Joss Whedon Net Worth

Joss Whedon Net Worth is
$100 Million

Joss Whedon Biography

Multi-talented Whedon was created as Joseph HIll Whedon in NEW YORK, NY, U.S.A to instructor and political activists Lee Sterns and Television article writer Tom Whedon. He originates from a type of writers for tv shows as his grandfather can be John Whedon who was simply writer for Television shows like the Dick Van Dyke Display and The Donna Reed Display. Apart from being truly a screenwriter, he possesses many talents as a composer, film, comic book writer and television director/producer. He obtained fame as the creator of the acclaimed tv program Buffy The Vampire Slayer (1997 – 2003) which experienced a cult following. He’s currently working on Brokers of Shield, a fictional spy and peacekeeping company predicated on Marvel Comics’s SHIELD. He’s currently 51 years aged yet age hasn’t halted him from producing first class function in his field. He’s currently wedded to an architect and film maker Kai Cole and offers two kids together. They have a home in LA. In 2013 he earned GFCA award, Hugo award and again. His net worthy of is approximated at staggering $100 million. Joss Whedon can be an American screenwriter, film and tv producer and composer, author and director. He started his profession since 1989 as an employee writer. He previously directed many great and effective films and wrote some them. His motivation was his dad Tom Whedon who was simply an actor himself. In 1987, he graduated from Wesleyan University. His functions made him get many awards. Joss is definitely in a wedded relationship along with his wife who’s an architect. Then created a show predicated on the film for The WB which ran from 1997 to 2001. He doesn’t need to reveal some of his personal existence details to the general public.L. Joss Whedon net well worth in 2017: By 2017, the net well worth of Joss Whedon offers been estimated to become $120 million US dollars around. Joss authored Dark Equine Comics brief series, Fray. Joseph Hill “Joss” Whedon is definitely a talented person that has been recognized to are an American actor, a director of both movies and also TV shows, comic publication article writer, a composer, a display writer and producer. With two production businesses under him, he spent some time working directly in over 100 of movies and additional television programs. Along with his creative talent found in making displays like Brokers of S. Following advanced schooling at Connecticut’s Wesleyan University, he spent a yr mired in innovative and profession frustration, an ordeal that finished when he was employed as a article writer for the sitcom Roseanne.I. Or can it be that he hasn’t has anything to go over about relating to his romance. He isn’t discovered dating with anyone.D, Angel, Firefly, Buffy the Vampire Slayer therefore many others, he in addition has written stories for films like Toy Tale (1995), Serenity (2005), The Cabin in the Woods (2012), The Avengers (2012), Avengers: Age group of Ultron (2015) and many more as well. His skill is immense and blended with his commitment and hard work, may be the essential to his achievement. With a net value value of over 100 million US dollars, imaginable the attainment he provides achieved through the years. He provides been known as the world’s initial third-generation TV article writer, as his dad Tom Whedon was a screenwriter for The Electric Business, The Golden Women and Benson, while his grandfather John Whedon wrote for The Dick Van Dyke Display and The Donna Reed Display.S.A on the 23rd of June, 1964 as the child of dad Tom Whedon and mom Ann Lee Stearns. Performing is definitely in his bloodstream as he includes a genealogy of actors on his father’s part. His grandfather John Whedon, used to function in theatre and displays in the 50s along with the 60s, and his dad following a same footsteps worked well as an actor in addition to a screen article writer. He was known for his composing for displays like The Golden Young ladies and Alice, around 70s and 80s. Joss Whedon was created in a family group of screenwriters, thus, he’s usually known as the third-era screenwriter. Since he grew up between performers and performers, it isn’t uncommon for him to develop up and adjust to that lifestyle. Aside from having two elder brothers, he in addition has got two half-brothers from his parent’s second relationship. To learn more about his existence, you can read his biography obtainable in Wikipedia or IMDB. Joss, having had an extremely secret lifestyle doesn’t desire to reveal very much about any of it to his enthusiasts. His cultural circle is large therefore his social lifestyle is very popular, however, not very much is talked about about his dating lifestyle, specifically about his girlfriends. Each one of these professions add a large amount of financial achievement to Joss Whedon net worthy of.E. This insufficient news even noticed people questioning his sexuality and considering whether he could be gay. But that’s not accurate, as he offers a wife; Kai Cole whom he wedded back 1992. Getting back again to Joss Whedon net well worth, it started to develop in the past due 1980s, as he began working as an employee article writer on sitcoms Roseanne and Parenthood. Not really a very attractive guy in his early 50s, Joss certainly offers an averagely formed body and a elevation around 5 feet and 10 inches.H. Because so many of you know, he’s an American tv director and maker, screenwriter, comic book writer and a good composer, most well-known for tv series such as for example Buffy the Vampire Slayer, Angel, Firefly, Dollhouse and the show that’s aired even today – Brokers of S. But he has been around lots of films and his function has become a way to obtain both motivation and envy for other folks. That’s the reason why he offers a huge fan pursuing on his Twitter and Instagram accounts. Also, his estimates and interviews are broadly searched for and go through by his followers, around the world. It’s been stated that the existing sum of Joss Whedon net well worth is really as high as 100 million dollars. It wasn’t like I acquired beat up, however the humiliation and isolation, and the existential ‘ Joss Whedon is usually a screenwriter, producer, director. Furthermore, he is also called an intermittent actor.E. Can it be a rich and well-known guy like him, getting involved with multiple affairs doesn’t desire to let others understand? Joss Whedon has generated his own film creation company known as Mutant Enemy Productions. Also, he’s among the founders of another film creation company called Bellwether Images. Joss Whedon is usually also called a creator of varied well known Television shows, which received large viewership all over the world. Such displays are “Buffy the Vampire Slayer”, “Brokers of S.H.We.D.L.D. Early Existence (Childhood): Whedon grew up in NY and was educated at Riverdale Nation School, where his mom also trained. Horrible’s Sing Along Blog page” and “Firefly”. Also, these Television shows have added a whole lot of revenues to Joss Whedon net well worth. Furthermore, he was among the co-writers of several films, which became successes not just in the usa, however in foreign countries as well, such as “Toy Tale”, “The Cabin in the Woods” and “Serenity”. In 2012, Joss Whedon also served among the creators of popular film “Marvel’s The Avengers”, that was placed in another position as the best grossing film ever. Discussing him as a comic publication article writer, Joss Whedon is mainly credited for his function in “Runaways”, “Buffy the Vampire Slayer” and “Astonishing X-Males”. These books not merely added even more fame to him, but also elevated Joss Whedon net worthy of. He was permitted the opportunity to develop his 1999 spin-off series, Angel, as an final result of Buffy the Vampire Slayer’s victory. His mom, on the other hand, proved helpful as a schoolteacher who was simply originally from Kentucky, but also made an appearance on theatre as celebrity. He might not be as well-known as the actor he casts, but he’s definitely richer than a lot of them: Joss Whedon net worthy of currently amounts to $100 million. Before he got enrolled into this university, Joss Whedon was learning in England, in Winchester University. Through the entire series’ previous extension, tries were created by the network to ease genuine idea of Joss. In 1997, Joss Whedon produced his first ever Television show and it brought large achievement to him. Joss Whedon was raised well versed in the wonderful world of television. He’s greatest familiar as the originator of it series Buffy the Vampire Slayer, Brokers of S. IT display was shot in the region of LA and California. Joss Whedon net well worth: Joss Whedon can be an American screenwriter and filmmaker who includes a net well worth of $100 million. Born in NEW YORK on June 23, 1964, Whedon is normally a prolific director, tv program creator, producer and article writer. After operating briefly on the sitcom Roseanne, Whedon remaining when his screenplay for the film Buffy The Vampire Slayer was offered. Joss has two kids. Joss Whedon can be a maker, director, composer and comic writer. In 2012 once again, he gained IGN People’s Choice award and Flicker award.H.We.E.L.D. (2013). He also done 2005’s sci-fi experience Serenity (as a co-article writer) and 2011’s horror film The Cabin in the Woods (as a co-writer). Whedon’s biggest achievement has include billion dollar Avengers film Franchise. The last of the three Avengers films became the 3rd highest-grossing film ever and cemented Whedon’s position a lot more among leading filmmakers in Hollywood. Also, he offered as the founder Mutant Enemy Productions and co-founder of Bellwether Photos. Because so many of his tasks enjoy cult position and so are award-worthy, including his 1995’s computer-animated megahit Toy Tale, Whedon was honored with Doctorate of Letters from Wesleyan University in-may, 2003. Through his function, he even fulfilled his wife, Kai Cole, who’s the maker and co-founder of Bellwether Images. The couple has 2 children together. In 2000, he earned an Eyegore Award. $45 Million: Writer, director and maker Joseph Hill Whedon was created on June 23, 1964, in NEW YORK. Hence, he debuted quite effectively in the market. Joss Whedon was created in NEW YORK, U.Not surprisingly lineage, Joss Whedon credits his mom Lee Stearns to be the deepest influence on his composing. ‘She was a fantastic inspiration,’ he stated. ‘A radical feminist, a brief history instructor and just one single hell of a female. What she do was provide a function model of somebody who is completely in charge of her life. Talking about his income additionally it is worthy of mentioning that Joss can be a founder of a business Mutant Enemy Productions and co-founder of Bellwether Photos. He’s among the wealthiest males in the film market. There, he also examined under popular academic Richard Slotkin. ? He’s the founder of Mutant Enemy Productions and co-creator of Bellwether Photos. Joss Whedon gained fame and market standing as the article writer, director, and maker of the favorite WB series Buffy the Vampire Slayer, which he predicated on his 1992 film of the same name. They both have 2 children.H. He’s most widely known as the creator and showrunner of the tv screen series Buffy the Vampire Slayer (1997–2003), Angel (1999–2004), Firefly (2002) and Dollhouse (2009–2010), along with the brief film Dr. Horrible’s Sing-Along Blog page (2008). Whedon wrote and directed the film adaptation of Marvel’s The Avengers (2012), and co-wrote and created the horror film The Cabin in the Woods (2012). Income & Financial Data: The below monetary data is collected and published by TheRichest analysts group to provide you with a better knowledge of Joss Whedon’s net well worth by wearing down themost relevant monetary events such as for example yearly salaries, contracts, a lot more, make outs, endorsements and stock ownership.’ American screenwriter, executive maker, director, comic book article writer, occasional composer, and actor, Joseph Hill ‘Joss’ Whedon comes with an estimated net value of $100 million. David Greenwalt and Joss cooperated on the pilot that would be advanced for The WB Network. He’s the originator of Mutant Enemy Productions and co-originator of Bellwether Images. The show was known as “Buffy the Vampire Slayer” and it became an internationally hit. He’s a bald guy, with hardly any facial hair, no sort of tattoos.We.E.L.D, Dollhouse and could more. Aside from screenwriter, he’s also a comic publication writer, maker and composer. With all this achievement, we are still left with an open up question that what’s the net worthy of of Joss Whedon? By 2017, the net worthy of of Joss Whedon provides been estimated to end up being $120 million US dollars around. Joss Whedon Biography: In NY, Joss Whedon was created on 23rd June, 1964 to parents Tom Whedon and Ann Lee. He has earned many awards in his existence. From Wesleyan University, Joss obtained an honorary doctorate in-may 2013. Who’s Joss Whedon: American screenwriter, film and tv director, film and tv producer, comic book writer, and composer. In England at Winchester University, Joss spent three years. His mom was Pamela Merriam Webber. He mainly directed episodes from his personal writings that kept the most purgative occasions in the tale of Buffy. There are people like my obviously everyone is equal, mother and it’s all good. Joss Whedon was wedded to Kai Cole. A third-generation television article writer (both his dad and grandfather wrote for the moderate), Whedon was raised in Manhattan and spent his senior high school years at an all-boys college in England. Joss Whedon proved helpful as a staff article writer on the sitcoms Parenthood and Roseanne from 1989 to 1990. Joss created his initial Television show Buffy the Vampire Slayer in 1997. In 2013, he was provided an honorary Doctor of Letters. The series obtained tremendous nominations and awards, incorporating Emmy Award nomination for the event Hush. He’s an effective and a content person looking after his family members brilliantly. He specialized in the series’ comic reserve continuation like many authors of the display. Joss and all of those other writers after that launched a fresh ongoing series, which he formally identifies as the 8th season. Through the period 8th tale, he visited the globe of Fray. In ’09 2009, Joss Whedon earned a Primetime Emmy award for a superb special course. Joss Whedon was created in 1964 in NEW YORK. Choose Year Earnings 2008 Earnings 1994 Earnings 1993 Show all income An American screenwriter, Joseph Hill Whedon, often called John Whedon, can be a director. When he was still a boy, he utilized to create and dreamt of his profession as an actor. Corrupt, advanced chosen 2nd event, and was wholly relinquished due to the gloominess written in to the script. The tone was as a result softened, producing in the starting episodes Angel Investigations a visionary, shoestring technique. He gained Awards Circuit Community Award for greatest original screenplay in 1995. In 1996, he gained an Annie Award for greatest individual achievement: composing. Whedon wrote and directed the 2017 film Justice Group and directed the 2017 short Unlocked to get Planned Parenthood. From august 2011 to September 2013, Buffy the Vampire Slayer Period 9 was released. In 2013, he gained a Saturn award to find the best director. He in addition has earned Bram Stoker Award for screenplay in 2012. Since that time, he is among the most man behind various other Television series like Firefly (2002–2003), Dollhouse (2009–2010), and Brokers of S. In 2013, he earned Chainsaw Award for greatest screenplay and Fangorial Horror Hall of Fame. Whedon’s nationality can be American and ethnicity can be English blended with Scottish. He’s an excellent husband and dad to his wife and kids and there’s no news relating to his divorce. He provides acquired this large amount of net well worth by making occupation in directing, writing and composing. His effort, determination and achievement are in charge of having this large amount of net well worth with him. He’s one of the effective personalities in the film market. The display was an instantaneous hit with viewers and finally spawned s spin-off titled Angel (The WB, 1999-2004). He shown immense curiosity in British Television with displays like Monty Python and Masterpiece at an extremely young age group. I’d thought it had been all solved. In NY, he was admitted to Riverdale Nation School. He’s the founder of Mutant Enemy Productions and co-founder of Bellwether Images.”, “Dollhouse”, “Dr. He also attended Winchester University in England for just two years, before graduating with a film level from Wesleyan University. Interesting Information: Whedon landed his initial TV writing work on “Roseanne”, and shifted to script a period of “Parenthood”. Then created a film script which continued to be Buffy the Vampire Slayer (1992). Personal Life: He’s wedded to Kai Cole. They possess two kids, Arden and Squire, and reside in LA. Joss Whedon may be the middle of five brothers – his more youthful brothers are Jed Whedon and Zack Whedon. Both his dad, Tom Whedon and his grandfather, John Whedon had been effective television writers. In 1987, Joss Whedon became a graduate of Wesleyan University. Without shirtless photos of his, he in addition has not experienced any scorching or nude functions in his acting lifestyle.H.We. Besides his involvement into cinema, Joss Whedon is certainly also referred to as a composer and cartoon reserve article writer.L.E. The display achieved popular achievement (it used to draw in up to 6 million viewers) and gained important recognition. Obviously, the success of the later films added significant cash to Joss Whedon net worthy of. It was just when I got eventually to university that I noticed that all of those other world didn’t run just how my world was operate and that there is a dependence on feminism. They are the highlights of his professional profession. In the others of this content we will discuss it in more detail. Plus, we will let you know something about his early existence and character. Joss is among the hardly any men in the globe who can state to be third era TV writers: his dad, Tom Whedon, done the sitcom The Golden Ladies, in the mean time his grandfather John Whedon done The Donna Reed Display and The Dick Van Dyke Display. While developing up John could observe how much his dad enjoys writing: „My father would head to work each day and create in a room filled with funny people”. And that is how Joss feels about composing himself: „I understand great authors who find the procedure agonizing but if you ask me, writing is definitely sheer pleasure” – he said. But existence and work didn’t always seem so pleasant to Whedon. In another of his interviews the celebrity has admitted, that despite the fact that he grew up in an excellent and caring family members, as an adolescent he was rather depressed: „I had not been popular in college, and I was not at all a ladies’ guy. And I had an extremely painful adolescence, since it was all extremely strange to me. He’s mostly known as an employee behind the moments of the cinema sector. The display was cancelled in 2003, but that didn’t stop Joss from getting richer each year! With two kids between the couple, they don’t really have any information regarding a divorce, quickly. His income development accelerated in 1997, when Joss started creating tv series Buffy the Vampire Slayer. It really is a lesser known truth that Whedon in addition has co-written Toy tale and not only created but also directed the popular superhero movies The Avengers.God, We exist, and no one cares’ of being an adolescent had been extremely pronounced for me personally”.

Known for movies

Quick Facts

Full NameJoss Whedon
Net Worth$100 Million
Date Of BirthJune 23, 1964
Height1.78 m
ProfessionScreenwriter, Film Score Composer, Television producer, Cartoonist, Film producer, Film director, Novelist, Actor, Comic Book Creator, Television Director
EducationWesleyan University, Winchester College, Riverdale Country School
SpouseKai Cole
ChildrenSquire Cole, Arden Cole
ParentsTom Whedon, Lee Stearns
SiblingsJed Whedon, Zack Whedon, Matthew Whedon, Samuel Whedon
AwardsHugo Award for Best Dramatic Presentation, Short Form, Hugo Award for Best Dramatic Presentation, Long Form, Ray Bradbury Award, Nebula Award for Best Script, Primetime Emmy Award for Outstanding Special Class - Short-format Live-Action Entertainment Programs, PGA Vanguard Award, Prometheus Special Award
NominationsAcademy Award for Best Original Screenplay, Hugo Award for Best Dramatic Presentation, Hugo Award for Best Graphic Story, Primetime Emmy Award for Outstanding Writing for a Drama Series, GLAAD Media Award for Outstanding Comic Book, Kids’ Choice Award for Favorite Book, Empire Award for Best Director, Goodreads Choice Awards Best Humor, Goodreads Choice Awards Best Graphic Novels & Comics
MoviesAvengers: Age of Ultron, In Your Eyes, Much Ado About Nothing, The Avengers, The Cabin in the Woods, Comic-Con: Episode IV - A Fans Hope, Serenity, Atlantis: The Lost Empire, Titan A.E., Alien: Resurrection, Toy Story, Waterworld, Buffy the Vampire Slayer, Goners, Spike
TV ShowsDollhouse, Dr. Horrible's Sing-Along Blog, Angel, Buffy the Vampire Slayer, Firefly, Agents of S.H.I.E.L.D., Buffy the Animated Series

Interesting Facts

1 Is responsible for making Thanos the overall villain of the Marvel Cinematic Universe.
2 One of the many screenwriters to submit a draft for the film Freddy vs. Jason (2003).
3 Directed the post-credits scene of Thor (2011) to set up The Avengers (2012) and the mid-credits scene of Captain America: The Winter Soldier (2014) to set up Avengers: Age of Ultron (2015).
4 Announced plans for a new Fox television series Dollhouse (2009) starring Eliza Dushku, to be aired in 2008. [October 2007]
5 Reportedly made more money off Dr. Horrible's Sing-Along Blog (2008) than the third-highest-grossing film The Avengers (2012).
6 Will be writing a second set of 12 issues of Marvel Comics' "Astonishing X-Men", the first issue of which is tentatively scheduled to ship in December of 2005. [September 2005]
7 He is scripting a 3-issue run of Serenity comics, Better Days, for Dark Horse Comics, as a prequel to the movie. [March 2008]
8 He is scripting an Angel graphic novel (After the Fall) , a sixth season and continuation of the television series. [December 2007]
9 Has just been signed to write the new "Wonder Woman" movie. [March 2005]
10 Finished shooting and production on Serenity (2005). [May 2005]
11 Announced that BBC had optioned 'Ripper,' a television film centered on 'Anthony Stewart Head' and his character Giles from 'Buffy the Vampire Slayer (1997)'. [July 2007]
12 Writer on the Marvel comics, Runaways (with Astonishing X-men and Buffy the Vampire Slayer he's currently putting out three different comics simultaneously). [April 2007]
13 Writing and supervising a Dark Horse comic book series that's the official and canonical sequel to Buffy the Vampire Slayer. [March 2007]
14 Completing his first draft script for "Wonder Woman" (2007). [April 2006]
15 Currently in the middle of a 12-issue stint on Marvel's Astonishing X- Men. [June 2004]
16 His influences include Ray Bradbury, James Cameron, Rod Serling, William Shakespeare, Stephen Sondheim, and Steven Spielberg.
17 His work often contains twinning, doubles, or doppelgängers. He has twice cast the non-acting identical twin brother of one of his series regulars as a supernatural double or doppelgänger of the regular character. In the season 5 Buffy episode "The Replacement," Kelly Donovan, the twin brother of Buffy regular Nicholas Brendon (Xander) plays a part of Xander's personality that has become mystically separated from the original Xander. In the season 2 Dollhouse episode "The Attic," Demir Gjokaj, the twin brother of Dollhouse regular Enver Gjokaj (Victor/Anthony) plays an alternate version of Victor/Anthony who fights the original character while he is trapped in his own nightmares.
18 After the cancellation of Firefly, Whedon cast nearly all of the main cast members as villains in his other projects. Nathan Fillion appeared in the seventh season of Buffy the Vampire Slayer as Caleb. Gina Torres appeared in the fourth season of Angel as Jasmine. Adam Baldwin also appeared in Angel, in the fifth season as Marcus Hamilton. Summer Glau and Alan Tudyk appeared in Dollhouse as Bennett Halverson and Alpha, respectively. Sean Maher played Don John in Whedon's movie of Much Ado About Nothing.
19 Is one of several successful current filmmakers who are graduates of Wesleyan University, including Michael Bay, Ruben Fleischer and Benh Zeitlin.
20 Is a huge fan of the "Terminator" series.
21 Is a very big fan of ''Battlestar Galactica'' and cast 'Tahmoh Pennikett' as one of the leads in ''Dollhouse'' based on his work in it. He also cast Jamie Bamber, Michael Hogan and Mark Sheppard in guest parts.
22 He is a huge "X-Men" fan and based his most famous character, Buffy Summers, partly on Kitty Pryde.
23 Whedon's children have his wife's last name, not his.
24 Whedon, who has made his support of feminist causes well known and who has built much of his career writing films and TV shows about empowered teenage girls or young women, was a subscriber to Sassy, an American feminist magazine for teenage girls. Sassy was published between 1988-1994, which means that Whedon (who was born in 1964) would have been far into his late 20s or early 30s while receiving the publication.
25 In X-Men: The Last Stand (2006), the idea of a cure developed by Dr. Kavita Rao, Beast's interest in it, and the prominent roles played by Kitty Pryde and Colossus, were inspired by Joss Whedon's story "Gifted" which took place in the first six issues of "Astonishing X-Men".
26 An active supporter of gay rights.
27 Alyson Hannigan and Alexis Denisof are the godparents of his son Arden.
28 Related to Jed Whedon, video game music composer.
29 Rewrote the script for Speed (1994) uncredited.
30 In 2007, started writing the comic-book Runaways after Brian K. Vaughan left it.
31 Daughter, Squire, born late 2004/early 2005.
32 Wrote the plot to the comic book Serenity, which bridged the gap between the Firefly T.V. series and the film. Fellow Firefly writer Brett Matthews scripted it.
33 Has claimed that his script for Firefly episode "Our Mrs. Reynolds" is his personal favorite thing he has ever written.
34 The August 21, 1995, draft of the screenplay for Twister (1996) credits Joss Whedon and Jeff Nathanson as writers. Neither writer is credited in the final film.
35 Considers The Road Warrior (1981) to be a perfect movie.
36 His favorite movie is The Matrix (1999).
37 Wrote an introduction for Jim Krugeer and Alex Ross's Marvel Comics's award- winning graphic novel "Earth X."
38 Took him two years to finish writing Buffy comic book spin-off mini-series "Fray" with artist Karl Moline, due to his schedule with his three shows (Buffy/Angel/ Firefly) and the artist's new job at CrossGen Comics.
39 Brother of Zack Whedon (assistant to Mr. David Milch) and Jed Whedon.
40 Has cited the "X-Men" character Kitty Pryde (AKA Shadowcat) as a major influence for the character of Buffy.
41 His wife, Kai Cole, gave birth to their son Arden on December 18, 2002.
42 Whedon and Cole can be heard doing a demo track for the wildly popular episode "Once More With Feeling" on the episode soundtrack. It was recorded in the front hall of their home.
43 Lived in the UK for three years, from 1980-2, attending Winchester College in Hampshire, where he took his A levels. The character of Rupert Giles is mistakenly thought to be based on a history teacher there, Dr. Peter Cramer. Dr. Cramer's arrival at the College post-dates Whedon's departure. The character was named in tribute to his House Matron: Barbara Giles.
44 Was asked to revise the script for X-Men (2000) and reportedly decided the whole script needed to be totally rewritten. When he handed the studio this draft, they apparently threw it out; they only really wanted him to add a couple jokes here and there.
45 Has said that he created Buffy (of the vampire slaying fame) to be an "alternative feminist icon".
46 Appeared on-screen in the Jossverse for the first-time in the Angel (1999) episode "Through the Looking Glass" as "Numfar" of the Deathwok Clan. A relative of the Host, he is routinely ordered by Lorne's mother to dance.
47 After receiving a degree in film studies from Wesleyan University, Whedon moved to Los Angeles and landed his first writing job on the staff of Roseanne (1988), working as a story editor and writing several episodes of the top-rated series. He later pulled double duty on the NBC series Parenthood (1990), co-producing and writing a number of episodes.
48 Writing is clearly in his blood, since he could arguably be the world's first third-generation television writer. His grandfather was a successful sitcom writer in the 1950s and '60s on The Donna Reed Show (1958) and Leave It to Beaver (1957), and his father wrote for the likes of The Dick Cavett Show (1968), Alice (1976) and Benson (1979).
49 Whedon is married and resides in Los Angeles.
50 Grandson of John Whedon.
51 Son of Tom Whedon.
52 Joss Whedon's Buffy the Vampire Slayer (1997) episode "Hush" was nominated for an Emmy Award in 2000 for Outstanding Writing in a Drama Series. "Hush" featured 28 minutes without dialogue, as a group of fairy-tale demons called the Gentlemen arrived in Sunnydale to steal voices, and then hearts (literally).
53 Graduated from Wesleyan University in 1987.


1 Frequently includes ballet/ballerinas in his projects - though almost always with a supernatuural twist to their inclusion (Angel, Cabin in the Woods, Avengers: Age of Ultron, etc.)
2 Tongue-in-cheek, witty writing style
3 References to classic stories and films, through storytelling methods and direct reference in dialogue
4 Frequently casts Nathan Fillion and Alan Tudyk
5 Often gives his characters names that are later revealed to be their last names and/or based on an unusual abbreviation for their full name. For example: only after the character Oz had already left Buffy the Vampire Slayer (1997) did the show reveal that "Oz" was an abbreviation of his full name, Daniel Osbourne; on "Angel," they did not clarify that Doyle was actually the character's last name for many episodes; "Xander," the name of a main Buffy character, is a much less usual nickname for "Alexander" than the much more common "Alex;" and likewise for the name "Topher," the name of a main Dollhouse (2009) character, which is a much less usual nickname for "Christopher" than the much more common "Chris". "Wash," the name of a main Firefly and Serenity character, was short for "Hoban Washburne". Whedon's own nickname, "Joss," is an uncommon diminuitive of "Joseph," which is much more often abbreviated "Joe."
6 Supernatural and science fiction themes
7 Kills off characters who are among his most popular, to keep his audiences surprised.
8 Features tough, strong female characters
9 Frequent use of nouns as adjectives, by adding the suffix "-y"
10 Plans storylines far in advance for all his television series, allowing for remarkable long-term continuity.


1 I'm interested in men and women. I'm interested in grown-ups who act like children and dress like clowns and punch each other.
2 I made more money off Dr. Horrible's Sing-Along Blog (2008) than the first The Avengers (2012) movie.
3 I'm a fan of most Marvel comics. It's like a disease, I can't stop.
4 [on his favorite film] The Matrix (1999) is my number one. It was a movie that made me want to put down my pen and say, "Oh, so that's how you tell a story. I'll be over here weeping". I thought there were two things I was put on this Earth to do and in the same year I saw "The Matrix" and read Harry Potter and thought, "Well, apparently someone's done them for me. I therefore have been put on this Earth for no reason and will just have to wait until I go away, like a boil". It was very depressing for me. Initially I just thought, "Well, the trailer looks good. Science-fiction film, so I must go" I managed not to have seen anything, so when Keanu Reeves found out what the real world was like, my jaw was on the goddamn floor. And then it just kept paying off and paying off and paying off and the structure just got tighter and tighter and tighter. And it works on so many philosophical levels. It's much more than a yarn, it is an intense philosophical or religious or psychological piece. It works on whatever level you want to bring to it.
5 [on Dollhouse (2003)] I mean it's potentially the most offensive show in the history of television. And to me it's also the most pure feminist and empowering statement I ever made.
6 [on Dollhouse (2003)] When the changes started coming I tried to ride with them. I didn't know what I was doing. I had some of it. I had the idea of identity. I had the idea of moral culpability. But I lost one or two essential things. And that ultimately killed the show because we were dancing around them.
7 [accepting an award for The Avengers (2012)] We are humbled to be standing here. No, we're not humbled. We won. What's the opposite of "humbled"? We're "Biebered" to be standing here.
8 Everything you do affects your perspective on everything. Ultimately, I hope the Buffyverse isn't the last universe I create that really has resonance for people, but you know, if you only get one, it's one I'm so proud of, so that hasn't changed.
9 [if writing a comic book script is similar to writing a teleplay] It's very similar in the sense that you're looking for the moment and you have to be very careful about how you come to the moment, how you present the moment. You're looking for the reason for the thing to exist. You don't want anything to be a throwaway, you don't want anything to be useless or just a set-up. You really want to get into these characters and find those things about them that you love. I write "The X-Men" the way I'd write an episode of Angel (1999), which is, I love every single one of these characters--let me remind myself why.
10 [on what a sixth season of Angel (1999) would have been like] I think we could have had a sixth season, like with [Buffy the Vampire Slayer (1997)], We really would have been able to absolutely hit the pocket, because we would have had everybody there [who had] figured out the show and how it needed to work. There were some bumps in the fifth season that I think we could have avoided in the sixth, because people were really hitting their stride.
11 I find the term "guilty pleasure" not only idiotic but a bit offensive. I love some corny-ass stuff, and I've got no problem with it. I saw Newsies (1992) in a theater.
12 [on death] Well, it is the one universal truth, and our culture is so terrified of it. I work in Hollywood, where people routinely chop their faces in order to look younger and look like shiny, scary monsters. And everybody says, "Well, that's just fine". Death and life are part of the same thing.
13 Vampires are a wonderful metaphor, the sort of monstrous, isolated creatures that we can all relate to, especially when we are in high school. But they happen to be the most beautiful, sexy, perfect, usually vaguely wealthy and well-dressed version.
14 If I create a strong female character, I'm going to want her to go through things. I've killed off characters, male and female, willy-nilly. I have a reputation for it. But if I'm not giving them real pain and hardship and tragedy, I'm not a storyteller.
15 Those of us who write spend our entire lives in an endless English class.
16 The only way to achieve that "Star Wars" vibe is not to chase it . . . to try to be an original universe and have all the fun.
17 [on Robert Downey Jr.] He is Iron Man. He is Iron Man in the way that Sean Connery was James Bond. I have no intention of making Avengers: Age of Ultron (2015) without him, nor do I think I'll be called upon to do that. I don't think it's in my interest, Marvel's interest, or his interest, and I think everything will be fine.
18 [on Sarah Michelle Gellar] It would be difficult to overemphasize Sarah's value to the show [Buffy the Vampire Slayer (1997)]. There've been times that we didn't get along. There have been times when we've palled around. But no matter what, she was the other half of "Buffy". In seven years, she never let me down.
19 I still believe that even though Star Wars: Episode V - The Empire Strikes Back (1980) is better in innumerable ways than Star Wars: Episode IV - A New Hope (1977), Star Wars: Episode IV - A New Hope (1977) wins because you can't end a movie with Han frozen in carbonite. That's not a movie, it's an episode.
20 I'm very much of the "make it dark, make it grim, make it tough", but then, for the love of God, tell a joke.
21 I write to give myself strength. I write to be the characters that I am not. I write to explore all the things I'm afraid of.
22 To infinity, and prosper!
23 I'm never going to stop telling stores that have to do with helplessness, that have to do with empowerment. There's always going to be some element of government conspiracy, because people are manipulated every day and they never even notice it. I'm never going to stop wanting to talk about leadership. These are themes I'm going to come back to time and time again. And, generally speaking, those themes are going to be sung or they're going to be flying through space, because I'm also a ten-year-old. And I've got no problem with that.
24 I love genre. I love fantasy. I love it more than anything else. I love it because of the scope and the chance to talk about humanity in a way that is very,very close to the heart but not wearing the same skin.
25 I don't think of myself as a quality guy, like, "'m going to make highbrow art!". At the same time I don't think of myself as a schlockmeister. Maybe I haven't looked hard enough but, apart from the Internet, I don't know where I belong.
26 [how he planned for his career] All I knew was that I was going to do something other than make an honest living.
27 I will never put something out that I don't believe in. Everything I've ever worked on, I love on some level. And, yes, I'm including Waterworld (1995).
28 . . . If you're not building a textured human and putting them through some kind of pain, I'm not sure what the purpose of the narrative is going to be. That applies to comedy, too.
29 [on why he writes strong female characters] Because you're still asking me that question.
30 [on the possibility of making a full-scale musical] Full scale musical? The biggest non-spaceship-involving dream of my life. But it's a huge life commitment...
31 [what made him want to tackle William Shakespeare with Much Ado About Nothing (2012)] I wanted to drag Shakespeare from obscurity. I've been a fan my whole life, and it's time other people started noticing him!
32 All worthy work is open to interpretations the author did not intend. Art isn't your pet--it's your kid. It grows up and talks back to you.
33 [what his favorite characters to write have been] Jeez. Spike, Andrew, Illyria, River, Captain Hammer, Loki, the Cheese Man . . . hell, I love them all, or I wouldn't write them. But I tend to the left of center. The hardest was always Angel. How to make a decent, handsome, stalwart hero interesting--tough. Angelus, on the other hand . . .
34 I'm absolutely devoted to working outside the mainstream, or at least in smaller venues and on my own terms (my terms--unconditional surrender. Plus back-end).
35 [what he'd do if money were no object] I have many dream projects. But all the money in the world means just one thing: spaceships. Spaceships in trouble.
36 [what would have happened had Angel (1999) not been canceled after season five] Season six of "Angel" would have kicked all manner of ass. And Illyria would have manifested as Fred often enough to become very confused about her identity. And now I'm sad again.
37 [if he could pick one piece of his work to represent his entire body of work to future generations] Firefly: Objects in Space (2002).
38 [his favorite work of science-fiction and what inspires him to continue to create] "Dune"--the book--and what inspires me is Dune (2000)--the miniseries. Actually, I don't think of myself as being inspired to create. I can't imagine doing anything else. It's like breathing.
39 [if killing a character has ever had a profound emotional affect on him] I actually find it refreshing . . . delightful . . . vaguely arousing . . . Actually, I'm--no offense--very tired of being labeled as "the guy who kills people". [William Shakespeare]--he's this hot new writer--does it way more than me, and everyone's all excited about how he, as it were, holds a mirror up to nature, while I'm like the Jason Voorhees of the writing community. Unfair. Also, probably Buffy's Mom.
40 I love fantasy. I love horror. I love musicals. Whatever doesn't really happen in life is what I'm interested in, as a way of commenting on everything that does happen in life, because ultimately the only thing I'm really interested in is people.
41 [on the possibility of originality in the horror genre anymore] You know, the next way to be original will present itself, and we'll all go, "Oh! I didn't think of that". We definitely put our own stamp on it--and it's a big red stamp--but you don't kill horror. One of the things this movie [The Cabin in the Woods (2012)] is very clear about is that there's a basic human need going on here. We pay to see these kids, and in the way that this is sort of about us writing these situations, the viewer is absolutely complicit in that. Horror movies don't exist unless you go and see them, and people always will. Every time you think, "Well, you know what, we all know the tropes, it's all been done", someone's going to make The Descent (2005) and knock you off your ass, and you'll be like, "Oh, that's great". You take people you care about and you make it awful for them.
42 [on actually caring about the characters in The Cabin in the Woods (2012)] This movie was definitely a reaction to that, because [Drew Goddard] and I both felt like, "Well, there's a bit of a devolution going on here" and it happens in all genres. This is something that I've only realized talking about this movie lately, but you look at action movies and eventually it's just a series of explosions. If you look at romantic comedies and eventually it's Love Actually (2003), it's just, like, hit you over the head and horror movies become a series of inventive killings of people you don't care about. I am unable to write about people that I don't care about and that goes for everybody. That goes for Mordecai . . . I love that guy! I don't necessarily want to have dinner with him, I'm just saying I love him. The point of this movie to a larger extent is these are textured interesting humans who love each other and they are being forced to devolve into horror movie clichés and it's the one cliché that I'm not interested in, which is, "Oh look it's okay, they are expendable". They smoke pot, they have sex, so it's okay to kill them. I'm like, "When did that come into the equation?" . . . It was always that everybody in this movie is doing what they think is right, including the terrifying Buckners, because they have a belief system, which writing that diary . . . [Drew Goddard] was like, "Hey, do you want to write a 14-year-old girl's turn-of=the century diary about worshiping pain?". I'm like, "Yeah, I can do that". "Okay". You know, that was one of the great things about this. He's like, "Okay, I'm going to write a girl making out with a wolf's head! I'll catch up with you". Absolutely, you have to have sympathy for all of the characters. You have to understand both sides of the conflict, otherwise it's not a conflict, it's just a fight. Sometimes it's fine to just say, "Okay, bad guys are bad and we've got to get out of this situation", but it's much more interesting, especially in a situation like this where you are going to spend a lot of time with both sides of this weird filmic equation to understand that everybody is doing what they think is best. You can absolutely go, "Wow, some very bad decision making went on" and we're not just talking about the pot and the sex. At the same time, that sort of dehumanizing of people is what we were reacting to and the movie has a very sort of humanistic message in the sense of "I will stand by my friend". That's how humanity is supposed to work and if it doesn't work that way, then what else have we got?
43 I always watch what I say. I am what I say. And I say I'm Emperor of Always, so . . . Respect, buddy.
44 [on if he can protect Buffy the Vampire Slayer (1997) fans from it getting rebooted or remade] Protect her from being rebooted? Yes, if they [fans] all chip in, send the money to me; it'll be fine, that should work out. Paypal. We seem to be rebooting things that haven't been debooted yet. It's part of the culture but it's not my favorite part, I don't concern myself with it. I think about the things that I can control and the things I'd like to do and say and I don't think about somebody coming along and having a go at it. Look, either they do it poorly, and people will say they've done it poorly. Or they're do it well and good for them. Either way, I don't think it's going to make the work we did disappear.
45 [if he misses Angel (1999)] I'm sad they pulled the plug before the sixth season; because we really had it all tapped out and thought we were firing on all cylinders. It was a stupid business move on their part and the network died soon after. Had I not been so exhausted by the year of Firefly (2002) and "Angel" that had come before, maybe I could've fought--though fighting with the head of a network is much like not fighting, 'cause they just do what they do. They pay no attention to what you say, ever.
46 Part of this movie [The Cabin in the Woods (2012)] was definitely about the idea that people are not expendable and that as a culture, for our own entertainment, we tend to assume that they are. Although I absolutely love horror movies and always have, I love them most when I really, really care about the people who are in dire trouble.
47 [on horror and The Cabin in the Woods (2012)] [Drew Goddard] was saying the other day [that] Scream (2007) was clearly made by people who love horror movies and everyone is like, "Oh, they deconstructed the horror movie. You can't make one anymore". I'm like, "That was a terrifying horror movie, where you are really worried about the people in it. End of story". That's the goods. There have been a bunch of successful and some awesome horror movies since then. You can't stop it. That train is going to run, because people need it. That's part of what we were writing about. It's not just like "Horror is fun". It's like, "Horror fulfills a basic human need. We are not exactly sure we understand it. We think it might not be good, but we have it and we love it". ... It's sort of an inoculation. It's 'Oh, things are so horrible' and then you get out and you're like "Oh, actually no, things are not as horrible as it was for those people and so I can go about my day.' But there's also a joy in it. It's a release, but it's not just something you get through. It's not just therapy. There's a genuine joy in being frightened that is giddy.
48 [on ironic detachment in The Cabin in the Woods (2012) and throughout his work] Well, you can only go so far with ironic detachment, and then ultimately, you stop being invested in something. What Scream (2007) was great at was presenting ironic detachment and then making you actually care about the people that were having it, and juxtaposing it with their situation, all in the service of making a great horror movie. It was fresh. We wanted to make sure we never went so far with our awareness of popular culture and horror movies and the kids' awareness that things were not as they should be--we never wanted to go so far that you would step outside . . . Like the end of Blazing Saddles (1974), where they walk out of the Western onto the lot, which to me screams "Copout!". I'm a "Blazing Saddles" fan, but you never want to go that far. You want the integrity of the world. We live in the world. Unless you're writing about ["Cabin" villains] the Buckners, about people who aren't aware of how things work in popular culture. But you don't want that to be your benchmark. You don't want that to be what the dialogue's really about.
49 [on the story that he walked out of Friday the 13th (2009)] I did walk out, but I found it fascinating that the movie opens with a group of expendable teens, which Jason kills--not, by the way, very inventively--and then the movie starts, and an even more expendable group of teens shows up. It was as hateful as anything I've seen. There's an element of this 'torture porn' promulgation that's made me as angry as I can remember being. The disconnect between movie behavior and normal human behavior starts to strain. It starts with, "I'll drop the knife now, because it's a really good time to be unarmed while I have my back to the thing", and goes further into, "I'm an unbelievable asshole and also I'm doing drugs and crime and sex all at the same time, so not only might I die but I deserve to". Punishment for youth-y behavior is bizarre to me, and unsettling.
50 I've had so much success. I had something to say, I got to say it, people heard it, and they agreed. That's every artist's dream. That's the brass ring.
51 [on The Cabin in the Woods (2012)] Ot's an attempt to be aware, without being too self-referential. It's our way of saying, "We love horror movies, and so do you. But don't you wonder why?"
52 There's a very unlovely thing about the horror genre that is still something that I don't understand and don't respond to. There is also something that I absolutely respond to; I love horror, I love terrible scary situations and people getting into terrible trouble and all the good stuff. Those two things co-exist. We can talk about the movie [The Cabin in the Woods (2012)] as a criticism, but it's the most loving one there is.
53 [on what his favorite horror film is] I'll rock out Alien (1979) partially because I got to see that completely unspoiled which was hard to do even then. That's all anyone was talking about and I was just like [covers ears, makes mumbling noise]; I would not talk to my friends for a couple of weeks until I could see it. Front row, Times Square, 14 years old. Oh, yeah.
54 [on why Alien (1979) is his favorite horror film] I got to stay spoiler-free, for one thing. There are many that have perhaps filled me with more dread, but "Alien" worked for me on a level that was dazzling; it's science fiction and horror which I love; the creature's unparalleled and constantly in the first one shifting your expectations of what it is and can do; and it was also a movie that terrified me because it was the first horror movie I'd seen where I didn't think the people in it would look out for each other. The way they related to each other frightened me as much as the alien because usually there's a safe haven of, "Well, we've got each other's backs", and they didn't seem like they did.
55 [on what makes the horror genre unique] I'm gonna go with bloody killing. Horror is . . . on the edge of something. It's populist entertainment but it's also allowed to take certain risks and that's where you get some of the ugliest things in society, and also some of the most interesting comments on society. When you're on the fringe like that, when you're working in a genre that's just a little bit edgier, that's the place where you find the most interesting dialogue about what we all expect in society from each other and from movies and stuff. So you get to take risks in horror, and then there's bloody killing.
56 [on the horror clichés that The Cabin in the Woods (2012) explores] You do go, "We have to question this. We have to question is this still valid? Is this still valid storytelling, or has it fallen into cliché?", but at the same time we seek out these movies where these young people do these stupid things. So we love it but we can't not question it, too. So we really wanted to make a movie that contained our ambivalence, where we have a great time with this horror at the same time as we're sort of going, "We really love these people and we want to protect them from this horror". That ambivalence just exists as a viewer and as a writer. Specifically I'm thinking of one passage where you're rooting for different things at the same time very clearly, and that's sort of part of the excitement and part of what I've never understood about horror, and what I've always loved.
57 [on what genre(s) The Cabin in the Woods (2012) belongs to] There's a little twitch of sci-fi in pretty much everything that comes out of us, but that's not the experience that you're having. I think you define the genre by the experience, and this is a horror movie. There's a lot of laughs in it as well; [Drew Goddard] and I are not gonna not make jokes, but it's not a comedy. The experience is classic horror and anything else that feeds into it is just sort of icing.
58 [what he looks for in an actor when casting] I look for future stars; I go to the future, see who's famous and then I go back and cast them. [laughs] You know, every role is different, but you're looking for someone who understands it, will make it pop, will take it beyond where I've taken it; who will bring more to it than I imagined. Hopefully they're easy on the eyes, that'll help too, and are sane. I stand very firmly, and The Cabin in the Woods (2012) is a good example, of casting for sanity. People that you want to be in the trenches with, because there are trenches and you are fighting. It's hard to make a film, it's hard to make a TV show and you want somebody who's got the kind of energy and enthusiasm like Richard Jenkins and Bradley Whitford have where they're just like, "Let's do this!" and I'm like, "You guys are super-famous Oscar people; why are you so excited?"
59 [on Warner Bros. announcing plans for a rebooted version of Buffy the Vampire Slayer (1992) without involvement by the original creative team] This is a sad, sad reflection on our times, when people must feed off the carcasses of beloved stories from their youth, just because they can't think of an original idea of their own, like I did with my Avengers [The Avengers (2012)] idea that I made up myself. Obviously I have strong, mixed emotions about something like this. My first reaction upon hearing who was writing it was, "Whit Stillman AND Wes Anderson? This is gonna be the most sardonically adorable movie EVER. Apparently I was misinformed. Then I thought, "I'll make a mint! This is worth more than all my Toy Story (1995) residuals combined!" Apparently I am seldom informed of anything. And possibly a little slow. But seriously, are vampires even popular any more? I always hoped that Buffy would live on even after my death. But, you know, AFTER. I don't love the idea of my creation in other hands, but I'm also well aware that many more hands than mine went into making that show what it was. And there [are] no legal grounds for doing anything other than sighing audibly. I can't wish people who are passionate about my little myth ill. I can, however, take this time to announce that I'm making a Batman movie. Because there's a franchise that truly needs updating. So look for The Dark Knight Rises Way Earlier Than That Other One And Also More Cheaply And In Toronto", rebooting into a theater near you.
60 [asked whether he threatened his actors never to give spoilers] I'm a very gentle man, not unlike [Mohandas K. Gandhi]. I don't ever threaten them. There is, sort of hanging over the head, the thing that I could kill them [i.e., their characters] at any moment. But that's really just if they annoy me. They know that I'm very secretive about plot twists and whatnot, because I think it's better for the show.
61 [why he thought Alien: Resurrection (1997) was not faithful to his vision] . . . It wasn't a question of doing everything differently, although they changed the ending; it was mostly a matter of doing everything wrong. They said the lines . . . mostly . . . but they said them all wrong. And they cast it wrong. And they designed it wrong. And they scored it wrong. They did everything wrong that they could possibly do. There's actually a fascinating lesson in filmmaking, because everything that they did reflects back to the script or looks like something from the script, and people assume that, if I hated it, then they'd changed the script . . . but it wasn't so much that they'd changed the script; it's that they just executed it in such a ghastly fashion as to render it almost unwatchable.
62 [on his philosophy of story writing] We plot it out leaving room for disasters or fortuitous occasions. Anything could change. Basically, we plot it ahead always, because if you don't know where you're going, you're not going anywhere.
63 [why he was unhappy with Buffy the Vampire Slayer (1992)] The thing is, people always make fun of Rutger Hauer. Even though he was big and silly and looked sort of goofy in the movie, I have to give him credit, because he was there. He was into it. Whereas [Donald Sutherland] was just . . . He would rewrite all his dialogue, and the director would let him. He can't write--he's not a writer--so the dialogue would not make sense. And he had a very bad attitude. He was incredibly rude to the director, he was rude to everyone around him, he was just a real pain. And to see him destroying my stuff . . . Some people didn't notice. Some people liked him in the movie. Because he's Donald Sutherland. He's a great actor. He can read the phone book, and I'm interested. But the thing is, he acts well enough that you didn't notice, with his little rewrites, and his little ideas about what his character should do, that he was actually destroying the movie more than Rutger was. So I got out of there. I had to run away.
64 I don't tend to write straight dramas where real life just impinges. But because I don't, when I do it is very interesting to slap people in the face with just an absolute of life.
65 [on the infamous line spoken by the character Storm in X-Men (2000)] That's the interesting thing. Everybody remembers that as the worst line ever written, but the thing about that is, it was supposed to be delivered as completely offhand--"You know what happens when a toad gets hit by lightning?" Then, after he gets electrocuted, "Ahhh, pretty much the same thing that happens to anything else." But Halle Berry said it like she was Desdemona. [Strident, ringing voice.] "The same thing that happens to everything eeelse!" That's the thing that makes you go crazy. At least "You're a dick" got delivered right. The worst thing about these things is that, when the actors say it wrong, it makes the writer look stupid. People assume that the line . . . I listened to half the dialogue in Alien: Resurrection (1997), and I'm like, "That's idiotic," because of the way it was said. And nobody knows that. Nobody ever gets that. They say, "That was a stupid script," which is the worst pain in the world. I have a great long, boring story about that, but I can tell you the very short version. In "Alien 4", the director changed something so that it didn't make any sense. He wanted someone to go and get a gun and get killed by the alien, so I wrote that in and tried to make it work, but he directed it in a way that it made no sense whatsoever. And I was sitting there in the editing room, trying to come up with looplines to explain what's going on, to make the scene make sense, and I asked the director, "Can you just explain to me why he's doing this? Why is he going for this gun?" And the editor, who was French, turned to me and said, with a little leer on his face, "Because eet's een the screept." And I actually went and dented the bathroom stall with my puddly little fist. I have never been angrier. But it's the classic, "When something goes wrong, you assume the writer's a dork." And that's painful.
66 As I've often said, subtlety is for little men.
67 [on if he feels he can take bigger chances because of his loyal fanbase]. . . It has to do with being under the radar. The fan base kept us [Dollhouse (2009)] from being not canceled, which was very thoughtful of them. But at the same time, I do know that they demand a certain amount of surprise, they demand the unexpected, and they demand to be challenged when they watch the show. Hopefully not confused, just challenged. They never want any of my shows to fall into a comfortable formula, which is just the greatest thing in the world for both the writers and the actors. To know that they're not every week going to go, "I'm the one who explains things," "And I'm the one who makes a wacky aside!" For them to know that their characters are going to change and go through hell and in some cases change very literally, and then they're more excited to be a part of it. The whole energy comes from this little band of rebels--I don't mean the people in the Dollhouse . . . but I sort of do.
68 [on what he's learned from making Dr. Horrible's Sing-Along Blog (2008) that may help when making another] Basically that you can do anything. If you pool your resources, and in my case all of your connections after 20 years in the business--actually, God help me, 21--and just give up the idea that you're going to act like a normal person or sleep, if you want it hard enough and do it well enough, it happens. I think a lot of really talented people either sort of get crushed under the wheel of the movie studio system or desperately try and get their next gig in TV. I understand why, because we've all got to put food on the table and the brass ring is out there, we'd all like to be making the Emmy-winning shows and the blockbusters and all that, but at the same time you could be doing stuff yourself. I wish more people would take the extraordinary talent they have and just let their id go because that's what we discovered. We discovered that the sillier we got, the more people believed that we were speaking from our hearts.
69 [asked if there are any embarrassing Eliza Dushku moments] . . . nothing embarrasses Eliza. That's kind of why I love working with her. Apart from finally conquering her fear of wearing her hair in an up-do. Literally, I've had her doing kung-fu, speaking Spanish, swing dancing, comedy, drama, horror, naked, anything--no problem--but put her hair up and she freaks. For some reason the back of her neck should not be exposed, but she's OK with it now, and she's really proud of that. She's really grown as an actress with the back of her neck.
70 [on how he approaches the season finales of his shows] I've always approached every season that way. Firefly (2002) was the one time I really got the rug pulled out from under me. But every season of [Buffy the Vampire Slayer (1997)], except that time I got a two-year pickup from UPN, we ended the show as though we were not coming back. Or with the thought that if we did not come back, we would be satisfied--that's why I never ended with a cliffhanger. Then we got a bigger pick-up on "Buffy" and I ended with a cliffhanger and went, "No wonder our first episodes are always so crappy--cliffhangers are awesome!
71 [the first thing he did when he found out that Dollhouse (2009) had been renewed for a second season] I'm not afraid to say panic. I'm not too much of a man to use the words "completely panic". The first thing I did, even before it was totally official, was go out to a restaurant, which is where I do most of my writing, and write down everything I thought about what Season 2 would be, and sent it to the writers. I wrote down everything that I thought would be useful--what we hadn't had enough of, what I thought had clicked, what we could improve--and also things that excited me about the second season. Once I had that memo out to the writers I felt like I was ready for anything. I wasn't, but it was cute that I thought so . . . I'd had a few drinks by the end of that memo and I'm not allowed to tell you anything. What happens in Vancouver is nobody's business.
72 [if there are any specific characteristics he looks for in actors] The people that I come back to are people who are either extremely versatile or just right for the part, but they all share the same work ethic and they all throw themselves into a part or a task with enormous professionalism and gusto. Nobody coasts. Nobody isn't bringing their "A" game.
73 [if he considers potential fan reaction when writing] It's a consideration, but it's not the first one. The first one is "What's cool?" If I think something is cool, then other people will, too, because I'm a fan. Something that makes me go "Ohh, tingly", that's something that other people will share. I am the audience. When you're thinking about the fans, you're more thinking about "What do we not have enough of?" and "Where do we need to be next, emotionally?" But beyond that, you're thinking, "What makes me excited, what's wrong with me, and how cool is that?" It's a playground. You also think about the actors. What will challenge them? What will jazz them? What haven't I seen from them? It's just all part of the same equation. The audience includes the people making it. Actually, I think the people making it and me might make up about half of the audience.
74 There are two things that interest me--and they're both power, ultimately. One is not having it and one is abusing it.
75 Writers are completely out of touch with reality. Writers are a crazy person. We create conflict--for a living. We do this all the time, sometimes on a weekly basis, we create horrible, incredible circumstances and then figure a way out of them. That's what we do.
76 . . . I believe the best way to examine anything is to go to a dark place. You can't be a storyteller and a speechwriter at the same time.
77 If somebody comes up to me, it's because they're moved by something I'm moved by. I've never taken a job I didn't love . . . So when somebody's coming up to me, or they're writing, they're in the same space I am in. I write for fanboy moments. I write to give myself strength. I write to be the characters that I am not. I write to explore all the things I'm afraid of. I write to do all the things the viewers want to. So the intensity of the fan response is enormously gratifying. It means I hit a nerve.
78 [on why his "Wonder Woman" script wasn't accepted] It was in an outline, and not in a draft, and they didn't like it. So I never got to write a draft where I got to work out exactly what I wanted to do. In terms of the meaning, the feeling, the look, the emotion, the character, the relationship with Steve Trevor, all of that stuff, I never wavered for a second . . . The lack of enthusiasm was overwhelming. It was almost staggering, and that was kind of from the beginning. I just don't think my take on Wonder Woman was ever to their liking.
79 I'd rather make a show 100 people need to see, than a show that 1000 people want to see.
80 [about "Serenity" and making a movie] When you're making a movie, you gotta amp it up, you gotta go to a greater scale and everything is gonna be a little grander, you hero is gonna be more "heroicaler" . . . yes, that's a word . . . now . . .
81 Remember to always be yourself. Unless you suck.
82 [5/13/04, about his Buffy the Vampire Slayer (1997) and Angel (1999) TV shows] Redemption is something you have to fight for in a very personal, down-and-dirty way. Some of our characters lose that, some stray from that, and some regain it.
83 [5/20/04, after The WB channel canceled the series] We put a lot of that heartbreak into the script, into the show, so it would hurt as much to watch as it did to have it taken away from us. I would not have been as brutal about the ending--had we had another season."
84 [interview, The Vancouver Sun, 2/3/04] The times are chaotic. For me, I would hope that people look at [Angel (1999)] and gain strength by it. With everything that I do, I hope that they see people struggling to live decent, moral lives in a completely chaotic world. They see how hard it is, how often they fail, and how they get up and keep trying. That, to me, is the most important message I'm ever going to tell.
85 [New York Post interview, 5/20/03, about filming the last day of Buffy the Vampire Slayer (1997)] "The last scene that I filmed [involved] a one-day player with no lines, which is great. I actually said, 'I want the last scene to be a one-day player with no lines, so I don't lose it."
86 [on "NPR Fresh Air", 11/8/02] It's fascinating to me, the shows that I've always loved the best, Hill Street Blues (1981), Wiseguy (1987), Twin Peaks (1990), have always been shows that did have accumulative knowledge. One of the reasons why The X-Files (1993) started to leave me cold was that after five years, I just started yelling at Scully, "You're an idiot. It's a monster", and I couldn't take it anymore. I need people to grow, I need them to change, I need them to learn and explore, you know, and die and do all of the things that people do in real life. And so [on Buffy the Vampire Slayer (1997)] we're very, very strict about making sure that things track, that they're presented in the right way. Because, ultimately--and this is one of the things that I did find out after we had aired--the soap opera, the characters, the interaction between them is really what people respond to more than anything else. And although we came out of it as a sort of monster-of-the-week format, it was clear that the interaction was the thing that people were latching onto. So we were happy to sort of go with that and really play it up and really see where these characters were going to go.
87 But nowadays I'm really cranky about comics. Because most of them are just really, really poorly written soft-core. And I miss good old storytelling. And you know what else I miss? Super powers. Why is it now that everybody's like "I can reverse the polarity of your ions!" Like in one big flash everybody's Doctor Strange. I like the guys that can stick to walls and change into sand and stuff. I don't understand anything anymore. And all the girls are wearing nothing, and they all look like they have implants. Well, I sound like a very old man, and a cranky one, but it's true.
88 [in April 2003, asked how he designed each unstoppable season villain to be unique and threatening] We got into a problem with that. We kept saying, "This monster can't be killed. It's like, "Well, have you used violence? It was never about the unstoppableness. It was never about the monster. It was about the emotion. The monster came from that. We didn't always make them unique. We tried as much as possible, but what was important was how they related to the characters and that's what made them unique.


All Joss Whedon pictures

Won Awards

Won awards

YearAwardCeremonyNominationMovieAward shared with
2013 Saturn Award Academy of Science Fiction, Fantasy & Horror Films, USA Best Director The Avengers (2012)
2013 Chainsaw Award Fangoria Chainsaw Awards Best Screenplay The Cabin in the Woods (2012) Drew Goddard
2013 Fangoria Horror Hall of Fame Fangoria Chainsaw Awards
2013 Hugo Hugo Awards Best Dramatic Presentation - Long Form The Avengers (2012) Zak Penn (story)
2013 SFX Award SFX Awards, UK Best Director The Avengers (2012)
2012 Fright Meter Award Fright Meter Awards Best Screenplay The Cabin in the Woods (2012) Drew Goddard
2012 IGN People's Choice Award IGN Summer Movie Awards Best Movie Director The Avengers (2012)
2010 Vanguard Award PGA Awards
2009 Primetime Emmy Primetime Emmy Awards Outstanding Special Class - Short-Format Live-Action Entertainment Programs Dr. Horrible's Sing-Along Blog (2008) Michael Boretz (producer)

David M. Burns (producer)
2009 Hugo Hugo Awards Best Dramatic Presentation - Short Form Dr. Horrible's Sing-Along Blog (2008) Zack Whedon (writer)

Jed Whedon (writer)

Maurissa Tancharoen (writer)
2009 Streamy Award The Streamy Awards Best Directing for a Comedy Web Series Dr. Horrible's Sing-Along Blog (2008)
2009 Streamy Award The Streamy Awards Best Writing for a Comedy Web Series Dr. Horrible's Sing-Along Blog (2008) Maurissa Tancharoen

Jed Whedon

Zack Whedon
2006 Hugo Hugo Awards Best Dramatic Presentation - Long Form Serenity (2005)
2006 Nebula Award Science Fiction and Fantasy Writers of America Best Script Serenity (2005)
2005 SFX Award SFX Awards, UK Best Film Director Serenity (2005)
2002 OFTA Television Award Online Film & Television Association Best Direction in a Drama Series Buffy the Vampire Slayer (1997) James A. Contner

David Solomon

David Grossman

Michael Gershman

Nick Marck

Douglas Petrie

Alan J. Levi

Bill Norton

Turi Meyer
2002 Rondo Statuette Rondo Hatton Classic Horror Awards TV Presentation Of The Year Buffy the Vampire Slayer (1997)
2000 Eyegore Award Eyegore Awards
1996 Annie Annie Awards Best Individual Achievement: Writing Toy Story (1995) Andrew Stanton

Joel Cohen

Alec Sokolow
1995 ACCA Awards Circuit Community Awards Best Original Screenplay Toy Story (1995) Andrew Stanton (story/screenplay)

Joel Cohen (screenplay)

Alec Sokolow (screenplay)

John Lasseter (story)

Pete Docter (story)

Joe Ranft (story)

Nominated Awards

Nominated awards

YearAwardCeremonyNominationMovieAward shared with
2016 Hugo Hugo Awards Best Dramatic Presentation - Long Form Avengers: Age of Ultron (2015)
2015 Rondo Statuette Rondo Hatton Classic Horror Awards Best Movie Avengers: Age of Ultron (2015)
2013 Saturn Award Academy of Science Fiction, Fantasy & Horror Films, USA Best Writing The Avengers (2012)
2013 Saturn Award Academy of Science Fiction, Fantasy & Horror Films, USA Best Writing The Cabin in the Woods (2012) Drew Goddard
2013 Empire Award Empire Awards, UK Best Director The Avengers (2012)
2013 GFCA Award Georgia Film Critics Association (GFCA) Best Original Screenplay The Cabin in the Woods (2012) Drew Goddard
2013 Hugo Hugo Awards Best Dramatic Presentation - Long Form The Cabin in the Woods (2012) Drew Goddard (writer and director)
2013 ISA Indie Series Awards Best Supporting Actor (Comedy) Husbands (2011)
2013 NCFCA Award North Carolina Film Critics Association Best Original Screenplay The Cabin in the Woods (2012) Drew Goddard
2013 OFCS Award Online Film Critics Society Awards Best Original Screenplay The Cabin in the Woods (2012) Drew Goddard
2013 Bradbury Award Science Fiction and Fantasy Writers of America The Avengers (2012) Zak Penn (screen story)
2013 Bradbury Award Science Fiction and Fantasy Writers of America The Cabin in the Woods (2012) Drew Goddard (writer/director)
2013 Audience Award SXSW Film Festival Narrative Spotlight Much Ado About Nothing (2012)
2013 Streamy Award The Streamy Awards Best Guest Appearance Husbands (2011)
2012 Golden Schmoes Golden Schmoes Awards Best Director of the Year The Avengers (2012)
2012 Golden Schmoes Golden Schmoes Awards Best Screenplay of the Year The Cabin in the Woods (2012) Drew Goddard
2012 IGN Award IGN Summer Movie Awards Best Movie Director The Avengers (2012)
2012 SDFCS Award San Diego Film Critics Society Awards Best Original Screenplay The Cabin in the Woods (2012) Drew Goddard
2012 SLFCA Award St. Louis Film Critics Association, US Best Original Screenplay The Cabin in the Woods (2012) Drew Goddard
2010 Hugo Hugo Awards Best Dramatic Presentation - Short Form Dollhouse (2009) Maurissa Tancharoen (written by)

Jed Whedon (written by)

David Solomon (director)
2005 Hugo Hugo Awards Best Dramatic Presentation - Short Form Angel (1999) Ben Edlund (story/teleplay/director)
2005 Hugo Hugo Awards Best Dramatic Presentation - Short Form Angel (1999) Jeffrey Bell (writte by/director)
2004 Hugo Hugo Awards Best Dramatic Presentation - Short Form Firefly (2002) Tim Minear (written by/director)
2004 Hugo Hugo Awards Best Dramatic Presentation - Short Form Buffy the Vampire Slayer (1997)
2003 Hugo Hugo Awards Best Dramatic Presentation - Short Form Firefly (2002)
2003 Hugo Hugo Awards Best Dramatic Presentation - Short Form Angel (1999)
2003 Rondo Statuette Rondo Hatton Classic Horror Awards TV Presentation Of The Year Buffy the Vampire Slayer (1997)
2003 Nebula Award Science Fiction and Fantasy Writers of America Best Script Buffy the Vampire Slayer (1997)
2002 Hugo Hugo Awards Best Dramatic Presentation Buffy the Vampire Slayer (1997) Marti Noxon (executive producer)
2002 OFTA Television Award Online Film & Television Association Best Writing in a Drama Series Buffy the Vampire Slayer (1997) Steven S. DeKnight

Jane Espenson

David Fury

Drew Z. Greenberg

Diego Gutiérrez

Marti Noxon

Douglas Petrie

Rebecca Sinclair
2002 Nebula Award Science Fiction and Fantasy Writers of America Best Script Buffy the Vampire Slayer (1997)
2000 Primetime Emmy Primetime Emmy Awards Outstanding Writing for a Drama Series Buffy the Vampire Slayer (1997)
2000 Bram Stoker Award Bram Stoker Awards Screenplay Buffy the Vampire Slayer (1997)
1999 Annie Annie Awards Outstanding Individual Achievement for Music in an Animated Feature Production The Lion King II: Simba's Pride (1998)
1996 Oscar Academy Awards, USA Best Writing, Screenplay Written Directly for the Screen Toy Story (1995) Andrew Stanton (screenplay/story)

Joel Cohen (screenplay)

Alec Sokolow (screenplay)

John Lasseter (story)

Pete Docter (story)

Joe Ranft (story)
1996 Saturn Award Academy of Science Fiction, Fantasy & Horror Films, USA Best Writing Toy Story (1995) Alec Sokolow

Andrew Stanton

Joel Cohen
1996 Hugo Hugo Awards Best Dramatic Presentation Toy Story (1995) John Lasseter (story/director)

Andrew Stanton (story/screenplay)

Joel Cohen (screenplay)

Alec Sokolow (screenplay)

Pete Docter (story)

Joe Ranft (story)

2nd Place Awards

2nd place awards

YearAwardCeremonyNominationMovieAward shared with
2013 COFCA Award Central Ohio Film Critics Association Best Original Screenplay The Cabin in the Woods (2012) Drew Goddard
2012 UFCA Award Utah Film Critics Association Awards Best Writing, Screenplay Written Directly for the Screen The Cabin in the Woods (2012) Drew Goddard

3rd Place Awards

3rd place awards

YearAwardCeremonyNominationMovieAward shared with
2013 Golden Space Needle Award Seattle International Film Festival Best Director Much Ado About Nothing (2012)



Untitled Joss Whedon/WWII Horror Project screenplay announced
Agents of S.H.I.E.L.D. TV Series created by - 73 episodes, 2013 - 2017 written by - 1 episode, 2013
Avengers: Age of Ultron 2015 written by
In Your Eyes 2014 written by
Much Ado About Nothing 2012/I written for the screen by
Buffy the Vampire Slayer XXX: A Parody 2012 Video based on the characters created by
The Avengers 2012 screenplay / story
The Cabin in the Woods 2012 written by
Comic-Con Episode IV: A Fan's Hope 2011 Documentary
Buffy the Vampire Slayer: Season 8 Motion Comic 2011 Video
Dollhouse TV Series created by - 27 episodes, 2009 - 2010 written by - 4 episodes, 2009 story - 1 episode, 2009
Astonishing X-Men 2009 TV Series
This American Life Live! 2009 TV Movie written by
Dollplay 2009 TV Series creator
Commentary! The Musical 2008 Video short written by
Dr. Horrible's Sing-Along Blog TV Mini-Series 2 episodes, 2008 written by - 1 episode, 2008
Forgotten Memories 2007 Video short based on the characters created by
Serenity 2005 written by
Angel TV Series created by - 110 episodes, 1999 - 2004 written by - 8 episodes, 1999 - 2004 story - 4 episodes, 1999 - 2004
Buffy the Vampire Slayer: The Animated Series 2004 TV Movie creator
Firefly TV Series created by - 14 episodes, 2002 - 2003 written by - 5 episodes, 2002 - 2003
Buffy the Vampire Slayer TV Series created by - 144 episodes, 1997 - 2003 written by - 25 episodes, 1996 - 2003 story by - 3 episodes, 1997
Atlantis: Milo's Return 2003 Video characters - uncredited
Atlantis: The Lost Empire 2001 story by
Titan A.E. 2000 screenplay
Alien: Resurrection 1997 written by
Buffy the Vampire Layer 1997 Video based on the character created by
Toy Story 1995 screenplay by
Muffy the Vampire Layer 1992 Video based on the character created by
Buffy the Vampire Slayer 1992 written by
Parenthood 1990-1991 TV Series written by - 3 episodes
Roseanne 1989-1990 TV Series written by - 4 episodes


The Letter Carrier 2016 Short associate producer completed
Agents of S.H.I.E.L.D.: Slingshot 2016 TV Mini-Series executive producer - 6 episodes
Agents of S.H.I.E.L.D. 2013-2016 TV Series executive producer - 47 episodes
The Deal 2016/IV Short executive producer
In Your Eyes 2014 executive producer
Much Ado About Nothing 2012/I producer
The Cabin in the Woods 2012 producer
Comic-Con Episode IV: A Fan's Hope 2011 Documentary producer
Dollhouse 2009-2010 TV Series executive producer - 27 episodes
The Making of Dr. Horrible's Sing-Along Blog 2008 Video documentary short executive producer
Dr. Horrible's Sing-Along Blog TV Mini-Series executive producer - 2 episodes, 2008 producer - 1 episode, 2008
Angel 1999-2004 TV Series executive producer - 110 episodes
Buffy the Vampire Slayer: The Animated Series 2004 TV Movie executive producer
Firefly 2002-2003 TV Series executive producer - 14 episodes
Buffy the Vampire Slayer 1996-2003 TV Series executive producer - 145 episodes
Parenthood 1990 TV Series co-producer


Untitled Joss Whedon/WWII Horror Project announced
Avengers: Age of Ultron 2015
Agents of S.H.I.E.L.D. 2013 TV Series 1 episode
Much Ado About Nothing 2012/I
The Avengers 2012
Glee 2010 TV Series 1 episode
Dollhouse 2009 TV Series 3 episodes
Commentary! The Musical 2008 Video short
Dr. Horrible's Sing-Along Blog 2008 TV Mini-Series 3 episodes
The Office 2007 TV Series 2 episodes
Serenity 2005
Angel 1999-2004 TV Series 7 episodes
Buffy the Vampire Slayer 1996-2003 TV Series 22 episodes
Firefly 2002 TV Series 3 episodes


In Your Eyes 2014 writer: "Crumblin"
Much Ado About Nothing 2012/I music: "Sigh No More", "Heavily"
Commentary! The Musical 2008 Video short lyrics: "Ten Dollar Solo", "Better Than Neil", "Steve's Song" / music: "Ten Dollar Solo" / performer: "Strike!", "Heart, Broken" / writer: "Commentary!", "Strike!", "The Art", "All About Me", "Heart, Broken", "Neil's Turn", "Commentary!" Reprise
Dr. Horrible's Sing-Along Blog TV Mini-Series lyrics - 3 episodes, 2008 music - 3 episodes, 2008 performer - 2 episodes, 2008
Done the Impossible: The Fans' Tale of 'Firefly' and 'Serenity' 2006 Video documentary writer: "Firefly Main Title - The Ballad of Serenity"
Firefly 2002-2003 TV Series writer - 14 episodes
Buffy the Vampire Slayer 2000-2002 TV Series writer - 4 episodes
Chance 2002 writer: "Burn Me Down"
The Lion King 2: Simba's Pride 1998 Video writer: "My Lullaby"


The Getaway 1994 script doctor - uncredited
Roseanne 1989-1990 TV Series story editor - 18 episodes
Captain America: The First Avenger 2011 consultant - uncredited
Angel & the Apocalypse 2004 Video documentary short creator: "Angel"
Fatal Beauty and the Beast 2004 Video short documentary original creator
Malice in Wonderland: Wolfram & Hart 2004 Video documentary short original creator
'Angel': Season 4 Overview 2004 Video documentary original creator
Buffy the Vampire Slayer: The Quest for Oz 2004 Video Game original creator
'Angel': Season 2 Overview 2003 Video documentary creator: "Angel" - uncredited
Buffy the Vampire Slayer: Chaos Bleeds 2003 Video Game original creator
Buffy the Vampire Slayer: Wrath of the Darkhul King 2003 Video Game original creator
Buffy the Vampire Slayer 2002 Video Game original creator
Buffy the Vampire Slayer 2000 Video Game original creator
X-Men 2000 script doctor - uncredited
Buffy the Vampire Slayer 1998 TV Series creature designer - 1 episode
Twister 1996 script doctor - uncredited
Waterworld 1995 script doctor - uncredited
The Quick and the Dead 1995 script doctor - uncredited
Speed 1994 script doctor - uncredited


Another Period 2016 TV Series Duane Reade
Girlfriends' Guide to Divorce 2015 TV Series Joss Whedon
Con Man 2015 TV Series Snow Guy
CollegeHumor Originals 2013 TV Series Joss Whedon
Husbands 2012 TV Series Wes
Written by a Kid 2012 TV Series Gerald
The Coach 2012 Short The Coach
Robot Chicken 2008 TV Series Joss Whedon / Cowboy / Scientist
Veronica Mars 2005 TV Series Douglas
Serenity 2005 Trade Agent (voice, uncredited)
Firefly 2003 TV Series Man at Funeral
Angel 2001 TV Series Numfar
Buffy the Vampire Slayer 1997 TV Series News Caster

Music Department

Dr. Horrible's Sing-Along Blog 2008 TV Mini-Series lyricist - 1 episode
Firefly 2002 TV Series composer - 1 episode
Buffy the Vampire Slayer TV Series lyrics - 1 episode, 2001 music - 1 episode, 2001

Assistant Director

Captain America: The Winter Soldier 2014 director: mid-credit sequence - uncredited
The Cabin in the Woods 2012 second unit director
Thor 2011 director: post-credits scene - uncredited


Much Ado About Nothing 2012/I


Much Ado About Nothing 2012/I


Breakfast 2016/III Short special thanks
COMIX: Beyond the Comic Book Pages 2016 Documentary special thanks
Avengers Assemble 2013-2016 TV Series special thanks - 19 episodes
The Verse 2014 Short very special thanks
Marvel Studios: Assembling a Universe 2014 TV Movie documentary thanks
Lust for Love 2014 special thanks
Iron Man Three 2013 special thanks
Atomism 2011 Short very special thanks
Hide. 2011 Video short special thanks
Superhero 2011/I Short acknowledgment
Trap 2010 special thanks
Making Dollhouse 2009 Video short special thanks
Marvin Milktoast 2008 Short special thanks - as Joss 'The Boss' Whedon
Star Wars: The Legacy Revealed 2007 TV Movie documentary special thanks
Chance 2002 thank you


A Place Among the Undead 2016 TV Series documentary Himself (2016)
Rogue One: A Star Wars Story - World Premiere 2016 TV Movie Himself (uncredited)
AM Joy 2016 TV Series Himself - Guest
Toy Story at 20: To Infinity and Beyond 2015 TV Movie documentary Himself - Screenwriter
From Here to Infinity: Phases 2 & 3 of the M.C.U. 2015 Video documentary short Himself
Avengers: Age of Ultron - From the Inside Out: Making of Avengers - Age of Ultron 2015 Video documentary short Himself
Avengers: Age of Ultron - Global Adventure 2015 Video short Himself
Avengers: Age of Ultron - The Infinite Six 2015 Video short Himself
Made in Hollywood 2015 TV Series Himself
Weekend Ticket 2013-2015 TV Series short Himself
Showrunners: The Art of Running a TV Show 2014 Documentary Himself
Marvel Studios: Assembling a Universe 2014 TV Movie documentary Himself
A Brothers' Journey: Thor & Loki 2014 Video documentary short Himself
Clique 2014 TV Series Himself
Tavis Smiley 2013 TV Series Himself - Guest
Superheroes: From Page to Screen 2013 TV Movie documentary Himself
NerdHQ 2012-2013 TV Series Himself
The Colbert Report 2013 TV Series Himself - Guest
Charlie Rose 2013 TV Series Himself - Guest
Late Night with Jimmy Fallon 2009-2013 TV Series Himself - Guest / Himself
2013 MTV Movie Awards 2013 TV Special Himself
Robot Chicken 2007-2013 TV Series Himself / Oompa Loompa / Father / ...
The Avengers: Assembling the Ultimate Team 2012 Video short Himself
The Avengers: A Visual Journey 2012 Video short Himself
Troldspejlet 2012 TV Series Himself - Director
CBS News Sunday Morning 2012 TV Series documentary Himself - Guest 2012 TV Series documentary Himself
Warren Ellis: Captured Ghosts 2011 Documentary Himself
Road to 'The Avengers' 2011 Video short Himself
Comic-Con Episode IV: A Fan's Hope 2011 Documentary Himself
Bandwagon: The Series 2010 TV Series Himself
This American Life Live! 2009 TV Movie Himself
The 1st Annual Streamy Awards 2009 TV Special Himself - Winner: Best Directing for a Comedy Web Series
Commentary! The Musical 2008 Video short Himself (voice)
The Making of Dr. Horrible's Sing-Along Blog 2008 Video documentary short Himself
The Write Environment 2008 TV Series Himself
Battlestar Galactica: The Phenomenon 2008 TV Short documentary Himself
2007 Primetime Creative Arts Emmy Awards 2007 TV Special Himself - Winner: Outstanding Special Class - Short-Format Live-Action Entertainment Programs
Star Wars: The Legacy Revealed 2007 TV Movie documentary Himself
Done the Impossible: The Fans' Tale of 'Firefly' and 'Serenity' 2006 Video documentary Himself
06 Spaceys 2006 TV Special Himself
HypaSpace 2006 TV Series documentary Himself
A Filmmaker's Journey 2006 Video documentary short Himself
Joss Whedon Q&A Session from Fox Studios 2006 Video documentary Himself
Take a Walk on 'Serenity' 2006 Video short Himself
Joss Whedon: The Master at Play 2006 Video Himself
Film '72 2005 TV Series Himself
Future History: The Story of Earth That Was 2005 Video documentary short Himself
Re-Lighting the Firefly 2005 Video documentary short Himself
What's in a Firefly 2005 Video documentary short Himself
El Magacine 2005 TV Series Himself
Sci Fi Inside: 'Serenity' 2005 TV Movie Himself
Rove Live 2005 TV Series Himself
Shootout 2005 TV Series Himself
'Angel': The Final Season 2005 Video documentary Himself
Halos & Horns: Recurring Villainy 2005 Video documentary short Himself
'Buffy': Season 7 Overview 2004 Video documentary short Himself
Fatal Beauty and the Beast 2004 Video short documentary Himself
Last Looks: The Hyperion Hotel 2004 Video documentary short Himself
Malice in Wonderland: Wolfram & Hart 2004 Video documentary short Himself
'Angel': Season 4 Overview 2004 Video documentary Himself
'Buffy': Season 6 Overview 2004 Video documentary short Himself
Bandwagon 2004 Documentary Joss Whedon
'Buffy': Season 5 Overview 2003 Video documentary short Himself
Here's How It Was: The Making of 'Firefly' 2003 Video short documentary Himself
Serenity: The 10th Character 2003 Video documentary short Himself
One Step Beyond: The Making of 'Alien: Resurrection' 2003 Video documentary Himself
The 100 Greatest Scary Moments 2003 TV Movie documentary Himself
Buffy the Vampire Slayer: Chaos Bleeds 2003 Video Game Himself (voice)
'Buffy': Season 4 Overview 2003 Video documentary short Himself
Biography 2003 TV Series documentary Himself
'Buffy': Season 3 Overview 2003 Video documentary short Himself
The 'Alien' Saga 2002 TV Movie documentary Himself (uncredited)
'Buffy': Season 2 Overview 2002 Video documentary short Himself

Archive Footage

Troldspejlet 2012 TV Series Himself - Director
Made in Hollywood 2012 TV Series Himself

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