Gore Verbinski Net Worth

Gore Verbinski Net Worth is
$130 Million

Gore Verbinski Biography

His latest film, The Lone Ranger, premiered in 2013. It grossed $600 Million. Verbinski is normally a graduate of UCLA College of Television, Theater and Film.$110 Million: Gregor ‘Gore’ Verbinski (born March 16, 1964) can be an American film musician, maker, director and screenwriter. It was an internationally success. With his movies having a collective globally gross of $3.72 billion, Verbinski may be the 9th highest grossing film director in the globe.Verbinski was created in Oak Ridge, Tennessee, the 3rd of five kids of Laurette Ann (McGovern) and Victor Vincent Verbinski, a nuclear physicist. He provides been announced to create and immediate a remake of the film “Clue” predicated on the game. Finally he switched to making films with The Ritual, that was only a brief film. His net well worth has been approximated to become a cool $110 Million. The majority of his cash has been created from directing commercially effective movies like the Band, and Pirates of the Caribbean, both which has emerged among the biggest box workplace collectors recently. He was the director in the 1st three films in the Pirates series. In early existence, Gore was a musician as well. He played in lots of rock bands like Bulldozer, Daredevils, The Motorists, and The Cylon Males Choir. He also performed for THE TINY Kings with the popular drummer Chris Poobah Bailey. Verbinski can be a graduate of UCLA College of Film, Television and Theater. But that isn’t where his fame and prosperity comes from. It originates from directing films. Verbinski produced a switchover from music to producing commercials. He produced commercials for United Airlines, Budweiser, Canon, Skittles, Coca-Cola, and Nike. Gore Verbinski Net Worthy of: Gore Verbinski can be an American film director, screenwriter, maker and musician who includes a net well worth of $130 million dollars. Gregor Verbinski, who’s popularly known as Gore Verbinski can be a article writer and film director from the united states. The initial feature film he directed was Mouse Hunt, a humor flick. Verbinski gained the Academy Award for Greatest Animated Feature in 2012 for his animated action-comedy western Rango. Then produced The Mexican with Brad Pitt

Known for movies

Quick Facts

Full NameGore Verbinski
Net Worth$130 Million
Date Of BirthMarch 16, 1964
Height1.85 m
ProfessionScreenwriter, Musician, Film producer, Music Video Director
EducationUniversity of California, Los Angeles, UCLA School of Theater, Film and Television
SpouseClayton Verbinski
ChildrenIvan Verbinski, Anton Verbinski
ParentsLaurette Verbinski, Victor Verbinski
SiblingsDiane Verbinski, Steven Verbinski, Claire Verbinski, Janine Verbinski
AwardsAcademy Award for Best Animated Feature Film, BAFTA Award for Best Animated Film, Annie Award for Writing in a Feature Production
Music GroupsDaredevils
NominationsHugo Award for Best Dramatic Presentation, Long Form, PGA Producer of the Year Award in Animated Theatrical Motion Pictures
MoviesA Cure for Wellness, The Lone Ranger, Rango, Pirates of the Caribbean: At World's End, Pirates of the Caribbean: Dead Man's Chest, The Weather Man, Rings, Pirates of the Caribbean: The Curse of the Black Pearl, The Ring, The Mexican, MouseHunt, The Ritual

Interesting Facts

1 His paternal grandparents, Pauline Jachimowicz and Benjamin Verbinski, were Polish immigrants.
2 Directed one Oscar nominated performance: Johnny Depp in Pirates of the Caribbean: The Curse of the Black Pearl (2003).
3 One of 105 people invited to join AMPAS in 2008.
4 In 2007, Forbes Magazine estimated his earnings for the year to be $37 million.
5 His Pirates of the Caribbean: Dead Man's Chest (2006) holds many box office distinctions, such as: fastest film to reach $100M (in just two days), most tickets sold in a single day ($55.8M worth), and largest sum earned in seven days ($196M total and counting). The blockbuster sequel also reached $200M in eight days, tying the industry record.
6 Was a 1987 graduate of the prestigious UCLA film school
7 Ranked #79 on Premiere's 2004 annual Power 100 List. It is his first appearance on the list.
8 Was brought in to take over the last 18 days of shooting on The Time Machine (2002), as director Simon Wells was suffering from "extreme exhaustion". Wells returned for post-production.
9 Was guitarist in punk band, Little Kings.
10 Was guitarist of punk band, The Daredevils, with Brett Gurewitz of Bad Religion and Josh Freese of The Vandals.
11 Creator of the Budweiser frogs.
12 Winner of 4 Clio Awards and one Cannes advertising Silver Lion.


1 Frequently casts Johnny Depp.
2 Wide detailed shots
3 Characters carrying a weapon


1 I think "The Weather Man" is one of my favorite experiences just because when you work on a film that costs a lot less money you get to say, 'Hey, this movie isn't for you, and it's not for you either. And it's okay that you don't like it.' Because you don't spend $100 million and you don't need everybody to like your movie. And I think that's incredibly liberating. People talk about four quadrant movies all the time but those used to be accidents, like, 'Wow 12-year-olds are going and 26-year-olds are going!' Now it's an algorithm.
2 Naomi's great. She's completely dedicated to her performance and not to her image. That process allows her to become Rachel in this movie and go to some darker areas that I think a lot of actors wouldn't feel comfortable doing. -- on Naomi Watts and her performance in "The Ring"
3 I like horror movies and in fact I like them even more now after making one. I just think they're much more liberating because you don't really have to apply a very strict logic. You can experiment a lot more with sound and image. -- on making a horror film
4 [on The Ring (2002)] We set the film in Seattle and we focused on creating this dark, sombre mood, a kind of coldness. And I felt I wanted to go with this kind of dream logic and focus on just a few main characters. So, in a way, it's quite clinical.
5 I think that horror movies work best when they deal with some kind of contemporary issue. The thing I responded to with this movie was [the] actual moral ambiguity of the film, which is this kind of transferable nature of hatred. That you can hurt me and then I can find it justifiable to hurt somebody else, that I can transfer that. And that seems to be a very contemporary issue. And the idea that you can play a tape and die and be like, "I didn't do anything, why is it me? And there's a kind of powerless nature to that that I think is contemporary terror. And I think that that is something that's universal. -- on why the horror genre remains popular
6 That opening is right out of the original movie, and it's kind of a problem and a solution, I think. When I first watched the movie, I thought, oh, boy. This movie really takes a tonal shift from straight-up teenage horror movie to kind of a more serious movie about a journalist. And the more I thought about it, the more I thought that's what's wonderful about the perspective in the original. It kind of sets up the promise and almost comments on the genre right off the bat, and it gets rid of all the exposition in that genre, and then we're able to move on. So I grew from being nervous about it to actually trying celebrating it and enjoy it. -- on the opening scene of "The Ring"
7 We didn't want to play to the sort of noir aspects of the genre. The language of horror is so steeped in clichés because it's just been reinvented so many times it's hard to set a shot and not feel like it's a shot that's in someone else's movie when you're making a horror film. So you kind of have to celebrate that but at the same time try to reinvent it where you can. [Cinematographer Bojan Bazelli] and I discussed the removal of shadows to try to keep the characters feeling like they're floating a little bit, in space. I find films like The Tenant, where there's a kind of nauseousness you get in the process of the movie, and a lot of that comes from the composition. In this case, we really emphasized lighting and the oppressive nature of the softer light, overcast skies and rain. It's not a movie that evolves into the light, it's a movie that ends where it begins. -- on trying to be original without ignoring genre conventions with "The Ring"
8 Watching these images, how do they affect you? That was important to me. The tape is something that is promised throughout the movie, so I felt it was important that there was enough there that resonated. And yet, in our movie, they have to also serve as clues. So we had the burden of just creating something that felt abstract but then also had to work in a concrete fashion and also had to be justifiable from the story about the child. The tape had to sort of function on three levels. It had to be disturbing on its own, and it had to provide a series of clues, and then it had to also have some resonance to the author ... in the movie. I just started with images that I found horrific, and then we built the tape long and kept reducing and reducing and tried to avoid the temptation to make it narrative. It's amazing how when images fall together how quickly they start to tell a story even when you're trying not to. -- on the videotape in "The Ring"
9 I think there's a lot of trying to keep what did work well, and I think as a director there's two answers to that question. One is, as a director, I wish I could make a movie once and then look at it and make it again. It's really nice to have Hideo Nakata's template. We talked about the movie. When I saw it, there were particular things I really enjoyed about it and things that I wanted to change. I think every director wants to change a movie after they've finished it. In terms of the popularity of the movie, I think it's inevitable to get persecuted for remaking a film that people love. I think there's pride of ownership. I felt that Wages of Fear is a great movie and I despised the remake, so I know what that's like. I kind of expect that, but we still had a great time making the movie, and it's a great story. -- on the challenges of making "The Ring"
10 There were discussions very early on, because I think there's always a temptation for marquee value when you're making a movie, and movies cost money. But the star of this movie is the concept of this movie. ... I think Naomi is a great choice, because there isn't a lot of audience expectation for the plot. In movies in general, but horror movies in particular, you suffer if you're able to watch them from a more comfortable place. I think there's comfort in somebody you recognize and somebody you can distill and categorize into a character. And I think that that process of not immediately liking a character in a film, but slowly coming to terms with that character throughout the story, creates a proximity for the audience. If you achieve that, then you're able to access a different part of the brain. So horror movies are stories and psychological experiments at the same time. -- on casting Naomi Watts in "The Ring"
11 They just sent me the tape - a really bad-quality tape, which was horrifying. I don't know if you've seen the original movie, but I loved it. And that tape came with the offer. -- on how "The Ring" came to him
12 I just tried to keep what's great in the original movie and improve it where I could. -- on remaking "Ringu" with "The Ring"
13 I think when you remake a movie you try not to mess it up. I think the original movie worked really well in certain places and there's part of it that's different. We're not dealing with the ESP aspect to the original movie or the volcano. Choices were made in this case to emphasize the more viral aspects of the tape. I think it's very important for me to try not to take away from what worked well in the original movie. ... There's something wonderful about an outside perspective on the horror genre, which has a real history in American cinema. And I think there was a wonderful minimalism to the original movie that I felt was very important to keep. -- on remaking "Ringu" with "The Ring"


All Gore Verbinski pictures

Won Awards

Won awards

YearAwardCeremonyNominationMovieAward shared with
2012 Oscar Academy Awards, USA Best Animated Feature Film of the Year Rango (2011)
2012 BAFTA Film Award BAFTA Awards Best Animated Film Rango (2011)
2012 EDA Award Alliance of Women Film Journalists Best Animated Feature Film Rango (2011)
2012 Annie Annie Awards Writing in a Feature Production Rango (2011) John Logan (story/screenplay)

James Ward Byrkit (story)
2012 Gold Derby Award Gold Derby Awards Animated Feature Rango (2011)
2012 OFTA Film Award Online Film & Television Association Best Animated Picture Rango (2011) Graham King

John B. Carls
2011 Hollywood Film Award Hollywood Film Awards Animation of the Year Rango (2011)
2003 Hollywood Movie of the Year Hollywood Film Awards Pirates of the Caribbean: The Curse of the Black Pearl (2003)

Nominated Awards

Nominated awards

YearAwardCeremonyNominationMovieAward shared with
2014 Razzie Award Razzie Awards Worst Director The Lone Ranger (2013)
2012 Annie Annie Awards Directing in a Feature Production Rango (2011)
2012 PGA Award PGA Awards Outstanding Producer of Animated Theatrical Motion Pictures Rango (2011) Graham King

John B. Carls
2011 IOMA Italian Online Movie Awards (IOMA) Best Animated Feature Film (Miglior film d'animazione) Rango (2011)
2004 Saturn Award Academy of Science Fiction, Fantasy & Horror Films, USA Best Director Pirates of the Caribbean: The Curse of the Black Pearl (2003)
2004 Amanda Amanda Awards, Norway Best Foreign Feature Film (Årets utenlandske kinofilm) Pirates of the Caribbean: The Curse of the Black Pearl (2003)
2004 Hugo Hugo Awards Best Dramatic Presentation - Long Form Pirates of the Caribbean: The Curse of the Black Pearl (2003) Ted Elliott (story/screenplay)

Terry Rossio (story/screenplay)

Stuart Beattie (story)

Jay Wolpert (story)
2004 PFCS Award Phoenix Film Critics Society Awards Best Director Pirates of the Caribbean: The Curse of the Black Pearl (2003)

2nd Place Awards

2nd place awards

YearAwardCeremonyNominationMovieAward shared with
2011 SLFCA Award St. Louis Film Critics Association, US Best Animated Feature Film Rango (2011)

3rd Place Awards

3rd place awards

YearAwardCeremonyNominationMovieAward shared with
2006 Rondo Statuette Rondo Hatton Classic Horror Awards Best Film Pirates of the Caribbean: Dead Man's Chest (2006)



Pirates of the Caribbean: Dead Man's Chest 2006
The Weather Man 2005
Pirates of the Caribbean: The Curse of the Black Pearl 2003
The Ring 2002
The Mexican 2001
Mousehunt 1997
The Ritual 1996 Short
A Cure for Wellness 2016
The Lone Ranger 2013
Rango 2011
Pirates of the Caribbean: At World's End 2007


Dog Years 2016 executive producer post-production
A Cure for Wellness 2016 producer
The Secret Life of Walter Mitty 2013 executive producer
The Lone Ranger 2013 producer
Rango 2011 producer


A Cure for Wellness 2016 story by
Rango 2011 story
The Ritual 1996 Short


Pirates of the Caribbean: At World's End 2007 music: "Hoist the Colours"


Bloopers of the Caribbean 2007 Video short creative director
Bloopers of the Caribbean 2006 Video short creative director
Blooper Reel 2003 Video short creative director


Rango 2011 Sergeant Turley Crevice Slim ... (voice)

Music Department

Pirates of the Caribbean: At World's End 2007 musician: guitar

Sound Department

Terrifying Tales 1989 Video sound effects crew - segment "Ten Seconds To Countdown", as Gregor Verbinski


Delroy Kincaid 2009 Short additional thanks
The Cove 2009 Documentary special thanks
Anvil: The Story of Anvil 2008 Documentary special thanks
The Time Machine 2002 special thanks


Lennon or McCartney 2014 Documentary short Himself
Riding the Rails of 'The Lone Ranger' 2013 Video short Himself
The Lone Ranger: Armie's Western Roadtrip 2013 Video short Himself
The Lone Ranger: Becoming a Cowboy 2013 Video short Himself
Vivir de cine 2013 TV Series Himself
Janela Indiscreta 2013 TV Series Himself
Made in Hollywood 2011-2013 TV Series Himself
AMC Lone Ranger Q & A 2013 TV Movie Himself
The 84th Annual Academy Awards 2012 TV Special Himself - Winner: Best Animated Film
MSN Exclusives 2012 TV Series Himself
17th Annual Critics' Choice Movie Awards 2012 TV Special Himself
Hans Zimmer - Der Sound für Hollywood 2011 TV Movie documentary Himself
Sidewalks Entertainment 2011 TV Series Himself
CMT Insider 2011 TV Series Himself
07 Spaceys 2007 TV Movie Himself
According to Plan: The Making of 'Pirates of the Caribbean: Dead Man's Chest' 2006 Video documentary Himself
Charting the Return: Dead Man's Chest 2006 Video documentary Himself
Creating the Kraken 2006 Video documentary Himself
Mastering the Blade with Orlando, Keira and Jack 2006 Video documentary Himself
Meet Davy Jones: Anatomy of a Legend 2006 Video documentary Himself
Pirates on Location: Cannibal Island & Tortuga Bar Brawl 2006 Video documentary Himself
Pirates on Main Street: The Dead Man's Chest Premiere 2006 Video documentary Himself
American Morning 2006 TV Series Himself
Atmospheric Pressure: The Style and Palette 2006 Video short Himself
Extended Outlook: The Script 2006 Video documentary short Himself
Forecast: Becoming a Weatherman 2006 Video short Himself
Relative Humidity: The Characters 2006 Video documentary short Himself
Trade Winds: The Collaboration 2006 Video documentary short Himself
The Lost Disc: Becoming Barbossa 2004 Video documentary Himself
The Lost Disc: Becoming Captain Jack 2004 Video documentary Himself
The Lost Disc: The Monkey's Name Is Jack 2004 Video documentary Himself
An Epic at Sea: The Making of 'Pirates of the Caribbean: The Curse of the Black Pearl' 2003 Video documentary short Himself
Fly on the Set of 'Pirates of the Caribbean: The Curse of the Black Pearl' 2003 Video documentary Himself
The Ring: Cast and Filmmaker Interviews 2003 Video short Himself
The Ring: The Origin of Terror 2003 Video short Himself
HBO First Look 2001 TV Series documentary Himself

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