David Sanborn Net Worthy of: David Sanborn can be an American alto saxophonist who includes a net well worth of $3 million dollars. Through the years, he spent some time working with many pop players but offers made his biggest effect leading his personal bands. Some of his recordings have been around in the dance music/R&B classes, Sanborn is an able jazz player aswell. His very best contributions to music have already been his passionate audio and his psychological interpretations of melodies which generally uplift any record he plays a part in. Developing up in St. Sanborn’s playing design is quickly recognizable within several notes. Louis, Sanborn used many Chicago blues greats (including Albert King) and became an experienced alto saxophonist despite battling polio in his youth. After stints with Paul Butterfield, Gil Evans, Stevie Question, David Bowie and the Brecker Brothers, Sanborn started recording as a innovator in the mid-’70s and racked up a string of pop successes. Born July 30, 1945 in Tampa, Florida, he’s regarded as the most influential saxophonist in pop, R&B and crossover players of days gone by twenty years. Sanborn sometimes throws the music globe a curve, such as for example in his eccentric but rewarding ‘Another Hands’, a guest stint with avant-gardist Tim Berne on a 1993 album offering the compositions of Julius Hemphill and ballads which he was along with a string orchestra organized by Johnny Mandel. For two years in the first ’90s, Sanborn was the sponsor of the syndicated tv series Night time Music, which had an extremely eclectic lineup of musicians, the majority of whom were provided the unique possibility to play together.
Known for movies
Lethal Weapon (1987) as Music Department
Lethal Weapon 2 (1989) as Composer
Eric Clapton & Friends in Concert: A Benefit for the Crossroads Centre at Antigua (1999) as Himself (Saxophone)
Psycho III (1986) as Music Department
Quick Facts
Full Name
David Sanborn
Net Worth
$3 Million
Date Of Birth
July 30, 1945
Profession
Film Score Composer, Saxophonist, Chicago Song, Maputo, Neither One of Us, Chicago, IL, United States, Pontiac, MI, United States, Englewood, NJ, United States
Education
Northwestern University, University of Iowa, Chicago Song, Maputo, Neither One of Us, Chicago, IL, United States, Pontiac, MI, United States, Englewood, NJ, United States
Grammy Award for Best Contemporary Jazz Album, Grammy Award for Best Jazz Fusion Performance, Grammy Award for Best Pop Instrumental Performance, Grammy Award for Best R&B Instrumental Performance, Soul Train Music Award for Best Jazz Album – Group, Band or Duo, Chicago Song, Maputo, Neither One of Us, Chicago, IL, United States, Pontiac, MI, United States, Englewood, NJ, United States
Nominations
Grammy Award for Best Jazz Instrumental Album, Soul Train Music Award for Best Jazz Album - Solo, Chicago Song, Maputo, Neither One of Us, Chicago, IL, United States, Pontiac, MI, United States, Englewood, NJ, United States
Movies
Scrooged, Eric Clapton & Friends in Concert: The Crossroads Benefit, David Sanborn: Live at Montreux 1984, Quincy Jones: 50 Years in Music: Live at Montreux, Chicago, IL, United States, Pontiac, MI, United States, Englewood, NJ, United States
TV Shows
Sunday Night
Interesting Facts
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Fact
1
Attended Northwestern University (Evanston, IL).
Quotes
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Quote
1
[on participating in a wide variety of musical venues] I really enjoy jumping around like that. I think it keeps you fresh and prevents you from getting locked into doing things one way. It gives you an understanding that music is a continuum; there's no separation with pop music over here and jazz over there.
2
[on being asked to describe how music has evolved over his musical career] I'm probably the worst person to judge that. I am not aware of the incremental changes. It's just like getting older: you don't see it yourself because you see yourself every day. You are not as aware of the process as someone looking at it from the outside who may only see you occasionally.
3
[on the recipe for becoming a successful musician] I think I just kind of put one foot in front of the other and wasn't discouraged by setbacks. There are an awful lot of musicians out there. It's about hanging in there, working hard, and being ready for a break, when and if it occurs. That's really all you can do. Work hard and hope you get lucky.