Megan Follows is certainly a Canadian actress which includes around net worth of $2 million. Follows started her acting profession when she was nine years outdated and got an area in a Bell Canada industrial. She have shaded her locks in red color and also have beautiful blue eye. SYNOPSIS –> Go through the picture to enlarge. She was coordinated to create an impudent movement out of a college transport home window – Follows also acted in a number of TV films, such as for example Sin of Innocence, Inherit the Wind, and Back again to Hannibal: The Come back of Tom Sawyer and Huck Finn. She lent her tone of voice to the animated film The Nutcracker Prince in 1990. She made an appearance in a number of films, such as
Known for movies
Reign (2013-2016) as Queen Catherine de' Medici / Catherine / Queen Catherine
Anne of Green Gables (1985) as Anne Shirley
Anne of Avonlea (1987) as Anne Shirley
Anne of Green Gables: The Continuing Story (2000) as Anne Shirley
Canadian Screen Awards - Shaw Media Award for Best Performance by an Actress in a Continuing Leading Dramatic Role, Gemini Award for Best Performance by an Actress in a Featured Supporting Role in a Dramatic Program or Mini-Series, Genie Award for Best Performance by an Actress in a Leading Role
Movies
Anne of Green Gables, Anne of Avonlea, Anne of Green Gables: The Continuing Story, Silver Bullet, Termini Station, Hockey Night, Under the Piano, Two Brothers and a Bride, Breakfast with Scot, The Nutcracker Prince, Booky and the Secret Santa, Booky Makes Her Mark, Booky's Crush, Where Are the Dolls, Back to Hannibal: The Return of Tom Sawyer and Huckleberry Finn, Shania: A Life in Eight Albums, Cry in the Wild: The Taking of Peggy Ann, A Time of Destiny, Christmas Child, The Stork Derby, Pirate's Passage, Inherit the Wind, Hard Drive, The Chase, The Great Polar Bear Adventure, Reluctant Angel, Boys and Girls, Bar None, Pooka, Open Heart
TV Shows
Robson Arms, Second Chances, The Baxters, Matt and Jenny, Reign, Domestic Life
Lately has been appearing with the Soulpepper Theatre Company in Canada in such productions as "Fool for Love" (alongside previously real-life partner Stuart Hughes, who is a founding member of the Company), "The Real Thing," "Top Girls," "'night, Mother" (opposite real-life mother Dawn Greenhalgh), and "Cloud 9".
Her mother Dawn Greenhalgh starred with her in Anne of Green Gables (1985) as Mrs. Cadbury, the stern headmistress of the orphanage where Anne is brought to at the beginning of the film.
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Has dual Canadian/American citizenship.
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Only had three weeks to prepare for her role in Under the Piano (1996).
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Met future ex-husband Christopher Porter of Chester, Nova Scotia, on the set of Deep Sleep (1990), where he worked as a a gaffer.
[remembering her "Anne Of Green Gables" co-star and friend Jonathan Crombie] Truly I just remember at times just laughing so hard that you'd just be crying. He was so playful and silly and as I said really bright, so his humor was always informed with that, which made him even funnier. He had that beautiful face. He was a lot of fun, he was very open so you just felt he was someone who really wanted to play and it really was a new experience for him. We were all just in it to do the best that we could and we had a lot of fun.
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[on the title role in 'Anne of Green Gables'] It was not an easy character. She's iconic, so people think they know what she is, but she was multifaceted. She was not the appendage of a male character; she was number one. She had a lot of character defects that were fantastic to play. She had an uncontrollable temper; she was a compulsive talker; she had a rich fantasy life - all of which were products of the fact she was an orphan and raised in undesirable circumstances. And it is her intellect, her wit which turns that around and turns the community around. I think that is why that is why that story has had lasting power.
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I do experience more scrutiny because of [Anne of Green Gables], but I have come to the conclusion, for my own sanity, that I can only choose things according to my own barometer of what I'm trying to achieve or how I'm stretching and reaching. That's all I really have in my control. - MF, 2005 interview
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You see the allure of theatre. You see the jealousy. You see the frustration. All of it. My parents lived, breathed, ate and slept theatre. Emotions were right on the surface. Growing up, the unreal had as much importance as the real. - MF, 2005 interview