Rita Hayworth net value: Rita Hayworth was an American celebrity and dancer who had a net worthy of of $10 million., Unique Inspector, There’s Always a female, Convicted, Juvenile Courtroom, The Renegade Ranger, Homicide Bureau, The Lone Wolf Spy Hunt, Just Angels Possess Wings, Music in my own Center, Blondie on a Spending budget, Susan and God, the girl involved, Angels Over Broadway, The Strawberry Blonde, Affectionately Yours, Blood and Sand, YOU MAY NEVER Obtain Rich, My Gal Sal, Tales of Manhattan, You Had been Never Lovelier, Cover Young lady, Tonight and EVERY EVENING, Down to Earth, THE GIRL from Shanghai, Salome, Miss Sadie Thompson, Fire LISTED BELOW, Pal Joey, Individual Tables, They Found Cordura, The Tale on Web page One, The Happy Thieves, Circus World, THE AMOUNT OF MONEY Trap, The Rover, Street to Salina, and The Wrath of God. She rose to fame in the 1940s and is most beneficial known on her behalf role in the 1946 film Gilda. Hayworth starred in the films Cruz Diablo, In Caliente, Beneath the Pampas Moon, Charlie Chan in Egypt, Dante’s inferno, Paddy O’Day, Professional Soldier, Human Cargo, Match Nero Wolfe, Rebellion, Aged Louisiana, Strike the Saddle, Difficulty in Texas, Criminals of the Surroundings, Girls Can Play, THE OVERALL GAME That Kills, Life Starts with Like, Paid to Dance, The Shadow, Who Killed Gail Preston? Hayworth was called among the Top 25 Feminine FILM Stars of All-Period in AFI’s 100 Years…100 Superstars by the American Film Institute. Rita Hayworth was created in Brooklyn, NY in October 1918 and passed on in-may 1987. She was awarded a Superstar on the Hollywood Walk of Fame in 1960 at 1645 Vine Road. Rita Hayworth passed on on, may 14, 1987 at 68 years previous from Alzheimer’s disease. Who’s Rita Hayworth: Gorgeous and talented dancer,film actress and traditional pin-ups from America. Her biggest achievement came from her function in the Technicolor musical film ‘Cover Girl’ that was released in 1944. Early Life (Childhood): Mom Volga Hayworth and dad Eduardo Cansino Sr provided her birth in Brooklyn,NY.She had two brothers Eduardo Cansino Jr and Vernon Cansino. Personal Lifestyle: Hayworth’s ex-husbands had been Orson, Edward, James, Prince and Dick.She had done 61 films in 37 years career.Hayworth died due to Alzheimer’s disease. Interesting Specifics: Artists Group of America voted her lips as greatest in the globe.She had two kids named Rebecca Welles Manning and Yasmin Aga Khan. Accomplishment: Sour Apple Award,Superstar on the Walk of Fame and Academy Award. Rita Hayworth was an American film celebrity who gained fame through the 1930s-1940s. Known on her behalf explosive sexual charisma, Rita was dubbed ‘the like goddess’ by the press. She made an appearance in over 60 movies throughout her 37 years career.She was popular on her behalf appearance in movie noir gilda and cover gal. She died in-may of 1987 after battling Alzheimer’s disease. Rita Hayworth acquired a net well worth of $10 million.
| # | Fact |
|---|
| 1 |
Charlton Heston wrote about Rita Hayworth's brief marriage to James Hill. Heston and his wife Lydia joined the couple for dinner in a restaurant in Spain with the director George Marshall and Rex Harrison, Hayworth's co-star in "The Happy Thieves." Heston wrote in his memoir that the occasion "turned into the single most embarrassing evening of my life", describing how Hill heaped "obscene abuse" on Hayworth until she was "reduced to a helpless flood of tears, her face buried in her hands". Heston writes how they all sat stunned, witnesses to a "marital massacre" and though he was "strongly tempted to slug him" (Hill), he instead simply took his wife Lydia home when she stood up, almost in tears. Heston wrote, "I'm ashamed of walking away from Miss Hayworth's humiliation. I never saw her again.". |
| 2 |
Funeral service for Rita Hayworth was on May 19, 1987, at the Church of the Good Shepherd in Beverly Hills, California. Pallbearers included actors Ricardo Montalbán, Glenn Ford, Don Ameche, agent Budd Burton Moss, and the choreographer Hermes Pan. More than 500 mourners, including film greats, fans, relatives and friends, crowded into the Church to hear Rita Hayworth eulogized as a "sweet, kind, gentle lady" who was actually shy away from the cameras. This recollection of Miss Hayworth, was given by Jane Withers, a child actress in the 1930s and a friend of Miss Hayworth. Internment was at Holy Cross Cemetery in Culver City, California. Miss Hayworth's daughters, Rebecca Welles and Princess Yasmin, walked behind the coffin. |
| 3 |
On May 15, 1987, President Ronald Reagan issued the following statement on the death of Rita Hayworth: "Rita Hayworth was one of our country's most beloved stars. Glamorous and talented, she gave us many wonderful moments on stage and screen and delighted audiences from the time she was a young girl. In her later years, Rita became known for her struggle with Alzheimer's disease. Her courage and candor, and that of her family, were a great public service in bringing worldwide attention to a disease which we all hope will soon be cured. Nancy and I are saddened by Rita's death. She was a friend who we will miss. We extend our deep sympathy to her family.". |
| 4 |
In February 1987, Rita Hayworth fell into a semi coma and she died three months later. |
| 5 |
In July 1972, she was scheduled to replace Lauren Bacall in the original Broadway musical "Applause" playing at the Palace Theatre in New York City. She changed her mind when she felt she would have insufficient rehearsal time before opening. Anne Baxter replaced her. |
| 6 |
In 1962, she left the leading role in the three-act Broadway stage comedy "Step on the Crack", after three weeks of rehearsal because she realized the play still needed a great deal of rewriting. The play opened in the Ethel Barrymore Theatre in New York City on October 17th and closed the next day after one performance. |
| 7 |
Frequently worked with Charles Vidor. He directed her in The Lady in Question (1940), Cover Girl (1944), Gilda (1946) and The Loves of Carmen (1948). |
| 8 |
Became the first public face for Alzheimer's. During the 1960s she began forgetting her lines. The people around her thought it was due to drinking. Looking back it is believed she was in the early stages of Alzheimer's. |
| 9 |
Gave birth to her 2nd child at age 31, a daughter Yasmin Khan on December 26, 1949. Child's father was her 3rd ex-husband, Prince Aly Khan. |
| 10 |
Gave birth to her 1st child at age 26, a daughter Rebecca Welles on December 17, 1944. Child's father was her 2nd ex-husband, Orson Welles. |
| 11 |
A year after Blood and Sand (1941), Anthony Quinn announced that he and Hayworth would do a bullfight picture together, but it was never made. |
| 12 |
Director Rouben Mamoulian said of her to "Vogue", "On the screen, if an actor can move, he needs little else for a successful career. Hayworth moved better than anyone else I have ever seen in film. The camera responded to her movement as it did to Garbo's intelligence and Chaplin's mime.". |
| 13 |
She was referenced in the video game Medal of Honor: Rising Sun (2003). |
| 14 |
In the television series Franklin & Bash (2011), a large portrait of Hayworth in a silk negligee is frequently seen displayed in the law office where the main characters are employed. |
| 15 |
Along with Veronica Lake, Julie London and Lauren Bacall, she was one of four inspirations that helped create the character Jessica Rabbit. |
| 16 |
Both she and last husband, James Hill, died of complications from Alzheimer's disease. |
| 17 |
She was a lifelong liberal Democrat. |
| 18 |
Was good friends with Hermes Pan. |
| 19 |
Former stepmother of Christopher Welles and Dick Haymes Jr.. |
| 20 |
She was awarded a Star on the Hollywood Walk of Fame at 1645 Vine Street in Hollywood, California on February 8, 1960. |
| 21 |
According to the book "Debrett Goes to Hollywood" by Charles Kidd, Rita was descended on her mother's side from an Allyn Haworth, whose family was reputed to be descended from the town of Haworth in West Yorkshire. Haworth is also famous as the home of the Bronte sisters. |
| 22 |
One of the few actresses to have danced with both Fred Astaire and Gene Kelly in the movies, other actresses that have also done this includes Judy Garland, Cyd Charisse, Vera-Ellen, Debbie Reynolds and Leslie Caron. |
| 23 |
When she died, it was her former Paddy O'Day (1936) co-star Jane Withers who delivered the eulogy at her funeral. |
| 24 |
Cousin of Ginger Rogers and niece of actor Vinton Hayworth. |
| 25 |
Biography in: "The Scribner Encyclopedia of American Lives". Volume Two, 1986-1990, pages 399-400. New York: Charles Scribner's Sons, 1999. |
| 26 |
In Italy, all her films were dubbed by either Tina Lattanzi, most notably in Gilda (1946), and later in her career by Lidia Simoneschi. |
| 27 |
Under of the influence of second husband Orson Welles, Rita began to read classic literature. While pregnant in 1944, she was very impressed by Sir Walter Scott's "Ivanhoe" and named her firstborn daughter Rebecca after the novel's heroine. |
| 28 |
Columbia Pictures chief Harry Cohn only began taking interest in Hayworth as star material after she began undergoing painful electrolysis treatments (at the urging of husband Eddie Judson), which drastically altered her hairline and appearance. |
| 29 |
Publicist Henry Rogers, hired by Eddie Judson to promote his wife, said of him, "It seemed to me that Eddie would have sold his wife to the highest bidder if it would have advanced her career.". |
| 30 |
Along with James Cagney, is mentioned by name in the Tom Waits' song "Invitation to the Blues". |
| 31 |
Is portrayed by Veronica Watt in Hollywoodland (2006). |
| 32 |
Subject of The White Stripes song "Take, Take, Take" from the album "Get Behind Me Satan". |
| 33 |
Was portrayed by Lynda Carter in Rita Hayworth: The Love Goddess (1983). |
| 34 |
Is one of the many movie stars mentioned in Madonna's song "Vogue". |
| 35 |
Was named #19 Actress, The American Film Institutes 50 Greatest Screen Legends. |
| 36 |
She was voted the 34th Greatest Movie Star of all time by Premiere Magazine. |
| 37 |
She was voted the 65th "Greatest Movie Star" of all time by Entertainment Weekly. |
| 38 |
She was the first bombshell to appear on one of the posters in The Shawshank Redemption (1994). (The other two were Marilyn Monroe and Raquel Welch). |
| 39 |
The Maria Vargas character (played by Ava Gardner) in the 1954 Joseph L. Mankiewicz film The Barefoot Contessa (1954)) was based on her. |
| 40 |
She was the producers' first choice for Casablanca (1942), but they couldn't get her and were fortunate to settle for Ingrid Bergman. |
| 41 |
On May 27, 1949, she married Prince Aly Khan. Many people forget that Rita, not Grace Kelly, was the first movie star to become a princess. |
| 42 |
In 1946, an expedition into the wilderness of Canada's unexplored Headless Valley came across an abandoned trapper's shack. In it the expedition found three things: a candle, a can of beans, and a picture of Rita. |
| 43 |
Knocked out two of Glenn Ford's teeth during their fight in Gilda (1946). |
| 44 |
It was James Hill, her fifth husband, who recognised her true talent as a comedienne. He tried to encourage her to do more comedy, but she felt that it was too late and instead began to resent him for pushing her into more work. |
| 45 |
Nephew: Richard Cansino. |
| 46 |
Sister of Eduardo Cansino Jr. and Vernon Cansino. |
| 47 |
The famous red hair was not her natural color (which was black). When she was signed, studio heads decided that her hairline was too low on her forehead, and she underwent years of painful electrolysis to make it higher. |
| 48 |
In the early 1940s, she replaced Jean Arthur as the top female star at Columbia Pictures. Coincidentally, the two stars share the same birthday (October 17). |
| 49 |
In 1947, started her own production company, "Beckworth Corporation" (formed from syllables of her daughters name, Rebecca, and her own surname). It was dissolved in 1954 under advice from her fourth husband, Dick Haymes. |
| 50 |
Through her mother she is part Irish and part English. |
| 51 |
Chosen by Empire magazine as one of the "100 Sexiest Stars" in film history (#54). |
| 52 |
Interred at Holy Cross Cemetery in Culver City, California, USA, in the Grotto section, L196, #6 (to the right of the main sidewalk, near the curb). |
| 53 |
The image of her face was glued onto an A-bomb which was dropped on the Bikini Atoll during a test in 1946. |
| 54 |
She played the sister of Barbara Stanwyck in A Message to Garcia (1936), but after a test screening all her scenes were cut at the request of Darryl F. Zanuck. |
| 55 |
Owned the production company "Hillworth Productions A.G." together with her fifth husband, James Hill. |
| 56 |
Her own singing voice is heard in the introductions to her songs (otherwise dubbed by Jo Ann Greer) in Pal Joey (1957). |
| 57 |
Her singing was dubbed by Nan Wynn (1941-1944), Martha Mears (1945), Anita Ellis (1946-1948), and Jo Ann Greer (1952-1957). |
| 58 |
The famous Bob Landry photo of Rita in "Life", 11 August 1941, p. 33, made her the number 2 soldier pin-up of World War II. |
| 59 |
She appeared five times on the cover of "Life" Magazine. |
| 60 |
Her first (uncredited) appearance on film was with the dancing Cansino family in a Vitaphone short La Fiesta (1926). |
| 61 |
Mother, showgirl Volga Hayworth (sometimes spelled Haworth), met Eduardo on Broadway in 1916; they married 1917. |
| 62 |
Her dancer father, Eduardo Cansino, himself the son of a dancer, came to New York from Spain in 1913 with sister Elisa. |
| 63 |
Some legends say the Margarita cocktail was named for her when she was dancing under her real name in a Tijuana, Mexico nightclub. |
| 64 |
Ranked #98 in Empire (UK) magazine's "The Top 100 Movie Stars of All Time" list. [October 1997] |
| 65 |
She appeared in five movies with classic leading actor Glenn Ford: Affair in Trinidad (1952), The Lady in Question (1940), The Loves of Carmen (1948), The Money Trap (1965) and Gilda (1946). |
| 66 |
The annual Rita Hayworth charity gala, managed by daughter Princess Yasmin Khan, raised $1.8 million in 1999 alone for the Alzheimer's Association. |
| 67 |
Frequently worked with Charles Vidor. He directed her in The Lady in Question (1940), Cover Girl (1944), Gilda (1946) and The Loves of Carmen (1948). |
| 68 |
Became the first public face for Alzheimer's. During the 1960s she began forgetting her lines. The people around her thought it was due to drinking. Looking back it is believed she was in the early stages of Alzheimer's. |
| 69 |
Gave birth to her 2nd child at age 31, a daughter Yasmin Khan on December 26, 1949. Child's father was her 3rd ex-husband, Prince Aly Khan. |
| 70 |
Gave birth to her 1st child at age 26, a daughter Rebecca Welles on December 17, 1944. Child's father was her 2nd ex-husband, Orson Welles. |
| 71 |
A year after Blood and Sand (1941), Anthony Quinn announced that he and Hayworth would do a bullfight picture together, but it was never made. |
| 72 |
Director Rouben Mamoulian said of her to "Vogue", "On the screen, if an actor can move, he needs little else for a successful career. Hayworth moved better than anyone else I have ever seen in film. The camera responded to her movement as it did to Garbo's intelligence and Chaplin's mime.". |
| 73 |
She was referenced in the video game Medal of Honor: Rising Sun (2003). |
| 74 |
In the television series Franklin & Bash (2011), a large portrait of Hayworth in a silk negligee is frequently seen displayed in the law office where the main characters are employed. |
| 75 |
Along with Veronica Lake, Julie London and Lauren Bacall, she was one of four inspirations that helped create the character Jessica Rabbit. |
| 76 |
Both she and last husband, James Hill, died of complications from Alzheimer's disease. |
| 77 |
She was a lifelong liberal Democrat. |
| 78 |
Was good friends with Hermes Pan. |
| 79 |
Former stepmother of Christopher Welles and Dick Haymes Jr.. |
| 80 |
She was awarded a Star on the Hollywood Walk of Fame at 1645 Vine Street in Hollywood, California on February 8, 1960. |
| 81 |
According to the book "Debrett Goes to Hollywood" by Charles Kidd, Rita was descended on her mother's side from an Allyn Haworth, whose family was reputed to be descended from the town of Haworth in West Yorkshire. Haworth is also famous as the home of the Bronte sisters. |
| 82 |
One of the few actresses to have danced with both Fred Astaire and Gene Kelly in the movies, other actresses that have also done this includes Judy Garland, Cyd Charisse, Vera-Ellen, Debbie Reynolds and Leslie Caron. |
| 83 |
When she died, it was her former Paddy O'Day (1935) co-star Jane Withers who delivered the eulogy at her funeral. |
| 84 |
Cousin of Ginger Rogers and niece of actor Vinton Hayworth. |
| 85 |
Biography in: "The Scribner Encyclopedia of American Lives". Volume Two, 1986-1990, pages 399-400. New York: Charles Scribner's Sons, 1999. |
| 86 |
In Italy, all her films were dubbed by either Tina Lattanzi, most notably in Gilda (1946), and later in her career by Lidia Simoneschi. |
| 87 |
Under of the influence of second husband Orson Welles, Rita began to read classic literature. While pregnant in 1944, she was very impressed by Sir Walter Scott's "Ivanhoe" and named her firstborn daughter Rebecca after the novel's heroine. |
| 88 |
Columbia Pictures chief Harry Cohn only began taking interest in Hayworth as star material after she began undergoing painful electrolysis treatments (at the urging of husband Eddie Judson), which drastically altered her hairline and appearance. |
| 89 |
Publicist Henry Rogers, hired by Eddie Judson to promote his wife, said of him, "It seemed to me that Eddie would have sold his wife to the highest bidder if it would have advanced her career.". |
| 90 |
Along with James Cagney, is mentioned by name in the Tom Waits' song "Invitation to the Blues". |
| 91 |
Is portrayed by Veronica Watt in Hollywoodland (2006). |
| 92 |
Subject of The White Stripes song "Take, Take, Take" from the album "Get Behind Me Satan". |
| 93 |
Was portrayed by Lynda Carter in Rita Hayworth: The Love Goddess (1983). |
| 94 |
Is one of the many movie stars mentioned in Madonna's song "Vogue". |
| 95 |
Was named #19 Actress, The American Film Institutes 50 Greatest Screen Legends. |
| 96 |
She was voted the 34th Greatest Movie Star of all time by Premiere Magazine. |
| 97 |
She was voted the 65th "Greatest Movie Star" of all time by Entertainment Weekly. |
| 98 |
She was the first bombshell to appear on one of the posters in The Shawshank Redemption (1994). (The other two were Marilyn Monroe and Raquel Welch). |
| 99 |
The Maria Vargas character (played by Ava Gardner) in the 1954 Joseph L. Mankiewicz film The Barefoot Contessa (1954)) was based on her. |
| 100 |
She was the producers' first choice for Casablanca (1942), but they couldn't get her and were fortunate to settle for Ingrid Bergman. |
| 101 |
On May 27, 1949, she married Prince Aly Khan. Many people forget that Rita, not Grace Kelly, was the first movie star to become a princess. |
| 102 |
In 1946, an expedition into the wilderness of Canada's unexplored Headless Valley came across an abandoned trapper's shack. In it the expedition found three things: a candle, a can of beans, and a picture of Rita. |
| 103 |
Knocked out two of Glenn Ford's teeth during their fight in Gilda (1946). |
| 104 |
It was James Hill, her fifth husband, who recognised her true talent as a comedienne. He tried to encourage her to do more comedy, but she felt that it was too late and instead began to resent him for pushing her into more work. |
| 105 |
Nephew: Richard Cansino. |
| 106 |
Sister of Eduardo Cansino Jr. and Vernon Cansino. |
| 107 |
The famous red hair was not her natural color (which was black). When she was signed, studio heads decided that her hairline was too low on her forehead, and she underwent years of painful electrolysis to make it higher. |
| 108 |
In the early 1940s, she replaced Jean Arthur as the top female star at Columbia Pictures. Coincidentally, the two stars share the same birthday (October 17). |
| 109 |
In 1947, started her own production company, "Beckworth Corporation" (formed from syllables of her daughters name, Rebecca, and her own surname). It was dissolved in 1954 under advice from her fourth husband, Dick Haymes. |
| 110 |
Through her mother she is part Irish and part English. |
| 111 |
Chosen by Empire magazine as one of the "100 Sexiest Stars" in film history (#54). |
| 112 |
Interred at Holy Cross Cemetery in Culver City, California, USA, in the Grotto section, L196, #6 (to the right of the main sidewalk, near the curb). |
| 113 |
The image of her face was glued onto an A-bomb which was dropped on the Bikini Atoll during a test in 1946. |
| 114 |
She played the sister of Barbara Stanwyck in A Message to Garcia (1936), but after a test screening all her scenes were cut at the request of Darryl F. Zanuck. |
| 115 |
Owned the production company "Hillworth Productions A.G." together with her fifth husband, James Hill. |
| 116 |
Her own singing voice is heard in the introductions to her songs (otherwise dubbed by Jo Ann Greer) in Pal Joey (1957). |
| 117 |
Her singing was dubbed by Nan Wynn (1941-1944), Martha Mears (1945), Anita Ellis (1946-1948), and Jo Ann Greer (1952-1957). |
| 118 |
The famous Bob Landry photo of Rita in "Life", 11 August 1941, p. 33, made her the number 2 soldier pin-up of World War II. |
| 119 |
She appeared five times on the cover of "Life" Magazine. |
| 120 |
Her first (uncredited) appearance on film was with the dancing Cansino family in a Vitaphone short La Fiesta (1926). |
| 121 |
Mother, showgirl Volga Hayworth (sometimes spelled Haworth), met Eduardo on Broadway in 1916; they married 1917. |
| 122 |
Her dancer father, Eduardo Cansino, himself the son of a dancer, came to New York from Spain in 1913 with sister Elisa. |
| 123 |
Some legends say the Margarita cocktail was named for her when she was dancing under her real name in a Tijuana, Mexico nightclub. |
| 124 |
Ranked #98 in Empire (UK) magazine's "The Top 100 Movie Stars of All Time" list. [October 1997] |
| 125 |
She appeared in five movies with classic leading actor Glenn Ford: Affair in Trinidad (1952), The Lady in Question (1940), The Loves of Carmen (1948), The Money Trap (1965) and Gilda (1946). |
| 126 |
The annual Rita Hayworth charity gala, managed by daughter Princess Yasmin Khan, raised $1.8 million in 1999 alone for the Alzheimer's Association. |
| # | Quote |
|---|
| 1 |
[on her husbands] They fell in love with Gilda and woke up with me. |
| 2 |
I've always been so bored with the empty stuff I've had to play. But I've always been happiest when I've had a definite character slant to a role. |
| 3 |
Sensitive, shy -- of course I was. The fun of acting is to become someone else. |
| 4 |
[on her marriage to Edward Judson] I married him for love; he married me for an investment. |
| 5 |
All the action in the screenplay for Separate Tables (1958) took place in a seaside hotel in England, which was a mecca for tourists in the summer and a haven for the desperate and lonely in the winter. |
| 6 |
Orson Welles was trying something new with me on The Lady from Shanghai (1947) but Harry Cohn wanted The Image -- The Image he was going to make me until I was 90. |
| 7 |
Sometimes when I find myself getting impatient, I just remember the times I cried my eyes out because nobody wanted to take my picture at the Trocadero. |
| 8 |
I didn't like dancing very much, but I didn't have the courage to tell my father, so I began taking the lessons. Rehearse, rehearse, rehearse. That was my girlhood. |
| 9 |
I couldn't get used to the New York weather. On one occasion, I was laid up for a week because I caught a severe cold rushing from the dance studio, still soaked with perspiration, back to the hotel for voice lessons. |
| 10 |
I was never sick during The Lady from Shanghai (1947). Poor Orsie [Orson Welles] was the one who was sick; Harry Cohn made him sick. |
| 11 |
Who wouldn't prefer having breakfast in bed to getting up at the crack of dawn and having a cup of coffee in a studio makeup department? |
| 12 |
I was certainly a well-trained dancer. I'm a good actress: I have depth. I have feeling. But they don't care. All they want is the image. |
| 13 |
I rode on horseback, though I was terrified of them. That was when I was doing westerns. They were something else again. And I did them because that was work, that was my job. So I don't start from the top. |
| 14 |
I wanted to study singing, but Harry Cohn kept saying, "Who needs it?" and the studio wouldn't pay for it. They had me so intimidated that I couldn't have done it anyway. They always said, "Oh, no, we can't let you do it. There's no time for that; it has to be done right now!" I was under contract, and that was it. |
| 15 |
[on why she divorced Orson Welles] I can't take his genius any more. |
| 16 |
[early in her career about husband Eddie Judson] I owe everything to Ed. I could never have made the grade in Hollywood without him. I was just too backward. My whole career was his idea. |
| 17 |
Increasingly, stars are recruited from the ranks of professional models, with the result that today's starlets are better dressed and better groomed than ever before, though it is doubtful if they are better actresses. |
| 18 |
After all, a girl is... well, a girl. It's nice to be told you're successful at it. |
| 19 |
We are all tied to our destiny and there is no way we can liberate ourselves. |
| 20 |
No one can be Gilda 24 hours a day. |
| 21 |
Basically, I am a good, gentle person, but I'm attracted to mean personalities. |
| 22 |
Every actor, every director, everybody needs an Oscar. You have to have that little statue in Hollywood, or else you're nothing! |
| 23 |
The fun of acting is to become someone else. |
| 24 |
I think all women have a certain elegance about them which is destroyed when they take off their clothes. |
| 25 |
What surprises me in life are not the marriages that fail, but the marriages that succeed. |
| 26 |
All I wanted was just what everybody else wants, you know, to be loved. |
| 27 |
[1974, when asked what she thought when she looks at herself after waking up in the morning] Darling, I don't wake up 'til the afternoon. |
| 28 |
I never really thought of myself as a sex goddess; I felt I was more a comedian who could dance. |
| 29 |
[when asked what had held up her dress in Gilda (1946)] Two things. |
| 30 |
I haven't had everything from life. I've had too much. |
| 31 |
[To writer Virginia Van Upp] Every man I have ever known has fallen in love with Gilda and awakened with me. |
| 32 |
[on her husbands] They fell in love with Gilda and woke up with me. |
| 33 |
I've always been so bored with the empty stuff I've had to play. But I've always been happiest when I've had a definite character slant to a role. |
| 34 |
Sensitive, shy -- of course I was. The fun of acting is to become someone else. |
| 35 |
[on her marriage to Edward Judson] I married him for love; he married me for an investment. |
| 36 |
All the action in the screenplay for Separate Tables (1958) took place in a seaside hotel in England, which was a mecca for tourists in the summer and a haven for the desperate and lonely in the winter. |
| 37 |
Orson Welles was trying something new with me on The Lady from Shanghai (1947) but Harry Cohn wanted The Image -- The Image he was going to make me until I was 90. |
| 38 |
Sometimes when I find myself getting impatient, I just remember the times I cried my eyes out because nobody wanted to take my picture at the Trocadero. |
| 39 |
I didn't like dancing very much, but I didn't have the courage to tell my father, so I began taking the lessons. Rehearse, rehearse, rehearse. That was my girlhood. |
| 40 |
I couldn't get used to the New York weather. On one occasion, I was laid up for a week because I caught a severe cold rushing from the dance studio, still soaked with perspiration, back to the hotel for voice lessons. |
| 41 |
I was never sick during The Lady from Shanghai (1947). Poor Orsie [Orson Welles] was the one who was sick; Harry Cohn made him sick. |
| 42 |
Who wouldn't prefer having breakfast in bed to getting up at the crack of dawn and having a cup of coffee in a studio makeup department? |
| 43 |
I was certainly a well-trained dancer. I'm a good actress: I have depth. I have feeling. But they don't care. All they want is the image. |
| 44 |
I rode on horseback, though I was terrified of them. That was when I was doing westerns. They were something else again. And I did them because that was work, that was my job. So I don't start from the top. |
| 45 |
I wanted to study singing, but Harry Cohn kept saying, "Who needs it?" and the studio wouldn't pay for it. They had me so intimidated that I couldn't have done it anyway. They always said, "Oh, no, we can't let you do it. There's no time for that; it has to be done right now!" I was under contract, and that was it. |
| 46 |
[on why she divorced Orson Welles] I can't take his genius any more. |
| 47 |
[early in her career about husband Eddie Judson] I owe everything to Ed. I could never have made the grade in Hollywood without him. I was just too backward. My whole career was his idea. |
| 48 |
Increasingly, stars are recruited from the ranks of professional models, with the result that today's starlets are better dressed and better groomed than ever before, though it is doubtful if they are better actresses. |
| 49 |
After all, a girl is... well, a girl. It's nice to be told you're successful at it. |
| 50 |
We are all tied to our destiny and there is no way we can liberate ourselves. |
| 51 |
No one can be Gilda 24 hours a day. |
| 52 |
Basically, I am a good, gentle person, but I'm attracted to mean personalities. |
| 53 |
Every actor, every director, everybody needs an Oscar. You have to have that little statue in Hollywood, or else you're nothing! |
| 54 |
The fun of acting is to become someone else. |
| 55 |
I think all women have a certain elegance about them which is destroyed when they take off their clothes. |
| 56 |
What surprises me in life are not the marriages that fail, but the marriages that succeed. |
| 57 |
All I wanted was just what everybody else wants, you know, to be loved. |
| 58 |
[1974, when asked what she thought when she looks at herself after waking up in the morning] Darling, I don't wake up 'til the afternoon. |
| 59 |
I never really thought of myself as a sex goddess; I felt I was more a comedian who could dance. |
| 60 |
[when asked what had held up her dress in Gilda (1946)] Two things. |
| 61 |
I haven't had everything from life. I've had too much. |
| 62 |
[To writer Virginia Van Upp] Every man I have ever known has fallen in love with Gilda and awakened with me. |
$10 Million
