodes. In 1978, he got his breakthrough when he starred in the film known as “National Lampoon’s Animal Home” with John Belushi. He’s not energetic anywhere on networks. In 1984, the actor appeared in the humor known as “Up the Creek” and twelve months later, he was selected to surface in another humor known as “Fletch”. Timothy Lewis Matthison can be an American actor, director and producer. He is popular for his functions in National Lampoon’s Pet House and in addition for his part as John Hoynes in the NBC drama, ‘The west wing’. SYNOPSIS –> Go through the picture to enlarge. In 1975, he got a guest starring part in the CBS creation known as “Three for the street”.88 m Alma Mater California State University, Northridge Children Molly Matheson, Emma Matheson, Cooper Matheson Ex. Wife Megan Murphy Matheson,Jennifer Leak Marital Position Divorced Marriage Date 1968,1985 Divorced Date 1971,2010 Profession Actor, tone of voice actor, tv director T.V. Present(s) Hart Of Dixie, Jonny Quest, Bonanza. Birth Sign Capricorn Ethnicity Light Net Worthy of $5 Million Dollars Nationality American Employer Movies, TELEVISION SHOWS He got divorced from Megan Murphy after a relationship lifestyle of 25 years, this year 2010. Tim still left his partying design and it got 6 years for Megan to simply accept him as her hubby. He wedded Megan in 1985. He never really had luck with women, when he was youthful. He visited prom along with his sister’s girlfriend. He performed the part of Roddy Miller in this arranged for about a 12 months. Before Meghan, he was wedded to Jennifer Leak. The partnership fell apart within six months following the wedding. In 1979, he fulfilled Megan with whom he fell in like at the first view. Megan was not drawn to the partying Hollywood celebrity and therefore, she denied his proposal. He was wedded to his 1st wife, Jannifer Leak in 1968 and got separated in 1971. He also had an enchanting fling with Stacey Nelkin before his romantic relationship with Leak. He was regarded as a co-celebrity in “National Lampoon’s Pet House” in the entire year 1978. The reason behind his two divorces aren’t known to general public. There are no information regarding why his romantic relationship with Nelkin split up, too. He hardly ever spoke about his divorce, but had provided an interview about how exactly to survive it and also have fun from it. There are no information regarding his relationship along with his previous wives and in addition his kids. He was viewed as the con guy in the entire year 1996 in “AN EXTREMELY Brady Sequel”. The custody of children was also not really a portion of the separation because they were a lot more than 18 years old if they got divorced. His current dating romantic relationship is also undercover. He’s not really seen with any female in public areas to be rumored with an affair with. There are no reviews about his cheating on his wives. Megan and Leak likewise have a history, free from extra-marital interactions. the pilot event. There are some misunderstandings that he’s dating Julie Gillards. Julie Gillards is certainly dating Tim Mathieson, a hairdresser rather than Period Matheson, the actor. According to the reports, he’s single as of this moment. Within an interview, Kristie Alley mentioned that she dated Tim in the first 1980’s. Their romantic relationship finished when Tim’s fiancé Additionally, Matheson directed Covert Affairs in ’09 2009 – Kristie escaped out from the window in order to avoid a picture. You’ll want noted that he did a lot of films and Television shows in his existence and still does it.e while a key fiancée and there are zero details while whether it had been Megan. Thus, most of these appearances started to accumulate the entire quantity of Tim Matheson net well worth. He was dating Megan in the first 80’s and was engaged to her just by 1986. Therefore, there are a great number of chances that the trick fiancé He offers directed episodes of “The Twilight Zone”, “With out a Trace”, “The West Wing” and “Criminal Thoughts”. There are no information as how Megan reacted to the. Kristie’s sex story could possibly be the reason behind Megan’s separation from Tim, according to some sources. Fundamentally, in the series, the storyline was about two teenagers searching for their sister’s whereabouts in the American West – He has preserved his body even as of this age. Increasing these Television shows, he has performed quite some movies aswell. From there, he continued to a steady profession in both film and tv projects. Aside from acting, Matheson’s tone of voice had been used for industrial reasons on Jonny Quest . After that animated series, Matheson’s voice in addition has been employed in several other animations including Space Ghost and Sinbad Jr. and his Magic Belt . Matheson in addition has cast alongside Henry Fonda and Lucille Ball in Mine, Yours and Ours. In 1969, Matheson became a cast in The Virginian , NBC’s tv series, playing as Jim Horn. After playing in The Virginia , Matheson after that took a guest part in Night Gallery . That they had 3 kids. In the film, Timothy’s part was that of a parolee called Griff King whose ambition was to provide a reformation to his existence. Right after paying Griff King, Matheson characterized Phil Nice, a motorbike cop, in Magnum Push . 2 yrs later, Timothy was once again featured on several CBS films. Both these productions also have added up to the full total size of Tim Matheson net worthy of. Heading back to where his profession started. Matheson also made an appearance previous in the CBS tv humor series My Three Sons and Keep It to Beaver. Some supply tags Tim and Kristie’s boyfriend and some sources confirm that these were just having an informal sexual relationship rather than a serious romantic relationship. the sister was a captive. Sadly, Matheson does not have any official Facebook or Instagram web page. In 1964, he offered the tone of voice of the lead personality in the cartoon system Jonny Quest. Tim Matheson made an appearance as a guest in a single bout of the series known as “Night Gallery”. Apart from acting, Matheson attempted to place his entrepreneurial capabilities into practice some years back again, as well as Dan Grodnik, if they bought National Lampoon . He offers appeared in such movies as “Yours, Mine, and Ours”, “National Lampoon’s Pet Home”, “Up the Creek”, “Fletch”, “Buried Alive”, “She’s All That”, and “Redline”. Nevertheless, it had been rather unfortunate that Matheson and his business partner were not able to recreate the magazine to circumstances of financial stability. Because of this, the business companions resolved to resell it in 1991. Furthermore to casting in various films and Television series, Matheson in addition has directed several episodes of certain movies including Burn See and Third View . He was selected for the component of Roddy Miller to portray in the CBS humor series called “Windowpane on Main Road”. The additional of Matheson’s directed episodes contains films such as for example Suits , Ed , Criminal Thoughts , The Twilight Zone , White colored Collar , Cold Case , White colored Collar , With out a Trace , Shark , The West Wing , THE NICE Men and Psych .e visited him unexpectedly. He was no indulged in an enchanting fling when he was wedded. He offers been popularly known for his functions in the TV displays The West Wing and National Lampoon’s Animal Home. He also directed THE NICE Guys , a pilot show for Criminal Behavior. Tim Matheson net well worth: Tim Matheson can be an American actor, director, and producer who includes a net well worth of $7 million Tim Matheson was created in Glendale, California, and began his professional performing career in the first 60s, showing up on the tv screen show, “Window on Primary Road”. The film was a nostalgia humor, and Matheson was presented while at age group 13. However the few headed for divorce from then on.A.”, “Night time Gallery”, “Ironside”, “Rhoda”, “The Quest”, “The way the West Was Won”, “Fallen Angels”, “Buried Secrets”, “The King of Queens”, and “Entourage”. During this time period, the magazine was entangled in severe financial meltdown.
Known for movies
Animal House (1978) as Eric Stratton
The West Wing (1999-2006) as Vice President John Hoynes / John Hoynes / Senator John Hoynes
Hart of Dixie (2011-2015) as Dr. Brick Breeland
Van Wilder (2002) as Vance Wilder Sr.
Quick Facts
Full Name
Tim Matheson
Net Worth
$5 Million
Date Of Birth
December 31, 1947
Height
1.88 m
Profession
Television producer, Film producer, Voice Actor, Film director, Television Director
Primetime Emmy Award for Outstanding Guest Actor in a Drama Series, Critics' Choice Television Award for Best Actor in a Movie/Miniseries
Movies
Animal House, National Lampoon's Van Wilder, Fletch, Up the Creek, 1941, Magnum Force, Yours, Mine and Ours, Behind Enemy Lines: Colombia, Sometimes They Come Back, A Very Brady Sequel, Buried Alive, Drop Dead Fred, Black Sheep, The Apple Dumpling Gang Rides Again, A Little Sex, Solar Crisis, She's All That, The Story of Us, How to Commit Marriage, Chump Change, Navigating the Heart, Don't Come Knocking, Divorce American Style, Joshua's Heart, Bay Cove, Forever Love, True Confessions of a Hollywood Starlet, Christmas in My Hometown, To Love and Die, Quicksand: No Escape, Martha, Inc.: The Story of Martha Stewart, Augusta, Gone, Buried Alive II, The King and Queen of Moonlight Bay, An Unfinished Affair, Redline, Dreamer, A Kiss to Die For, Sleeping with the Devil, Magnificent Desolation: Walking on the Moon, The Longest Drive, Hell Swarm, Breach of Conduct, A Very Unlucky Leprechaun, Speed Zone, Buried Secrets, Mom's on Strike, No Strings Attached, Mary White, To Be or Not to Be, Twilight Man
TV Shows
Hart of Dixie, Jonny Quest, Bonanza, The Virginian, Window on Main Street, Charlie Hoover, Tucker's Witch, Wolf Lake, The Legend of Calamity Jane, The Quest, Space Ghost, Samson & Goliath, The Alvin Show, Just in Time, Breaking News
When he originally auditioned for Animal House (1978), the producers wanted him to play one of the no-nonsense. straight-laced Omegas. However, he adamantly refused, saying, "I'm tired of playing it straight," and sought a role as one of the hard-partying, fun-loving Deltas. He succeeded and got the role of Otter, one of the most fun-loving Deltas of the whole film.
Played a character with the surname Stratton in National Lampoon's Animal House (1978) and then a character trying to romance a beautiful young woman whose surname was Stratton in 1941 (1979).
For years after playing ladies'-man Otter in Animal House (1978), he had to explain to disappointed fans that, no, that was only a character he played, and he couldn't really offer them sexual advice.
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Son: Cooper Matthieson (b. 1994).
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Daughters: Molly Matthieson (b. 1986), Emma Matthieson (b. 1988).
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Served in the USMC reserves.
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Was the voice of Jonny Quest in the Jonny Quest (1964) series.
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Born at 9:00pm-PST.
Quotes
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Quote
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(2009, on The West Wing) So dear to my heart. The finest group of actors, the best directors, the best writers... as good as any that I've ever worked with. The funny thing about it is-and I don't know what Aaron Sorkin says about it-but I'm convinced it was a comedy. It's a very intellectual and cerebral comedy, but it was SportsNight in the White House. It had an energy and a vitality and an intelligence and a passion that's rare. And it was extremely difficult to do, because they were so demanding about the dialogue. You had to say it exactly as written, to the punctuation. And if you didn't, you'd do it again. But it was so worthwhile. It was one of the few times you realize, "I should say this dialogue the way it's written, because it's exactly right."
2
(2009, on The Quest) I learned a hell of a lot from my co-star, Kurt Russell. He's one of my closest friends and was one of my best teachers. He was the pro. He approached it like a baseball player. Acting is a contact sport to him. He's one of the most optimistic, fun, wiseacre type of guys I've ever have run into. You can't be pompous around him. I used to take acting so seriously, but after we did the Quest pilot and the show sold, Kurt said, "You know, you work too hard. You'll make yourself sick. You can't work that hard doing a series, because it goes on so long. It's like a baseball season. You've got 162 games. You can't just go all-out the first week or two. You can't maintain that pace." And it's true. Then he said another brilliant thing. He had starred in umpteen movies by that point. And he said, "Generally speaking, in every film I've done, there are only about three or four scenes that I can really do something with. For the rest of it, it's not so much that you don't have to prepare, but there's not much you can really do. You just do what is asked of you in those scenes. You don't want to do too much." He's so smart. It was a great insight. You don't hear technical stuff like that taught in acting school. It's the kind of sage wisdom coming from a guy who was 25 at the time, but already had 20 years of experience. He's a wonderful actor and a great guy. The Quest was a treat.
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(2009, on Charlie Hoover) That could've been a good show if we'd done it before an audience. Sam Kinison was so charismatic, but he needed an audience. It would've been so much better if we'd gotten away from all this special-effects nonsense of having him be on my shoulder. It was cute, and maybe they used that device to sell it, but we should've just done it with a live audience, because Sam was amazing in front of a live audience. What a tragic character. I just adored him, but you could just see the train wreck coming. He was one of the most compulsive people I'd ever seen. Belushi was that way, and Chris Farley was that way. He was incredibly talented and made me laugh so hard, and there was nothing he wouldn't say. Such a unique, amazing, cynical, realistic, but still optimistic look at life he had. It was great fun to get to know him.
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(2009) I was born and raised in L.A. My father was born and raised in L.A. So we're old hands here... I always wanted to be an actor. I was one of those lucky kids-or cursed kids-who always knew what he wanted to do. My wife too. She's a ballet dancer, and she's known what she wanted to do since she was 5. My mother used to tell this story about how our TV set had been taken to be repaired, and back then, they took the set out of the console. So there was this empty console with an empty TV screen in it, and I would climb inside and be like, "I'm on TV!"
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(2009, on Animal House) That wasn't too long after The Quest. I was just dying to get out of the constraints of television, and the constraints of the parts I'd been playing. I had taken a bunch of improv classes and was performing with The Groundlings. I wanted to get into more adult, risky stuff. I had read the Animal House script, and by hook and crook, I finally got an audition. I'd been turned down by them a couple of times, and offered a lesser role as one of the asshole Omegas. I said, "No way." Then I finally got the audition, and it was a great one. John Landis followed me out into the hallway afterward and said, "I've never done this before, but you've got the job. Now don't tell anyone!" I've never had a director do that. It was one of those Hollywood-dream-come-true stories. They saw me as a surfer or cowboy, not a preppie, but someone begged and borrowed me an audition, and I went in and got it. And it was one of those dream jobs where the cast came together and you looked around and were like, "Wow, this is great."
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(2009, on Leave It To Beaver) I was so star-struck, meeting Jerry Mathers. He invited me to his house for a party after I did like three episodes over the course of a season, and I remember thinking, "This is it, man. This is the Hollywood life! I'm an actor and I'm going to Jerry's party. This is how it begins!" I was 13 or 14, and I thought this was the beginning of something. And I kept thinking that with all those first jobs, "This is the beginning of something!" And then nothing would happen. That's the real Hollywood.
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(2009, on Jonny Quest) That was one of the most fun things I ever did, and I gotta tell you, I worked with some of the best actors I've ever worked with: Mel Blanc and Don Messick. They could play a scene against themselves. Think of the characters that Mel created, and they're as good or better than any performance anyone has ever given. I mean: Daffy Duck! Think of the specific voice Mel gave Daffy Duck or Bugs Bunny or Porky Pig... It's just astonishing. When I did Jonny Quest, I was in that gawky stage between kid and adult. I wasn't working much. So I focused on studying, and I really learned what it means to be an actor. And here I was on Jonny Quest,working with all these great people from back in the golden age of Hollywood, who came up doing radio. These were journeymen, working actors. It made me proud, and gave me some insight into what acting was really about if you weren't a star. Though you know, they used to send a car for Mel and Don every day. Don lived up here in Santa Barbara. They would drive him down and he would go from studio to studio and job to job all day long. Then the limo would drive him home at night, because he was such a valuable commodity. Mel was equally as talented or even better. It was a great education.
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(2009, on 1941) It had a lot of us Animal House guys in it. And working with Spielberg, how bad could it be? But it was one of those excessively big movies where every action scene was done and re-done and re-done again. It was so overproduced and overly expensive. And it wasn't terribly funny. I must say Steven was great to me, and I loved working with him. He called me up on the phone and was like, "I want you to be in this movie. There are a couple of parts. You can take whichever one you want. One of them is a main character who is involved in everything, and there's another character who has his own storyline and goes off on his own. He's probably the funnier, more unique character." I said, "Well let me do that second one."
When we started shooting and I read the script, I realized "They could cut this part out in a second." But he's great. Steven's one of the most visually talented and character-oriented directors I've ever worked with. And I learn from him every time I watch one of his movies. Good or bad-and he has made some awful movies-they're never uninteresting. He's made four or five of the greatest movies of all time. Perfect movies, like E.T. or Schindler's List or Saving Private Ryan. I also think Duel is perfect for a television movie. I liked Munich a lot too. So whenever I study a genre of filmmaking, he's the first guy I go to. Even Catch Me If You Can, which is a very lightweight kind of thing, if you just look at the economy of the way he designs his shots and works around actors, the craft is amazing.
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(2009, on Fletch) I got to work with one of my dear friends, Michael Ritchie, who ended up being my next-door neighbor for several years. And Chevy Chase, finally. I'd known Chevy a bit, but I'd never gotten to work with him. Chevy had been a bad boy with a drug problem, and had never really realized his potential. Fletch was the first movie he sort of straightened up on. And Michael was Harvard-educated, 6'6", a brilliant director and political thinker. He was the guy the studio thought could handle Chevy, and keep him in check. And he could. He'd shoot the movie the way he wanted it, then do one take for Chevy. When I worked with Chevy, he'd say, "Just ad lib and try to break me up. Just insult me. Anything." When we were doing his close-up, or when my back was to the camera, I would come up with jokes or quips or anything, to get a real reaction out of him. He was smart enough to know that was gold. So it was great fun working with him and Michael, and getting to see how the two worked together. I think Fletch and Clark Griswold were Chevy's two best roles. He's so incredibly talented and still vastly underused. I don't even know what he's doing now.
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Some directors just shoot characters walking around a set, and they think that's all they have to do. That's not it. Howard Hawks and John Ford knew where to put the camera. They knew if the camera was here or there, it tells the story better. And, early on as an actor, I remember sometimes thinking that I'd given a good performance in certain shows, but then when I finally saw my work, it wasn't particularly dynamic. There were flat shots, the directing wasn't very good ... But when I'd work with better directors, who'd stage my scenes differently, who use stronger camera angles, and -- perhaps even though I didn't give what I thought was the best performance -- the result was more dynamic and effective. And I thought, "Ah-ah! He made me a better actor by what he did as a director." So I think my job as a director is to help the actor give his or her best performance, as well as frame it in such a way to enhance whatever they do to create a stronger impact.
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[on starting out in his career as a child actor] Kurt [Kurt Russell] taught me a lot. Basically, Kurt left the business for about five years. He made a lot of money as a kid, then sort of went to be a baseball player. And after that he focused on skiing ... bought a house in Aspen and skied ... And he didn't care about it. My point is that you have to have a real life. I also think one has to reinvent oneself as a performer every five to seven years. I look at my career, and I was a kid actor who did cartoons, then I was a Western actor as a young man, then I was a comedy actor in movies, then a TV-movie actor, then a TV director ... There are different phases ... But I think one has a shelf life of about five to seven years where you're in a series, or you play a character, or you hit in a movie -- and that sort of wears out its welcome after a certain point. Then you've got to put it on its head, reinvent it, find a new approach, otherwise you're just stuck being that guy who did that thing back then. So I've always sought out new challenges. Also, I've tried to have a home life and a family. I raised my kids up in Santa Barbara and got away from the city of Los Angeles so that [the environment] wasn't so crazy for them to grow up in.
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I've stolen something from every director I've worked with. As an actor and a director, you steal from the best. And there's no reason why any shame should be attached to it.
$5 Million
