David Jason Net Worth

David Jason Net Worth is
$10 Million

David Jason Biography

It’s been estimated that the entire quantity of David Jason net worthy of is really as high as 10 million dollars, by at this time. He has gained his net worth due to his profession as an actor. This profession also made him extremely famous in depends upon. She actually is his only kid and she was created when he was 61. However, in the present business, he is mainly known by his stage name of David Jason. David Jason is mainly known for his appearance on the humor series called “Just Fools and Horses”, where he got the function of Derek “Del Boy” Trotter. These series not merely made his name well-known, but also added up too much to the full total sum of David Jason net worthy of. In 2013, he released his official autobiography called “David Jason: MY ENTIRE LIFE”. The 1st time he made an appearance as an actor officially was in it soap opera known as “Crossroads”. Furthermore to his appearance in the earlier mentioned series, which produced him an enormous success, David Jason in addition has appeared in lots of others, such as for example “Some Frost”, “Open up All Hours”, “The Wind in the Willows” and “Count Duckula”. They possess a child named Sophie Mae. For his silver screen debut, he managed to get with the 1972 film “Under Milk Wood”. After that, he has made an appearance in even more films, including “White colored Cargo”, “Royal Flesh”, “Completely Up”, “Wobbling Wee” and “All of the King’s Males”. David Jason net worthy of development gained momentum in 1976, as he landed among the leading functions on BBC tv sitcom Open up All Hours. Furthermore to his acting function, David Jason in addition has appeared in a variety of radio shows, that have also added up to his general popularity and finances. He has made an appearance in radio displays such as for example “The Jason Explanation”, “Publication at Bedtime” and “Mainly Monkhouse”, to say a few. His profession as an actor offers been awarded and identified, as well. However, the majority of those recognitions are for his appearance on the display called “Just Fools and Horses”. Also, he offers some honors for his focus on “Some Frost”. But plenty of about his personal existence, let’s discuss the resources of David Jason net well worth and his way to stardom. David Jason net worthy of is currently approximated at $10 million. Although during his profession, which were only available in 1964, Jason offers appeared in a many movies and voiced a number of characters, the majority of this fortune originates from his profession as a tv actor. His perhaps most obviously roles were on tv series Just Fools and Horses, Some Frost, The Darling Buds of May, Open up All Hours, Dangermouse (tone of voice), The Wind in the Willows and Count Duckula. This show, that was rated eighth in the 2004 Britain’s Greatest Sitcom poll in 2004, ran for 26 episodes during period 1976- 1685. For instance, this season he voiced among the personas, Skipper, on children’s animated display Pip Ahoy! Jason can be quoted stating: „I’ve never ‘ David Jason Net Worth: David Jason can be an English actor who includes a net worthy of of $10 million. I believe that there are many people who feel 22 when actually they’re 62, and there are a great number of youngsters out right now there who behave as if indeed they were four instances how old they are. It’s an attitude of brain, isn’t it?” And it looks like his attitude is definitely lagging behind his biological age group. I assume what helped to maintain his spirit youthful and vivid was the knowledge to become a father at this 64. Since, he provides taken component of six more films: “Light Cargo”, “Wobbling Wee”, “Royal Flesh”, “All of the King’s Guys” and “Completely Up”. Nevertheless, he was also honored for his appearances on various other projects, such as for example “A little bit of Perform” and “Porterhouse Blue”. David is a tv actor since he was 24 years previous, but acting isn’t the just, and by far not really easy and simple of jobs he previously throughout his lifestyle. In another of his interviews Jason provides said: “I’ve performed my fair talk about of waiting around on tables in restaurants, cleaning vehicles, whatever. I was also an electrician at onetime, and I’ve performed my fair little bit of decorating, as well. But gradually my fortunes transformed”. David made his tv debut in 1964, showing up using one of the episodes of Crossroads nonetheless it had taken years for him to finally property a stable role also to gain vital acclaim. Before this occurred, David did little parts on selection of television displays, such as for example Randall and Hopkirk, Doctor inside your home, Six Dates With Doctor most importantly, Barker and Seven of 1. Therefore, his film appearances also added up to the entire sum of David Jason net well worth. Even though David has already been 74 years old, he’s still active. Nonetheless it was not really as very important to his profession as another television Just Fools, series and Horses. Not only this system improved David Jason net worthy of, in addition, it garnered him many accolades.sensed my age’, whatever which means. Born David John Light on 2 February 1940 in Edmonton, Middlesex, England, he rose to prominence under his stage name David Jason. The majority of his awards are for his efficiency in “Just Fools and Horses” and “Some Frost”. Apart his actor’s awards, he received an purchase of chivalry in 1993, and in 2005 he was finally knighted and permitted to utilize the postulate SIR before his name.e., in a Television soap opera known as Crossroads. Talking about TV, apart from his much-touted efficiency in “Just Fools and Horses”, he also made significant appearances in “Some Frost”, “Count Duckula”, “Open up All Hours”, and “The Wind in the Willows”. In 1972 he debuted as a film actor when he made an appearance in a film called “Under Milk Timber”. In 2001 his girlfriend Gill Hinchcliffe, who was simply 41-year-old at that time, provided birth to a pretty baby girl. Apart from his TV and show work, he in addition has appeared in a variety of radio displays such as “Mainly Monkhouse”, “The Jason Description”, “Reserve at Bedtime” and many more.Throughout his successful career he has received a whole lot of awards and honors. Most widely known for his function as Derek “Del Boy” Trotter in the humor series “Just Fools and Horses”, he produced his beginnings in performing in the significantly 1964. But he also received awards for his performances in “A Tiny Do”, “All of the King’s Guys”, “Porterhouse Blue”,” THE NEXT Quest”. He earned his first Bafta Television award in 1987 for his efficiency in “Porterhouse Blue”. Jason made his initial appearance on the tiny screen, i. He began to act back 1964, thus, after that he has were able to make his name probably the most well-known in the cinema sector. Today he lives along with his wife Gill Hinchcliffe in Ellesborough, England. Hence, these series also produced his name more popular and increased the full total estimate of David Jason net worthy of. The actor was created in Edmonton, Middlesex, England in 1940 and his genuine birth name can be David John White.

Known for movies

Quick Facts

Full NameDavid Jason
Net Worth$10 Million
Date Of BirthFebruary 2, 1940
Height1.68 m
ProfessionScreenwriter, Television producer, Voice Actor
SpouseGill Hinchcliffe
ChildrenSophie Mae Jason
ParentsArthur R White, Olwen Jones
SiblingsArthur White, June White
AwardsBAFTA Fellowship, National Television Award for Outstanding Drama Performance, National Television Award for Special Recognition, National Television Award for Most Popular Actor, British Academy Television Award for Best Entertainment Performance, British Academy Television Award for Best Actor, British Academy Television Award for Best Comedy Performance, The British Comedy Academy Lifetime Achievement Award, National Television Award for Most Popular Comedy Performer, British Comedy Award for the Best TV Comedy Actor
MoviesAlbert's Memorial, The Colour of Magic, Terry Pratchett's Hogfather, Ghostboat, All the King's Men, The Snow Queen's Revenge, The Snow Queen, The Bullion Boys, The BFG, The Wind in the Willows, The Odd Job, Wombling Free, All the Way Up, The Second Quest, The Wind in the Willows: A Tale of Two Toads, White Cargo
TV ShowsOnly Fools and Horses, Open All Hours, A Touch of Frost, Still Open All Hours, The Darling Buds of May, Danger Mouse, Porridge, The Royal Bodyguard, A Bit of a Do, Do Not Adjust Your Set, Diamond Geezer, Count Duckula, Lucky Feller, Porterhouse Blue, A Sharp Intake of Breath, The Top Secret Life of Edgar Briggs, Hark at Barker, Micawber, Prehistoric Park, His Lordship Entertains, Angelmouse, Victor & Hugo: Bunglers in Crime, The Wind in the Willows, Albert the Fifth Musketeer, Animal Shelf, Oh, Mr. Toad, 100 Greatest TV Moments, Diamond Geezer 2

Interesting Facts

1 During the Gulf War, Jason met someone in a pub who worked at RAF Command Headquarters. He told Jason they race 3-wheel vans against each other, paint them yellow with Trotters Independent Traders down the sides of them, like the van from Only Fools and Horses.... (1981). Jason went down to have a look, but he didn't see a race. Jason, Nicholas Lyndhurst and Buster Merryfield all sent a Trotters van out to Kuwait. They slipped it into a Hercules plane among other stuff on a supply run and when it was unloaded the crew would find the van, filled up with chewing gum, toothpaste, cake and Danger Mouse (1981) and Count Duckula (1988) tapes from Brian Cosgrove with labels saying Debbie Does Dallas and Unzipperdedoodah and all sorts to amuse them. Jason didn't ask for any publicity because he didn't want anyone to think it was just for that, but a private joke between the RAF and the Trotters. The van was put in the hold and covered up with medical supplies and ammunition and flew to Kuwait, where it's discovery brought some light relief.
2 Former PM Tony Blair sent a letter to Jason asking if he would like to become a knight bachelor. Jason suspected a prank, considering it may have been Brian Cosgrove who hired Jason to play Dangermouse, Count Duckula, Mr Toad and the BFG, but the offer was genuine.
3 Filmed episodes of A Touch of Frost (1992) with Christmas Specials of Only Fools and Horses.... (1981) concurrently in 1996.
4 Once, Jason went to Wimbledon and in the front row was Jack Nicholson. Jason expected all the attention to be on Nicholson, but he wound up getting more attention and the people around him told them to leave him alone. Jason suspected that because Nicholson was the bigger star was ironically the reason he didn't get all the attention, because they were more intimidated by him than the more approachable Jason.
5 When his daughter Sophie-Mae was born (named after the girl from The BFG, where Jason voiced the title character in the movie), he thought about doing what Del Boy did when Damien was born from Only Fools and Horses.... (1981) but didn't.
6 In September, 2008 a press release went out about Detective Inspector Jack Frost's retirement. Not because of lack of storylines or Jason losing interest in the character (he would have happily played him forever). The problem was Jason's age: at 68, Jack Frost was the oldest copper on the force. He would have retired ten years before or sooner, so he bowed out.
7 Used to go to a hotel periodically for seminars to go through scripts, plot developments and story ideas for A Touch of Frost (1992).
8 Behind the cottage where Jason lives is the River Taff and a grassy mountain where he can have a think about things. It has a wonderful view.
9 Jason got a letter from someone saying they saw a house on the market identical to Toad Hall from The Wind in the Willows (1984); it was three miles from Jason's house. He went looking for it and found it. He said it was wonderful and seemed to go on forever, it even had a lake, fed by its own spring. It wasn't Toad Hall, but he could imagine living in it. It was twice the value of the house he owned then. He thought about it but had to pay full price when he lost a coin toss (despite his reputation as a wheeler-dealer). But just driving up to the house made him realize how much he wanted it.
10 Didn't name his son David so things wouldn't get complicated around the house.
11 Jason liked the darkness of A Touch of Frost (1992) after the lightness of Only Fools and Horses.... (1981) and The Darling Buds of May (1991) because it showed audiences he could play both, but lightness became a part of Frost too.
12 Filming A Touch of Frost (1992) meant spending a lot of time away from home, at the studios in Leeds or on location in Wetherby, Harrogate, Dewsbury and all local stations. Yorkshire Television made it easy on Jason by renting out a cottage rather than pay for a hotel, especially since Jason could cook for himself; he just wanted somewhere simple to go at the end of the day to clear his head. Yorkshire Television found Jason an old farmer's cottage without central heating, so he had to light a fire; on warm evenings he sat out in the garden which was always a pleasure. When asked did he get lonely, he said he didn't, because he enjoyed the quiet time. He also had his own driver, on call 24hrs a day, who collected Jason from Buckinghamshire for the 3hr drive to Yorkshire while he worked on his scripts, stopping along the way for a bacon and egg roll and a cup of tea ("a very Frost-like meal"). Jason lived in a spartan farm cottage while the cast stayed at a hotel.
13 On The Royal Bodyguard (2011), the series had an armorer who looked after all the weaponry. He along with his platoon in Afghanistan watched The Jolly Boys Outing, an episode of Only Fools and Horses.... (1981) to cheer themselves up, and it did. Jason was staggered and moved.
14 When alone in a caravan on a film shoot for A Touch of Frost (1992), Jason turned it into a workshop, making models from plastic kits, or during the evening to relax. He liked to build ships and planes which than developed into rockets and than launchable rockets between two and five feet tall, with an engine and an explosive component that could fly between 500 and 900ft in the air; Jason liked the rockets best because you could get a performance out of them. Jason assembled them with tools packed in an old makeup case and from specialist parts from obscure sources across Yorkshire. Jason launched them for cast and crew at the back of Leeds Hospital for three years when they filmed in the mortuary; sometimes to great acclaim, sometimes not. Jason later built a launch pad from an old lighting stand and added a launcher with a key, lights and a 2-tone alarm. They were the campest thing you had ever seen in your life. The masterpiece was a Saturn V replica with one of the biggest engines so it was a complex build. It launched like the real thing by hovering above the pad and set off into the sky. Jason liked launching that one most, especially when they came back, which was never a sure thing, with a parachute that emerged from the nose cone. After constant use, it failed to launch at all, and was reluctantly retired.
15 Nicholas Lyndhurst couldn't attend Jason's after party for fifty people during his knighting ceremony in 2005 but John Sullivan did as well as Brian Cosgrove; Jason took the opportunity to announce his second wedding, to rapturous applause and table thumping.
16 After the studio recording of Time on our Hands, the last episode of Only Fools and Horses.... (1981), the cast got a standing ovation longer than any Jason had heard; it just went on and on and on. Nicholas Lyndhurst, Buster Merryfield and all the "fantastic cast" were joined by John Sullivan and they had a group hug on he set, all of them in tears.
17 John Sullivan and Gareth Gwenlan approached Jason in 2011 with Del Boy coming back at 65 and what had become of everyone from Only Fools and Horses.... (1981). But two weeks later, Gwenlan phoned Jason saying Sullivan was in intensive care with viral pneumonia. He seemed on the mend, and got to leave hospital and go home at one point, but he had a relapse and went back to hospital and died not long after.
18 Neither Jason nor Tessa Peake-Jones were parents during the episode of Only Fools and Horses.... (1981) when Raquel gave birth to Damien, so to make the scene realistic, they took advice from midwives at the West Middlesex Hospital while filming the scene.
19 Owns a house in Buckinghamshire.
20 Knows how to milk cows, which came in handy when playing farmer Pop Larkin in The Darling Buds of May (1991).
21 Jason was never asked if he wanted to pursue a personal project until the end of The Darling Buds of May (1991). He decided he wanted to play a detective, which culminated in A Touch of Frost (1992). Before he got the role, five books, all crime fictions in different areas by different authors were posted to him. Jason took them on holiday to Florida and read them over the next fortnight by the pool. Before Jason settled on Detective Inspector Jack Frost, he considered a Sherlock Holmes type detective because it was different from anything else he had done. Jason called from Florida saying he wanted Frost.
22 When Barry Gibb made a cameo in an episode of Only Fools and Horses.... (1981) set in Miami, he invited David Jason and Nicholas Lyndhurst into his house, gave them tea and showed them around. Gibb was a big fan of the show and used to get tapes of it sent to America.
23 On The Darling Buds of May (1991), Jason once smuggled a cucumber into a bed scene with Pam Ferris. She had to deliver most of the dialogue and even though she knew it was there, she did the scene perfectly. It was only after the cameras stopped rolling that she wanted to know what the corpsing Jason was up to. Ferris is known for being very professional.
24 Jason put on weight when playing Pop Larkin in The Darling Buds of May (1991). It was because of all the food in the show; bread and ham, cheese, pickled onions, roast dinners, chocolate, etc. It was meant to show the Larkin family's generous spirit and carefree love of life. There were also fried breakfasts cooked fresh on the set on a little stove. One day on the set, the shooting schedule meant Jason sat down to breakfast five times, which meant it was piled with bacon and eggs. Jason asked if he could skip the fry-ups, so they switched to kippers, which was just as bad. The extra weight he put on meant he couldn't wear a dinner jacket to that year's BAFTA's that fit the year before. He had to go on a few months of dieting to regain his former, "sylph-like" weight. A Touch of Frost (1992) also had a tough food regime that was hard on Jason's stomach, because Frost wasn't a healthy eater, e.g. bacon sandwiches, chips, fry-ups, etc. People used to remark on it to Jason, that he was eating badly.
25 Jason grew a mustache for the role of Detective Inspector Jack Frost; it was his idea as he imagined Frost grew one in his youth to give himself a few extra years and more maturity. He lost the mustache between series to play other parts and than needed four weeks to grow it back as well as stop shaving at the right time ahead of shooting. Sometimes Jason missed the mark and had to help it along with a bit of "coloring-in", but it was always ready for filming.
26 All location shoots for The Darling Buds of May (1991) were done in and around Kent in glorious Summer weather. The house had an outhouse and a Tudor barn attached. The interiors were done in the studio in Yorkshire. Jason felt the genius of the show was blending footage from two different sources.
27 In the early days of The Darling Buds of May (1991), Catherine Zeta-Jones was very nervous due to her lack of experience with television. Jason used to advise her to keep her eyes still while doing dialogue in closeup, something he used to do.
28 When Jason was cast as Detective Inspector Jack Frost, the character had to be cleaned up from the books, where Frost was a chain smoker, but Jason recently gave up smoking. He used to smoke four or five cigarettes a day, or in the evening with a drink, and didn't want to start again, and smoking was taboo on TV in 1992.
29 On The Darling Buds of May (1991), there was a famous scene where Jason shared a bath with Pam Ferris while eating supper. Jason thought about turning up to the set in a frog mask and flippers but couldn't go through with it. Jason and Ferris both wore swimming costumes and the water was colored up to protect their modesty's. Jason considered that scene their icebreaker.
30 In 2011, Catherine Zeta-Jones, his co-star from The Darling Buds of May (1991) invited him to a rented house in Richmond to have Sunday lunch with her and her husband Michael Douglas. It was the first time Jason had seen Jones since she had wed Douglas; they had rented a magnificent property and Douglas was in the pool playing with their sons. Douglas thanked Jason for being generous with Jones and looking after her on the set of the series. Jason was pleased he thought so.
31 Ronnie Barker and John Sullivan attended his 50th birthday party; they parked their cars in neighboring drives and roads so as not to spoil the surprise. On the birthday cake in icing was the scene from Only Fools and Horses.... (1981) where Del Boy and Rodney end up with blowup dolls. Jason's wife thought it in poor taste and Jason saw her point, but he considered the baker an artist with the marzipan. Barker delivered a speech at the party, and Jason said it was a lovely, high-spirited evening, and the nicest of surprises, but he wasn't surprised though, because all the lights were off when he came home - something his wife never did.
32 Owns two two-seater sports cars.
33 Yorkshire Television wanted Jason to play Pop Larkin in The Darling Buds of May (1991). He admitted he was amazed the show went on to be a national, award-winning success. He had never read the book so went away and did so before accepting the part; he pronounced it a charming read, as well as lovely, but not much happened and didn't go anywhere. But the characters were strong, especially Pop Larkin, and he would be fun to play. Jason's condition was to shoot the series on film, because he didn't want it to be a studio production. At least on film, it would look good and have some quality about it, even if nothing happened.
34 Close friends with his Only Fools and Horses.... (1981) co-star Nicholas Lyndhurst. He liked to call Lyndhurst Nick. They struck up an instant rapport in a motor-home while waiting to film any location shoots, and would mess about at every opportunity. They used to play pranks on the set, e.g. pretending to have fallen out to worry the crew, or nailing Lennard Pearce's shoes to the floor or turning his costume inside out. Although Pearce mostly saw the funny side of things, that day he refused to work until director Ray Butt talked him around and Jason and Lyndhurst apologized. Jason claimed it was the only time Pearce lost perspective.
35 Before the start of the sixth series of Only Fools and Horses.... (1981), Jason was annoyed about something and went to see John Sullivan. Sullivan was writing terrific scripts that were too long and had to be edited down to 30 minutes. Jason felt they were cutting more funny material than most sitcoms manage in a full episode. One edit that had particularly vexed Jason was during the Series 5 episode Tea For Three. After Del Boy returned from a disastrous hang-gliding session, he originally had a speech Jason described as "beautifully constructed, full of suppressed rage" about all of the places Del had visited. Jason considered it a comic masterpiece, but because the episode had overrun, half the speech got cut. Sullivan agreed with Jason that the episodes needed to be longer. Jason and Sullivan approached Gareth Gwenlan while he was producing Series 6 with the plan to extend the episodes from 30 to 50 minutes. Gwenlan didn't think that was possible since sitcoms were traditionally 30 minutes in length, and couldn't sustain a longer running time. Jason said that would be true of an average writer, but not one of Sullivan's caliber. And yet they still keep cutting great material. Gwenlan than okayed the idea.
36 Buster Merryfield used to get nervous during his early days on Only Fools and Horses.... (1981) and would often crash into the audience (deliver his lines without waiting for the laughter to die down), meaning his scenes had to be re-recorded. He would also dry up and lose his words and it got to him. Jason and Nicholas Lyndhurst used to sit him down for a talk when he worried he wouldn't last. If they ever made mistakes in the middle of a recording, they would blame someone and make it into a joke. If the audience felt the actors didn't care, they would relax and feel part of the joke. After that, Merryfield cracked his problem, relaxed into the show and the new partnership and became the lovable Uncle Albert.
37 On November 24th, 1986 Only Fools and Horses.... (1981) was honored with a slot at the Royal Variety Performance, something that excited the whole crew; Jason, Nicholas Lyndhurst and John Sullivan thought about either re-doing a bit from an old script, or from the current one, A Royal Flush, which was filming on the Dorset Coast, that year's Christmas special. Sullivan opted for something new, a four-minute sketch Jason described as really neat. Del Boy, Rodney and Uncle Albert have a consignment of knock-off whiskey bottles, and mixed up meeting at a nightclub with the stage of the Theatre Royal, in the presence of Queen Elizabeth the Queen Mother. Jason, Lyndhurst and Buster Merryfield rehearsed it to within an inch of their lives. It was a scene they didn't want to screw up. The tight schedule forced them to drive up from Dorset on the day of the show. There were so many acts at the Royal Variety Performance that the dressing rooms of the Theatre Royal couldn't house them. Watching the other acts from CCTV in their dressing room, they were the only ones doing something original, something that made them very nervous. They needn't have worried; the show was a success. At the end of the sketch, Del sees the Queen Mother and mistakes her for they're employer. When she waved back, Jason almost dried, because he was not expecting that. When they later met her, she said thank you; he was deeply touched, for five seconds when she said the exact same thing in the exact same tone to everyone else in the line. They then immediately went back to Dorset to finish A Royal Flush; they settled their adrenalin with bottles of whiskey and water, except for Merryfield who never drank. Because of the tight schedule, Jason didn't have the time to talk to his close friend, Bob Monkhouse, who was a guest at the Royal Variety Performance that night. Jason said it was a lovely interlude.
38 Filming on the fourth series of Only Fools and Horses.... (1981) began in February, 1984. Jason and Nicholas Lyndhurst were in makeup when a distraught Ray Butt came in to tell them Lennard Pearce had died over the weekend of a heart attack; his body at the foot of a flight of stairs. Jason and Lyndhurst were shocked and speechless and filming was canceled. Pearce had not been a well man, he was a heavy smoker even on the job. Pearce's funeral was several days later; a small and humble affair. Pearce didn't have much in the way of family; his landlady and her daughter were the closest people to him, but the cast mourned him like losing a family member.
39 Went on a tribute show to mark the BBC Television Centre's closing in 2012, as well as Ronnie Corbett, Miranda Hart and John Cleese.
40 Always before a live studio recording of Only Fools and Horses.... (1981), he and Nicholas Lyndhurst used to go to the canteen and have the same meal, almost like a ritual or a superstition, because they used to get so nervous.
41 In 1989, after the end of the sixth series of Only Fools and Horses.... (1981), he won a BAFTA award for Best Comedy Performance. He put the award on his mantelpiece, next to the one for Best Actor he had already.
42 Did Only Fools and Horses.... (1981) and Open All Hours (1973) concurrently with occasional theatre work.
43 He only ever called in sick once during an episode of Only Fools and Horses.... (1981) for A Royal Flush. He lost his voice and needed three days to recover, putting it behind schedule.
44 The famous scene from Only Fools and Horses.... (1981) where Del Boy fell through the open bar flap derived from John Sullivan watching the exact same thing happen to a man in a wine bar, except he grabbed onto the fixed part of the bar so he didn't fall right over. Sullivan thought it funny for the man's body language, trying to recover his cool. Sullivan wanted a slip, stumble and a tree like fall; Jason thought Del should go all the way over - start to go sideways, and than go over without looking in the direction of the fall, which Jason thought was the key to the scene. There was a hidden crash mat, but it was a hard shot to get because it was hard not to look where Jason was falling; Jason had done a number of falls in the theatre so that came in handy. Just as funny was Trigger's baffled reaction to Del's sudden disappearance. Jason gets people asking him about that fall all the time, and some never like to talk about anything else, but he's happy to be remembered for something so iconic.
45 The BBC weren't sure about casting him in the lead for Only Fools and Horses.... (1981) initially because he and Nicholas Lyndhurst looked nothing alike; John Sullivan disagreed. Del Boy needed to be shorter to remove any sense of physical intimidation between the brothers, and to imply the suspected illegitimacy of the Trotters.
46 Owns a house in the countryside to live but keeps a flat in London whenever he's working.
47 He could forget lines he knew the night before.
48 When he was first handed the script for the pilot episode of Only Fools and Horses.... (1981), Del Boy was the character that jumped out at him. He was expected to play Grandad but he had his heart set on Del, even though the show' creator and writer John Sullivan felt he was wrong for the part; Sullivan envisioned Del a winner, whereas Jason was known for playing life's losers.
49 Once, he and Nicholas Lyndhurst brought a bag full of bangers into rehearsals on Only Fools and Horses.... (1981); they loaded stacked chairs with them and the cubicle doors in the toilets. When production assistant Tony Dow unstacked the chairs, they went off, making him afraid to touch them. Jason and Lyndhurst thought it funny until a cleaning lady tried to mop the gents and nearly died of fright. They never pulled that prank again.
50 While waiting to do some gliding, somebody spotted him, and that led to people with cameras and their kids and even their dogs posing beside the glider, while he was strapped in, embarrassed and frustrated with this unwanted attention. It put him off gliding. Nicholas Lyndhurst was also recognized but he just wore a baseball cap in public with the brim pulled down, and that worked for him. When they were recognized, people would yell lines at them from Only Fools and Horses.... (1981), particularly Lyndhurst.
51 Del Boy's core business in Only Fools and Horses.... (1981) is fly-pitching, although it was rarely seen. Jason loved doing the patter, the banter and the rhythm. He learned about fly-pitching from watching illegal street traders when he was living in London and doing theatre work. It was good research, and all his fly-pitching scenes were ad-libbed.
52 When the pilot episode of Only Fools and Horses.... (1981) went through a chaotic production, including going through three directors at one point, Jason privately felt the BBC were trying to sabotage the show.
53 He kept some of Del Boy's shirts and sweaters after Only Fools and Horses.... (1981) was finished. It would have felt wrong to throw them away.
54 A huge fan of Alistair Sim ever since he saw him in A Christmas Carol (1951). Jason considers Sim the definitive Scrooge.
55 Friend of the late Bob Monkhouse. They used to like winding each other up. Monkhouse wanted to do a silent movie with Jason but his workload kept him busy. They both hail from Weston-Super-Mare.
56 Has size 7 feet.
57 Close friends with animator Brian Cosgrove, he's also a big fan of cartoons. Jason didn't know that Penfold from Danger Mouse (1981) was a hamster until a chagrined Cosgrove told him. Jason read for Dangermouse and Penfold, and Cosgrove almost named the character Supermouse. Of all the work he did with Cosgrove Hall, he considered The Wind in the Willows (1984) classic, successful and the most exciting. He loved the cast Cosgrove had managed to assemble, and said he was deeply dedicated to his craft.
58 Wanted to work with Ronnie Barker years before Open All Hours (1973). He believed it profoundly affected the course of his life. He always considered him a mentor whenever they worked together. He never understood why Barker left ITV for the BBC because he wasn't in the know. He considered working with Barker on an entire series a dream outcome. The two became close friends. He claimed Barker was very wise and if he thought something was OK, that was good enough.
59 A big fan of Buster Keaton, he always tried to channel him whenever doing his own stunts.
60 Can do voices and impressions, including Tony Benn, Julian Clary and John Wayne.
61 His first big West End role was in No Sex Please - We're British at the Strand in 1973, but his professional debut was in a Noël Coward production. He did No Sex Please - We're British for 18 months, six nights a week with two nights off for illness. After it was over, he was given a lighter and an engraved hollowed brick that he uses as a pen holder.
62 Lost the part of Corporal Jones in Dad's Army (1968) (to his chagrin) when the original choice became available after his show was canceled by the BBC and was offered Corporal Jones as compensation.
63 Began working in radio in 1970.
64 A big fan of Laurel and Hardy.
65 Became a big fan of the Bonzos after hearing "I'm the Urban Spaceman".
66 The first time he went abroad was to Switzerland for a skiing holiday in 1970.
67 Much of his early acting career involved physical comedy, but not much acting. He was afraid of becoming typecast as a comic actor.
68 Got his big break in television at the age of 27 on Do Not Adjust Your Set (1967).
69 Allergic to pollen.
70 Has done two sex scenes in his career.
71 For The Wind in the Willows (1984), Cosgrove Hall wanted Jason to play Ratty but he preferred Mr Toad. Everyone who had voiced Toad had made him unpleasant, but Jason made him into a lovable showoff. After Jason recorded an audition, he got the part.
72 Plays the trombone.
73 Ronnie Barker's nickname for Jason on Open All Hours (1973) was little feed. Jason claimed he was there to be Barker's stooge, and was frustrated when episodes ran long and his part had to be edited down just to feed Barker.
74 He used to get poetry sent to him from Ronnie Barker. Barker was constantly playing with words and was very quick at composing verses.
75 Ronnie Barker's decision to retire at the age of 59 disappointed Jason but he respected his decision.
76 Richard Burton and Elizabeth Taylor were the biggest stars Jason ever worked with in his shortlived film career.
77 A friend of Darth Vader actor David Prowse since the beginning of his TV career.
78 A driver used to take him and Ronnie Barker out looking for bric-a-brac. The more offbeat, the smaller it was, and the further away it was, the more Barker liked the shop.
79 Likes light and bitter beer.
80 During a horse riding lesson, the horse stepped on his foot, dislocating two of his toes; his injury was written into a play he was doing where the character had gout.
81 Landed the part of Del Boy in Only Fools and Horses.... (1981) by making fun of director Ray Butt's Cockney accent with a pitch perfect imitation.
82 Still owns the credit board Phantom Raspberry Blower - David Jason from The Two Ronnies (1971). He's enormously proud of his contribution to "that little moment of comic history".
83 Once, while staying as a guest in Ronnie Barker's house, he got slightly drunk and couldn't sleep; he saw a door and assuming it led to a flat roof, decided to get some fresh air to help him sleep even though he couldn't see a thing beyond the door. He reconsidered after worrying about cutting his feet on any stones. The next morning he found the door led to nowhere but a 30ft drop to a disused mill wheel; Barker had a balcony built to prevent any more near tragedies.
84 Always likes to set money aside, but admits he's not very good with numbers so his accountants handle his finances - he treats them as friends.
85 Had no formal education.
86 A big fan of Buddy Holly.
87 A big fan of The Prisoner (1967).
88 A big fan of Dylan Thomas.
89 A huge fan of The Goon Show, the first time he went to the theatre was to watch a recording of it.
90 Was told he had what it took to make it as a professional actor at the age of 22.
91 Has a scar under his eye.
92 West Side Story is his favorite musical.
93 Changed his last name from White to Jason after there was already a David White in the acting profession. He at first tried David Whitehead but there was one of them too. He settled on Jason from Jason and the Argonauts, something he remembered from primary school.
94 His first car was a second-hand Ford Zephyr six-saloon with crimped fins and shiny chrome wing mirrors.
95 Once owned a treasured autograph of Spike Milligan. Later, Milligan wrote the Phantom Raspberry Blower of Old London Town for The Two Ronnies (1971), and Jason provided them (which he claims to be a master at).
96 Decided to make acting his career at the age of 20 after his first relationship went nowhere. He began professional acting at the age of 25.
97 Didn't get an agent until his mid-20s.
98 Worked as an electrician, which involved licking a finger and poking live circuitry to see how much of a shock you got. He considered a career as an electrician but then went to drama school at the age of 24. When acting dried up in the early years of his career, he went back to work as an electrician.
99 His family as a young man had Christmas chicken instead of turkey because it was cheaper.
100 Quite timid as a boy.
101 His first public appearance with his changed name was on May 24th, 1965.
102 Didn't do any televised drama until he was 26, when he had a recurring role on Crossroads (1964). Although the show has a bad reputation, he's defended it. After doing a guest spot, he was asked to become a regular but he declined because he didn't want to be tied down to playing just one character at this stage in his career.
103 One of the top leading men on British television, despite his diminutive stature.
104 Has had a few brushes with death throughout his life, e.g. electrocution; drowning, etc.
105 Turned down for the Royal Shakespeare Company (RSC) when he was 27.
106 A mystic in the late 60s predicted he had a big future as an actor.
107 Was given advice by Jon Pertwee when first starting his acting career.
108 Although against illicit substances, he did smoke a joint for the first time when he was 40; it was his only one.
109 He first appeared on television in a BBC pantomime, Mother Goose (1965) on Boxing Day.
110 He went out with Phil Collins' sister when they were still unknowns. The first rock concert Jason went to was Genesis with Collins on drums and Peter Gabriel on vocals at the Theatre Royal, Drury Lane, in 1974.
111 Learned to dive at the age of 18.
112 His first experience of playing in the West End was as a pirate in a production of Peter Pan at the Strand; it was also his first experience of touring the country.
113 A big fan of Ruth Madoc.
114 Co-founded Topaz Productions in the late 1980s.
115 Once played a raven on stage and prepared for the role by studying raven behavior at the Tower of London. In the Season 6 premiere episode of Only Fools and Horses.... (1981), Del Boy mentions how he once had a job at the Tower of London.
116 A big fan of Ron Moody.
117 Although mostly known as a comic actor, this was not so at the beginning of his career. While in amateur theatre, he appeared in a production of "The Glass Menagerie" by Tennessee Williams, and played one of Noah's sons, Ham ("the bad 'un").
118 When he was 14, he worked as a grocery delivery boy at the local supermarket for almost no pay where he learned to ride a delivery bike. He always liked to ride a bike to work and home because it kept him at 8 stone and a 29 inch waist.
119 Born five months after the outbreak of World War II, he spent his infancy in war-torn North London, and lived at 26 Lodge Lane, Finchley. He was delivered at North Middlesex County Hospital. His childhood home is now a car park.
120 The first review of his work was "David White looked like a young James Cagney and played, though only 16, with the ease of a born actor". He still remembers it but thought it unlikely.
121 Started smoking at the age of 14.
122 During World War II, a human arm landed on the roof of his childhood home; the family thought it was a chicken that would feed them for two meals.
123 Penned his autobiography, My Life in 2013.
124 Lots of his childhood clothes were hand-me-downs.
125 Attended Northside Junior School and than Northside Secondary Modern. He left school at the age of 15 to pursue acting.
126 Didn't watch television until the age of 13, when he saw the Coronation of Queen Elizabeth II, she later knighted Jason. His family didn't hire a television until he was age 15, when ITV was first launched.
127 His first acting role was as a monkey in a primary school play at the age of 9, but his first lead role was in a Cromwellian play, Wayside War as a 17th Century Cavalier at the age of 14. He was forced to volunteer by the headmaster and wound up enjoying it. He then joined amateur theatre not long after and left it at the age of 25 - he joined just to pick up girls. The name of the acting troupe was "The Incognito Players", and he went on to be the most successful member; he was later asked to be a patron, which he accepted.
128 Has worked as a teaboy and a grease monkey in a garage. He lost his enthusiasm for being a mechanic when during Winter, the cold always found its way up his overalls while under a car; his parents were very disappointed.
129 Appeared in juvenile court at the age of 14 for stealing lead. Ironically, in the Season 1 finale of Only Fools and Horses.... (1981), Del Boy steals three tons of lead, but for use as a fallout shelter. He then appeared in court when he was 18 for riding a motorbike without L-plates; he was fined 10 shillings.
130 A qualified dive master, he was taught to dive in the Cayman Islands.
131 Bob Monkhouse was enthusiastic about David Jason's comic potential and attempted to put together a pilot film for him called "Jason" in the late 1960s-early 1970s.
132 He was awarded an O.B.E. (Officer of the Order of British Empire) for his services to drama.
133 Knighted in the Queen Elizabeth II's Birthday Honours. He collected the award from Queen Elizabeth II at Buckingham Palace on 1 December 2005, having secretly married his long-term partner Gill Hinchcliffe at the Dorchester Hotel in London the day before. [2005]
134 After discovering that there was already a "David White" registered with Equity, he took the name "David Jason". It has long and popularly been rumoured that the name "Jason" came from his twin brother who had died in infancy. This is incorrect. His twin brother died without being named, and he chose "David Jason" as his stage name from his favourite book at school Jason and the Argonauts (1963).
135 Received two awards at the British Television Awards. He got the awards for "Britain's Best Actor" and "Britain's Best Comedy Actor".
136 He was considered for the role of Corporal Jones in the BBC series Dad's Army (1968), which eventually went to Clive Dunn.
137 Did not find out until age 14 that he had a twin brother who had died at birth.
138 Worked as a self-employed electrician before becoming an actor, initially in the theatre and later moving to television.
139 Became a father for the 1st time at age 61 when his partner Gill Hinchcliffe gave birth to their daughter Sophie Mae White on 26 February 2001.
140 Younger brother of actor Arthur White, who appears in many episodes of A Touch of Frost (1992) with him.

Net Worth & Salary

All the King's Men (1999) 250,000 pounds (UK)
Only Fools and Horses.... (1981) $69,000


1 [on becoming a Sir] Completing the totally implausible journey from Lodge Lane to Buckingham Palace. I went down on one knee on the foot stool and the Queen stepped forward and touched me on both shoulders with the sword. I'll let you into a little secret here: she doesn't actually say 'Arise, Sir David'. The whole 'arise' thing turns out to be an urban myth and not a part of the ceremony. Shame, really. It's a good line. She should use it. However, afterwards, I stood and the Queen said, 'You've been in the business a long time'. I don't know why, but I found myself telling her I hoped I hadn't done anything to offend her at any point. She laughed and said that so far as she was aware, I hadn't.
2 I don't know if you have ever been attacked by a cockerel, but if you haven't, then allow me to tell you that it's an experience with very little to recommend it.
3 [his brushes with death] Sundry.
4 [on becoming a knight and getting married all in the same day] Amazing. A married man, a Sir, and all inside twenty-four blissful hours. I would have loved Ronnie Barker to have been there that day and shared this with us all. He was a man whom I thought more deserving of a knighthood than me. Alas, Ronnie had died two months previously. But earlier in the year, when my knighthood was announced, he had, typically sent me a poem to commemorate the event, and at the lunch I declaimed it, so at least he was there in word: Congratulations, little feed/her gracious Majesty decreed/that Granville, little errand lad/and Del Boy, Frost, and others had/ all served their nation passing well/so here's to Granville, Frost and Del! The old ex-Guvnor's proud to see/his comrade reach such high degree/knight of the realm, and TV star/who never thought he'd get this far. 'Arise, Sir David', she will say/the sword upon your shoulder lay. I raise a glass filled to the brim/and truly say, 'Good Knight from him.'
5 The general trend was for the London part of the family to visit the Welsh part, rather than the other way around.
6 [when he announced his second wedding at a party to celebrate his knighthood] The place erupted with cheering and thumping on the tables.
7 The garden, the workshop - those are the places I'm happiest. I like to have a project on the go - something to restore, something to fix. The pond needs cleaning? That's my idea of a good time. I love anything in the garden, actually. I've built two steam engines which you can sit astride, and a raised five-inch gauge track in the garden, which travels between two stations, with a bridge over the pond and a tunnel. I used to sit there with my knees up around my ears, stoke the coal in the tender, sound the whistle and steam out around the perimeter of the garden.
8 [his second wedding and his impending knighthood] The marriage took place at 5pm in a beautiful room at the hotel. It was intimate and romantic and just the happiest time. Afterwards everyone came back for cocktails and canapés and to cut the cake. The following morning, I arose a married man and went straight off to become a bachelor. Or, at any rate, a knight bachelor.
9 I spent an awful lot of the Summers of my childhood determinedly crossing my legs clenching my buttocks, evacuating my bowels and bladder only as a very last resort.
10 Now, who's the bigger star, do you suppose: me or Jack Nicholson? Well, naturally, it's Jack Nicholson. But he's such a big star that there's something slightly intimidating about him. People kept their distance. Whereas I'm Del, I'm Pop Larkin: I'm approachable. Which is lovely of course, and better than having people cross the road to avoid you, I'm sure. And better still than having people cross the road to your side in order to poke you in the eye with a burnt stick. And yet...well, sometimes you end up deciding it'll be more comfortable for everyone if you stay at home. Inevitably, it affects my life a little. There are things I can't do. I just have to accept that. Legoland, Thorpe Park...but people gather.
11 Wales was a magical place to my boyhood self.
12 On a hot Summer's day in Wales, and just occasionally, you did get one of those...
13 [starting a family at the age of 60] Older than people conventionally are when they think about these things.
14 If it's a nice day, I might fly my helicopter. Which sounds a bit flash, I suppose: a bit 'TV's man of action', as the TV Times once had it - you might even say a bit 'celebrity lifestyle'. But there it is.
15 I get recognized and it can get a little out of hand.
16 I was made a Sir in the Queen's Birthday Honors of 2005. I felt very humbled - and maybe even a little awkward about it. For me, those kinds of titles go to heroes in battle or to heroes in charity. To get one for acting, which doesn't seem to me to have any parity with those things...well, I found that a bit hard to get my head around. Still, it was on offer. I was hardly going to turn it down, was I? The date was set for my investiture on 1 December. On its own, it was a thrilling and momentous prospect for me.
17 [a red carpet film premiere or an awards ceremony] You should linger in front of the photographers, smile graciously and lap up the attention, for it may not be yours forever, not even next week. But I'm normally clammy-palmed with a combination of fear and embarrassment, rushing along the carpet, blinking blindly into the flashlights.
18 [the end of Only Fools and Horses] Now the show really was over. While it's up and running, a program such as that is like this complete world that you exist in. But when it's done, the sets get packed up and removed, and the costumes go away, and the whole thing lives on only on a piece of tape. You can't actually go back there. So you have to consign it to the list of those things that were great and wonderful and fun...and utterly gone. I do miss it badly.
19 With helicopters, you work your way up gradually: a little solo trip around a field at first, and then, as part of your exam, a solo cross-country flight to designated points. The first time I attempted that, I managed to get lost and I had to land in a field to ask a farmer for directions. Poor bloke. He was surprised enough to see a helicopter come down on his land and even more surprised to see Del Boy get out of it. I failed the exam, needless to say, and by next week the story of the bozo who got lost on his cross-country test was all around the airfield. Still, I passed eventually, and with the need I now had to get to meetings and locations up and down the country, I managed to rationalize buying my own little machine - a four-seater Robinson 44, my mechanical pride and joy.
20 [flying by helicopter for the first time] I really loved it and I decided to learn to fly one myself. It's the most difficult thing I've ever mastered: your hands and your feet have to work in contrary motion to one another. It's a bit like playing the drums, I guess, although with greater risk of death. Yet I did it, and I did it when I was in my sixties, and I'm very proud of that.
21 [starting a family] I quite liked the idea of continuing the line.
22 [naming his daughter Sophie Mae] It sounded nice when you put the two together.
23 [on the birth of his baby] I put on the gown and mask and was admitted to the inner sanctum to watch as the doctors delivered a 9lb 6oz girl; my Sophie Mae. She was handed to me and the room seemed suddenly very still and I had my first moments with my daughter. The press arrived the next day and stayed there a whole week until we left the hospital in a flurry of snow without any PR people to help. Everyone who has done it knows what it's like to bring a newborn baby home for the first time - knows the nervousness and the anxiety and warmth and wonderment.
24 [when he was offered a knighthood] There had been no word of warning of this. It was totally out of the blue. Naturally, I assumed a wind-up and checked for evidence of the hand of the usual suspects.
25 [becoming a father at the age of 60] Something else I thought I had missed, something else for which I thought the time had swept by while I was below the surface, at work. How lucky is that?
26 The good fortune showered upon me in these recent years is, I am truly aware, more than any man would have a right to dream of. Oh, and the knighthood. I nearly forgot the knighthood.
27 [the perfect wedding] A way that wouldn't create stress and fuss.
28 [his first baby] The baby was now a date in the diary which I at least found reassuring amid the mounting anticipation.
29 [naming his child Sophie after doing The BFG] The name had extra resonance for me.
30 [David] A good name for a boy - kind of resolute, and noble.
31 [Detective Inspector Jack Frost] A detective to whom sergeants got seconded, to learn the trade. There were a couple of regulars, but new assistants kept A Touch of Frost fresh, gave Frost new characters to bounce off and challenge his slightly set view of the world.
32 [A Touch of Frost's popularity] The hunch had well and truly paid off.
33 Everybody who's moved house knows how stressful that is.
34 I don't think any television show I've done, with the possible exception of Only Fools (and Horses), prompted quite so much mucking about on the part of the people involved in it as (A Touch of) Frost did. Certainly no show I've ever done prompted quite such elaborate mucking about.
35 [A Touch of Frost] One of the country's favorite drama serials. We had come on a bit of a journey. It was nice to reach this point on the road.
36 [using work to ease the pain of losing his first wife] Even though work was no longer the great healer, I still had work to do.
37 [Del Boy coming back at 65 and what had become of everyone from Only Fools and Horses] I was up for it. I thought anything was possible in (the show's writer and creator) John Sullivan's hands.
38 [losing his first wife and meeting his second wife] I didn't expect to find someone new and settle down. I thought I'd had my chance of that and it had gone. How fortunate for me that I was wrong.
39 You can fight age hard, but unfortunately age hasn't lost a battle yet.
40 [the end of Time on our Hands, the episode of Only Fools and Horses where the Trotters finally became millionaires] The Trotters now officially on their way to wealth.
41 [the death of a loved one] It's not a thing I would want anyone to go through, nor a thing I find easy to go back over.
42 Once, there had been a time when I could work to the exclusion of everything else. Oh, I could immerse myself in work the way I could immerse myself while diving. I could let it fill my ears and sink right down into it until I was entirely absorbed by it, and until it was the only thing that was going on and the only thing that mattered.
43 [the mountain behind his cottage] Wonderful view.
44 Drinking other people's teas and coffees became something of a habit for (Detective Inspector Jack) Frost - a little humanizing moment which chased through the series to make him more than just an efficient cop.
45 (A Touch of) Frost was also the show on which I started doing rocket launches - to great acclaim, I must say. Well, sometimes.
46 Whenever I'm out and about and I see a film unit at work, I still feel that glow of excitement I used to get, driving onto the set to work.
47 [seeing a house like Toad Hall] It was wonderful and seemed to go on forever, and even had a lake, fed by its own spring. It may not be Toad Hall, but I could imagine myself living here. Pretty much twice the value of the house I already owned. Just driving up to the house again made me realize how much I wanted it.
48 [A Touch of Frost] As a man who passed from his fifties deep into his sixties during the course of this show, I wasn't likely to be knocking my pipe out until four in the morning, was I? I figured it was better to put my head in a paint pot for a couple of hours and wind down that way.
49 From a purely practical point of view, smoking is a nightmare for continuity - you've got to watch the length of the ash all the time, otherwise it looks like someone has sucked down three-quarters of a cigarette in the time it takes someone else to come through the door. The less smoking you've got going on in a scene, the easier life is for everybody.
50 How life came round full circle.
51 [the war in Afghanistan] Bad times.
52 Breast cancer is such a blight.
53 [watching the Only Fools and Horses episode A Jolly Boys Outing in Afghanistan with the troops] Watching these wally-brains on the screen, mucking about, being ridiculously British, took those battered lads out of themselves. Somehow it lifted their morale out of the dust and it began to stand them the right way up again. It was the start of the healing process, after which they could go on. It made me realize that I had no idea how far what we did carried, and only the vaguest sense of its true repercussions. Yes, Only Fools was just a sitcom - and what could be more frivolous or irrelevant? You're just arsing about in front of a camera and getting paid to make yourself laugh. Yet what you do goes out there and has effects beyond any you could ever have imagined at the time.
54 Nobody has ever written to offer me a flat in Peckham, on the grounds of my expertise as Del Boy, nor indeed a corner shop in Doncaster, on the grounds of my expertise as Granville.
55 The problem with film shoots was that there were bound to be some portions of empty time - time when all you could do was sit around and wait. And if left hanging about in my caravan too long, I would sometimes fight the urge to nod off. I needed something to keep myself going in those downtimes.
56 The impact of Only Fools and Horses and the way that people responded to it was constantly surprising to me and continues to do so.
57 [John Sullivan, the writer and creator of Only Fools and Horses, after his death] Too soon. His loss devastated us all. I could only meet his death with disbelief. You can't believe you're never going to see that person again, that they're just gone. It's the most difficult thing in the world.
58 I needed other people. People who must so often have tried unsuccessfully to attract my attention while I was sunk fathoms - deep in work, but who, to my unending gratitude, were loyal and still there now that I was thrashing around on the surface. I felt as needy as a baby in those times - utterly lost - and they took care of me.
59 [the 24.3 million viewers who watched Time on our Hands, the original ending to Only Fools and Horses where the Trotters became millionaires] A staggering number. It made me dizzy to think about it. You simply couldn't get it into your head how popular this show had grown to be.
60 [the RAF] I was in awe at what they do and their bravery at spirit.
61 [the Only Fools and Horses Christmas trilogy from 1996] For many people, the story's true conclusion. The moment when the curtain came down. Everything about the narrative pointed to these being the last ever episodes.
62 [his homemade rockets] You've never seen anything so camp in all your life. The masterpiece was a Saturn V replica with one of the biggest engines so it was a complex build. It launched like the real thing by hovering above the pad and set off into the sky.
63 [the second Only Fools and Horses trilogy from 2001-2003] A few critics felt we shouldn't have gone back to it - that the bow neatly tied in 1996 was now undone again. But people seemed to want it, the BBC definitely wanted it, and that weight of anticipation is very hard to resist. And John (Sullivan) was writing it, so all of us had no hesitation in saying yes.
64 [Only Fools and Horses] It was just a TV sitcom, and yet how the tentacles of that program reached out.
65 [the end of Only Fools and Horses] It was very emotional and difficult to compute. We all knew this wasn't the kind of experience that comes twice in your life. What a series. So many brilliant moments and lines; such clever writing. (John) Sullivan was a traditionalist, in a way: he made the characters do the work and they didn't need to resort to extremities of language or action. Yet there was such tremendous light and shade. Only Fools had a death, it had a miscarriage, it had a birth...the more John saw how we worked together, the more he felt he could push into areas where comedy didn't ever go. It was great, honest stuff and it touched people's lives. We had most of the nation behind us, really, when we properly got going.
66 [Detective Inspector Jack Frost] He bowed out pretty spectacularly.
67 [Detective Inspector Jack Frost] I would have happily played him forever.
68 [lonely after his first wife's death] How I felt.
69 [paying full price for a house like Toad Hall after losing a coin toss] So much for my standing as a wheeler-dealer.
70 They don't call me Derek Trotter for nothing.
71 [18 years as Detective Inspector Jack Frost] A long time to spend in the skin of a shabby detective. But, boy, I did love playing that part.
72 [watching TV for the first time at age 13] Unthinkable levels of magic. I rather liked the look of television. My hunch was that it had a great future ahead of it, if it ever managed to catch on.
73 [watching the Coronation of Queen Elizabeth II at age 13] You've never seen such a crowd gathered in a single sitting-room.
74 [The Darling Buds of May's wrap party] It was a very jolly affair.
75 A Touch of Frost was contemporary, clever, dark and revolved around unpleasantness like murders of drug addicts and robberies at strip clubs. Frost was shabby, bitter, caustic and a commanding character, unlike Pop Larkin.
76 [on convincing the Yorkshire Television executives he was the right actor to play Detective Inspector Jack Frost] I launched into a spontaneous paragraph about how popular the genre was and how I saw the chance to explore a slightly darker edge in the character of Frost, while throwing in a bit about the superiority of the English approach to TV detective shows (audience attempts to solve crime in tandem with the detective) to the American approach (audience is shown the crime and the criminal at the start of the story, and then follows the detective's trail to the guilty party).
77 [Paddington Station in London] A stunning scene of noise and smoke.
78 I was a sucker for sitting down in front of Poirot, Inspector Morse, Inspector Wexford, Dalgliesh, Prime Suspect - any of those police procedural dramas. I loved all that - people like to unravel a mystery, don't they? That's what I like to do, when I'm watching - try and beat the detective to it.
79 A fairly deep streak of eccentricity ran through the family.
80 I was a young lad who had lived among the bricks and mortar of London.
81 [the Batman and Robin episode of Only Fools and Horses] If I go back to Bristol, the one they all remember is Batman and Robin. That's the one they always come up and say, "I was there". It really seemed to chime.
82 [on The Darling Buds of May] The idyll it depicted spoke very directly to people - and to people of all ages. It was a kind of television show that was already falling out of favor and which has continued to decline - a program that families watched together. And what they saw was this wonderful loving family, with kids they adored, sitting round at Sunday dinners, piling into the back of a truck and singing...people watched it and thought, "wouldn't we all love a little bit of that, if it were possible?"
83 How hard it is and how unfair it seems, letting go of someone you know so well.
84 Only Fools and Horses seemed to be about as popular as it was possible for a television show to get. Perfick!
85 [meeting Michael Douglas] My first sight of this great Hollywood star was as he came towards me, hand extended, just out of the pool, dripping wet, with Bermuda shorts on. All very relaxed.
86 [when asked for the first time what he'd like to do as an actor] The thing I like watching is detective shows. I'd love to play a detective.
87 [gaining more and more control over his career] The form had always been: 'we're going to produce x, would you like to play y? To find myself in the position where someone was asking me what I wanted to do - effectively sitting opposite me with a blank sheet of paper in front of them and an expectant expression...well, this was a shock and it was a pretty stunning indication to me of the giddy heights to which I had somehow ascended.
88 [Al Capone] A kind of (Del Boy) Trotter in his way, albeit a bit more violent.
89 [on Heroes and Villains, the Batman and Robin episode of Only Fools and Horses] One of the rare occasions on which Batman has been cast shorter than his crime-busting partner. Still, that was Only Fools and Horses for you - never inclined to do things conventionally. That episode is still one that people go back to and talk about. The sight of Del Boy and Rodney running through the streets in full costume, the least likely world-savers you have ever seen, struck a loud bell with viewers which just carried on ringing.
90 [doing Only Fools and Horses Christmas Specials] It was as if we hadn't stopped. You just fell straight back into the way of things. I would put on Del Boy again and find that he fitted like a pair of wonderful old carpet slippers.
91 [playing Batman in Only Fools and Horses] The dream role, satisfying the burning aspiration to play a superhero which had been planted in me by the Dan Dare comic strips of my childhood.
92 The message of (The) Darling Buds (of May) was the message of Only Fools (and Horses) too: that the most important thing is what happens at home and with the family.
93 [his ideas for Heroes and Villains, when Del Boy and Rodney dress up as Batman and Robin] They had to be tired, tatty and ill-fitting, but to get the full comedy out of the moment, they should look like Batman and Robin. When we finally got that shot of them running through the smoke, it just lent itself even more to the ridiculous.
94 [The Darling Buds of May] It was very much the way of things on that show. We all looked after each other. Which stands to reason: we were one big (and overfed) family.
95 [Richard Branson's cameo in Only Fools and Horses] The great publicist. Charming, but would it be unreasonable to say that I've seen better actors?
96 [after Richard Branson's cameo in Only Fools and Horses] I assumed, that a happy lifetime of free rides and regular upgrades lay ahead of me. Alas, I was wrong. Showbusiness can be a very cruel industry.
97 [after Barry Gibb's cameo in an episode of Only Fools and Horses set in Miami] Barry was wonderfully self-effacing. His house was a palace.
98 [The Darling Buds of May] The series was a high-quality piece of work altogether. We owed a lot to the whole team put together.
99 [being helped into bed, pajamas and with a plastic bottle] The indignity that the elderly know.
100 You rarely knew, at the end of a series (of Only Fools and Horses), whether there would be another, because commissioning normally happened subsequently. So you just had to hang on and hope and see what the stars and (the show's creator) John Sullivan came up with.
101 [driving an old Army vehicle, painted up to look like a Rolls-Royce in The Darling Buds of May] Largely unrelated to what we generally think of as driving these days. It had a crash gearbox, with a lever that virtually tore your shoulder out of its socket, and steering which provided a comprehensive upper-body workout.
102 Kids have minds like sponges.
103 [before he got cast as Pop Larkin in The Darling Buds of May] If someone ever asks you if you would be interested in milking a cow, say yes. You never know when it might come in handy in your professional life.
104 Philip (Franks in The Darling Buds of May) was so perfectly cast. He had sent most of his career in the theatre and he was a great team player because of that.
105 [Pam Ferris, one of his co-stars on The Darling Buds of May] She was down-to-Earth, which I immediately liked about her, and we relaxed in each other's company very quickly.
106 [Catherine Zeta-Jones] She was extremely beautiful, and you knew the camera was going to love her. She was also as lovely a person as she looked.
107 [Catherine Zeta-Jones' Hollywood success] It was exclusively down to me. Thanks to my careful tuition, she was ready for her closeup. She got her part as Mariette (on The Darling Buds of May) dead on, with just the right mix of innocence and coquettishness. Hollywood stardom couldn't have happened to anyone nicer.
108 Altogether the cast (of The Darling Buds of May) felt like a family off the set as well as on it. We genuinely liked each other and I think an extra degree of warmth came through because of that.
109 [Pop Larkin] The role made a few unusual demands on me.
110 [Pop and Ma Larkin from The Darling Buds of May] Loving, cheeky, generous, trusting.
111 Normally, in the real world, your eyes range a bit around the face of the person you're talking to, but in a closeup of someone's face, that natural eye movement gets exaggerated and can look a bit odd, as if your eyes are shooting around in their sockets. If you fix your focus on one place on your interlocutor's face, it holds your eyes steady in the shot.
112 [Catherine Zeta-Jones in The Darling Buds of May] The show's big discovery.
113 [on putting on weight playing Pop Larkin, he couldn't fit into a dinner jacket for the BAFTA Awards] I looked like Hardy wearing something belonging to Laurel.
114 [The Darling Buds of May] The set constantly hummed with the smell of frying bacon and the crew would be walking around with drool hanging out of their mouths.
115 A baby couldn't upstage you or tell you your lines.
116 Times have changed, and customs with them.
117 [best actor at the BAFTAs] Even to be shortlisted in that category was an honor.
118 [his 50th birthday party] It was a lovely, high-spirited evening, and the nicest of surprises.
119 [Tessa Peake-Jones and Gwyneth Strong, two of his co-stars from Only Fools and Horses] Those two knew what they were doing and fitted straight into the team.
120 If I hadn't got a part in A Bit of a Do, I might not have ended up appearing in The Darling Buds of May. And if I hadn't got a part in The Darling Buds of May, I might not have ever ended up appearing in A Touch of Frost.
121 [the baker who did his 50th birthday cake] The man was an artist with the marzipan.
122 A Bit of a Do ran to two series, went down well with critics and viewers, and put me on Yorkshire Television's radar - to the extent that, in the event of a part coming up in...I don't know...let's say a family drama series set in rural Kent in the 1950s and destined to become a national, award-winning smash hit (The Darling Buds of May), then I would be well placed to be considered for it.
123 As occupied as I was, there was always the drive within me - the basic actorly thing. Be someone different. Be someone else. And take the work while it's there to be taken.
124 [during his childhood] Girls might as well have been another species for all that we had to do with them at that stage.
125 [his first thoughts about the series, The Darling Buds of May] It'll either be enormously successful or it'll fall flat on it's face. It was enormously successful.
126 [waiting for the next acting job] Like Mr Micawber, I was hoping for something to turn up.
127 [his first thoughts after reading the novel of The Darling Buds of May] I thought it was charming - a bucolic piece about a ramshackle, convention-snubbing farming family who woo the tax inspector into moving in with them in order to deflect him from inspecting their rather dodgy tax situation.
128 The characters I tended to be known for playing - Del Boy merely the most prominent among them - had their foibles but were meant to be essentially forgivable and lovable. They were great seekers of the audience's sympathy.
129 [The Darling Buds of May] I didn't want it to be a studio production. If they did it on film, I knew the series would at least look good and have some quality about it, even if nothing happened.
130 Black-tie showbusiness occasions don't make me very comfortable. It was a bit like going willingly to your own execution.
131 The world of entertainment was moving on rapidly.
132 [The Darling Buds of May] I don't suppose any of us had even the faintest inkling at that stage of exactly how mind-bogglingly successful this project would be. I certainly didn't.
133 [his childhood scrapes] If the wounds didn't get you, there was a decent chance the treatment would. It's a wonder I made it through this period at all.
134 [winning a BAFTA for the first time] That felt incredible. My knees were shaking - but, even so, they felt like the bee's knees. I felt like I had arrived - like I was finally someone who counted. It was nice to be a winner. I had always been very insecure about my abilities as an actor, but that night, sitting among my peers, I allowed myself to feel very proud of what I'd done.
135 [playing on bomb sites as a child] The (Second World) war had gifted us the perfect playground.
136 [winning BAFTAs] This, to my astonishment, was getting to be a bit of a habit.
137 You should never hold an artist back from realizing his vision.
138 [extending the running time for episodes of Only Fools and Horses] This was the point where Only Fools and Horses really came into its own as a comedy-drama, rather than as a sitcom. It wasn't just that there was now time to get more of John Sullivan's great lines in; there was now more space in which things could unfold.
139 [one of his most famous scenes from Only Fools and Horses] Olivier had his Othello, Gielgud his Lear, Branagh has his Hamlet; I have my falling through a pub bar flap. And do you know what? I'm perfectly happy with that.
140 [his reply when people doubted that Only Fools and Horses could work beyond 30 minutes in length] Yes, that's true of average writers. But we're talking about John (Sullivan). And you must agree: we keep cutting gold.
141 I loved being part of huge set pieces. It enabled me to give some rein to my film-actor fantasies. It was certainly very different from the slightly grab-it-and-run Only Fools and Horses shoots.
142 [on a proper theatrical exit in a Shakespeare play] You go, you pause, you slightly come back, you go again. Play it right, and you could virtually guarantee a round of applause, no matter what had happened in your exit speech.
143 In television the money has always gravitated towards drama.
144 [on filming] The peculiar sights you would see and walk past and find people taking absolutely for granted, as if they were the most normal thing in the world.
145 [Bob Monkhouse] My old colleague.
146 [the Royal Variety Performance in 1986] A lovely interlude.
147 [nerves evaporate] They will when an audience is immediately responsive.
148 [he and Bob Monkhouse at the Royal Variety Performance in 1986] That night I'm sure we both felt like we were a long way from Weston-Super-Mare.
149 You want to be watching television on Christmas Day, not appearing live on it.
150 [the answer to questions during the production chaos on A Royal Flush, a notoriously troubled episode of Only Fools and Horses] Fuck knows.
151 [Buster Merryfield refusing to join him and Nicholas Lyndhurst for a drink] All the more for me and Nick.
152 I was to get most of my growing done by about the age of fourteen when I reached five foot six and my body decided that it had had enough of lengthening and left it at that.
153 [a glider] A glorified Perspex tube.
154 [the day he was born] My memories are bound to be a bit patchy.
155 [on Only Fools and Horses] The show was capturing the nation's attention to an extent that none of us had conceived it would, even in our wildest and most optimistic imaginings.
156 [he, Nicholas Lyndhurst and Buster Merryfield appearing on the Royal Variety Performance in 1986] The nerves between the three of us would have powered a wind turbine.
157 [his height] Less than statuesque.
158 As a baby, I was given a carrot as a pacifier.
159 [he and Nicholas Lyndhurst after Only Fools and Horses became a giant success] Both of us were beginning to learn some lessons about fame and beginning to make adjustments.
160 There was a (Second World) war on. There was a lot of death about.
161 [John Sullivan's writing on Only Fools and Horses and elsewhere] Classic.
162 [on Only Fools and Horses and Minder] A kind of rivalry between the two programs was easy to connect by the press. Minder was a show I loved to watch, so the rivalry didn't feel particularly hostile to me, but I guess it was a good story for the papers.
163 Fame would operate to restrict my life.
164 It stands to reason that you can't go on television over and over again and not get recognized every now and again.
165 [fly-pitching on Only Fools and Horses] Del's core business. I loved doing them - the patter, the banter, the rhythm.
166 [Ray Butt, one of the directors on Only Fools and Horses] He did love a gin and tonic, that man. Purely recreationally of course.
167 Who would have thought that Jim (Broadbent) would go on from here (Only Fools and Horses) to make The Borrowers and then on to Hollywood? I could never work out why he didn't take me with him.
168 [Buster Merryfield, one of his co-stars from Only Fools and Horses] He was funny by instinct and he knew where the laugh was and how to get it. He had that amazing look about him - an eccentric face, the face of someone whom you immediately wanted to like.
169 [Lennard Pearce on Only Fools and Horses] Nick (Lyndhurst) and I used to tease him, saying he was a lazy sod and that we were basically a 20-minute warm-up act for his one killer gag. Lennard would just say, 'I'm old - I'm allowed."
170 [crashing into the audience on a sitcom] Delivering lines without waiting for the laughter to die down.
171 Buster (Merryfield) must be just about the only person who wrote away for a role in an established television sitcom (Only Fools and Horses) and got it.
172 [seeing a picture of Buster Merryfield for the first time, who would play Uncle Albert on Only Fools and Horses] This guy with bright eyes and pink cheeks and a bushy Captain Birdseye beard. He wasn't actually wearing a sailor's cap, but when you looked at him, you felt he ought to be.
173 [Lennard Pearce's death and Buster Merryfield's arrival on Only Fools and Horses] Out of adversity grew something really positive. The arrival of Buster led John Sullivan into a new rich vein.
174 I was happy to have my substance exploited.
175 [when Buster Merryfield joined Only Fools and Horses] Happy years to come.
176 [Only Fools and Horses losing its first BAFTA nomination] We were the nearlys, but not quites. We were stoic enough about it, though. And also, thoroughly refreshed.
177 [Buster Merryfield] Much like me for a while, he had combined a day job with amateur dramatics and he became a bit of a leading light in his local group. He always lusted after turning professional and (again, like me) he had picked up a couple of bits and pieces by responding to ads. He didn't have an agent, or anything sophisticated like that. He just had his enthusiasm.
178 [losing Lennard Pearce] Only Fools and Horses seemed set fair and sailing steadily in the right direction. We could have no idea of the scale of the setback the show was about to endure. Those of us on the show had grown to think of him as family too, though. We mourned his loss as you would mourn the loss of a family member.
179 [Buster Merryfield] He had been a fit young man.
180 [Lynda Bellingham] Great and lovely.
181 [Strained Relations, the Only Fools and Horses episode where Grandad died] I knew John (Sullivan) wasn't frightened of hitting things head on, but what I hadn't realized before was just how extraordinarily adept he was at moving from comedy to drama and pathos. The funeral scene was dark and sad, but shot through with bright shafts of humor, like "Always in our Foughts", or dropping the vicar's hat into Grandad's grave. When I read that, I collapsed. It was just so...Trotters. What a bleak day that was. The weather matched our moods and it fed into the scene: the drama of the dark glasses at the graveside. It was was all very hard to do, with Lennard's memory so fresh. I was very emotional. It was an episode written by John out of respect for Lennard. So I wanted to get it right for Lennard, and at the same time, I wanted to get it right for John. He just wouldn't let television dismiss Lennard's passing, in the way that television might have done, if television had been left to it's own frequently fickle devices. It was a wonderful thing - and something that nobody had done in situation comedy.
182 The pressure on you in front of an audience and cameras is very high and if you've never done it before it can really get to you.
183 Life was a bit topsy-turvy but no less enjoyable for that. I was very busy and very content.
184 [mistakes during filming a sitcom] Every time, I blame someone and make it into a joke. If you can make the audience think you don't care, the audience relax and they like you and they feel part of it.
185 [Uncle Albert from Only Fools and Horses] Lovable.
186 [Grandad in Only Fools and Horses] A silent presence.
187 [Only Fools and Horses avoiding the axe] Suddenly, deep in the heart of the BBC, faith was renewed, the candle re-lit, the flag run back up the flagpole. Order du jour! as Del might have put it. Only Fools had been granted the time to grow.
188 [moving in with a partner] All my life I had always resisted any such thing. Indeed, traditionally this was the point in any relationship at which I had always run a mile, causing no little distress along the way. But now I didn't run away. I felt ready.
189 The traditional paranoid actor's frame of mind: 'will I ever work again?'
190 I liked the country life. As much as I loved London, I found the quiet and isolation of the countryside had started appealing to me really strongly.
191 [the East] It was so tricky to get out of London in that direction.
192 [Only Fools and Horses in its second series] We had lost the BBC a million of the viewers who had previously been happy to watch the channel at that point in the week. Those are the kind of statistics which make television executives start to get twitchy with the trigger finger. We all had to think, 'well, it's been fun, but that's probably it'.
193 [A Touch of Glass, the famous chandelier episode of Only Fools and Horses] Classic.
194 I have always been very driven and determined to fill the hours.
195 The closer to London, the more expensive the house.
196 The prospect of commitment, solid commitment, troubled me.
197 [Tuesday evenings] Isn't always the best night to drag in the big numbers.
198 [Series 2 of Only Fools and Horses] The series in which the show broke through the glass chandelier.
199 [a director yelling Cut] The magic word.
200 [Series 1 of Only Fools and Horses] Under-the-radar. We all knew there was a massive potential here, but early in a sitcom's life you never really know what they're thinking upstairs, in the big rooms where the decisions are made. Only Fools and Horses could have been canceled there and then, and we would have been gutted, but not entirely surprised.
201 [A Touch of Glass, the famous chandelier episode of Only Fools and Horses] There was a lot of pressure on that piece of filming.
202 [cigarettes] Equally medicinal.
203 [Boycie from Only Fools and Horses] Oh-so-superior.
204 [after the pilot episode of Only Fools and Horses went through a chaotic production] I think they must be trying to sabotage us.
205 [Only Fools and Horses] We had the makings of a tight team.
206 John (Challis, one of his co-stars on Only Fools and Horses) was charming, well spoken, an actor of great weight, and an absolute gent to work with - another proper team player.
207 [gin and tonic] Medicinal.
208 His performance as the fabulously dim Trigger (from Only Fools and Horses) was so good that one tended to come to the conclusion that Roger (Lloyd Pack) must be genuinely like that as a person. He wasn't at all. He was quiet, unassuming, totally easy-going - and a consummate actor.
209 Ken (MacDonald) loved the show (Only Fools and Horses) and the people in it and could become quite emotional about his attachment to everyone. His character wasn't especially big, but he was utterly committed to it because he just thought it was one of the funniest shows ever and he wanted to be a part of it. I think we all felt the same.
210 [Only Fools and Horses] The series grew into something better.
211 Only Fools and Horses got off to a ragged and inauspicious start.
212 [Terry and June] Designed for sitcom figures.
213 [fashion] Not really my area of expertise, and never has been.
214 [Del Boy's fashion sense] A bit bright, a bit Jack the lad.
215 [Only Fools and Horses] Heady days.
216 [Only Fools and Horses] I don't think this is a sitcom. I think this is a comedy-drama.
217 [Lennard Pearce, one of his co-stars on Only Fools and Horses] It wasn't like him not to see the funny side.
218 [his opinion of Del, Rodney and Grandad after the pilot episode of Only Fools and Horses] They were real people who just happened to be very funny. I felt very, very excited indeed.
219 [his first impression of John Sullivan, the writer and creator of Only Fools and Horses] He was very quiet.
220 [his first impression of Nicholas Lyndhurst] Shiny-faced.
221 [firecrackers] Quality entertainment.
222 Nick (Lyndhurst) and I recognized in each other a kindred urge to mess about, whenever possible.
223 I hate shopping for clothes for myself and would rather shut my fingers in a kitchen drawer than stand in a store on Oxford Street holding up shirts against myself and saying "what do you think?" Shopping for clothes for a character, on the other hand, was something different. I utterly loved it. It was a total escape.
224 [you can't be funny on an empty stomach] It's one of the great truths of comedy.
225 You are trying to inhabit the character's body, not let the character inhabit your body.
226 [The Darling Buds of May] Even more happy days.
227 [filming Only Fools and Horses] You couldn't not be nervous. You were presenting a new play every week to an audience. There was so much to go wrong. There will be retakes and cameras have to be moved, and sets altered, so the pressure of time was always hanging over you. It took two hours to film an episode. If I could sense that the audience wasn't responding, I would do something stupid or dry on purpose, and then share it with the audience. Then the audience would relax. They knew they could laugh and not get into trouble, and by the same token they knew we weren't taking it too seriously. And then they'd be off. And once they were off, there was generally no holding them.
228 [the cast of The Darling Buds of May] One big happy family.
229 [his career] A player of life's losers.
230 [appearing in The Color of Magic] Waiting for a better job to turn up.
231 [Del Boy] He only appeared to have won things which it subsequently turned out he had lost. But he was a winner by mentality.
232 [Kenneth MacDonald, one of his co-stars on Only Fools and Horses] Jovial.
233 [Nicholas Lyndhurst] Nick.
234 [creating the character of Del Boy in Only Fools and Horses] I was doing my best to think comedy-drama, not sitcom.
235 [Only Fools and Horses] Happy days.
236 [The Jolly Boys' Outing, an episode of Only Fools and Horses] Everyone acted their socks off.
237 [being knighted] Awards don't get any bigger than this.
238 [his TV awards] A fistful. Mantelpiece getting a little crowded.
239 [remembering the first read-through for the pilot episode of Only Fools and Horses] When the three of us (he, Nicholas Lyndhurst and Lennard Pearce) began to put our voices to the lines, the magic was in the room. All the component parts just fitted. The whole thing was sounding like it had been written for us. When we reached the end of our read, silence fell on the room.
240 [during location shoots on Only Fools and Horses and when the actors took a break in filming] We sat in the back of a cheap second-hand motor-home, with the sink and the stove stripped out, and in their stead, a battered sofa, a knackered chair and a rack for your clothes. The smell in the place was a heady mix of damp carpet, petrol fumes and the aroma of 10,000 previously smoked woodbine cigarettes. An underfunded housing project. The drivers of these motor-homes couldn't do anything because they were unionized and would have got into trouble if they did any work. Driving them was a job I could never have done. I would have been banging my head against the windscreen in frustration after about 40 minutes.
241 [Del Boy's sweaters and shirts that he kept] I can't throw them away. It would feel wrong.
242 [the script for the pilot episode of Only Fools and Horses] Bright and full of life. The more I thought about Del (Boy), and the more I thought about the script I had seen, the more I felt there was something potentially wonderful there for me.
243 Some audiences would be worried for you.
244 [he and Nicholas Lyndhurst getting nervous before a recording of Only Fools and Horses] Why do we do this to ourselves?
245 [BBC coffee] Famously filthy.
246 [becoming a Sir] Heady, heady times.
247 [the BBC sitcom Citizen Smith] Highly successful.
248 [Del Boy, his character from Only Fools and Horses] He had a Cockney accent you could have rolled up and beaten someone over the head with.
249 [BBC Television Centre] The fabled donut building. I miss that building and was sad to see the BBC leave it, although of course, life teaches us that nothing is permanent. Apart, obviously, from Noel Edmonds' hair.
250 [Noel Edmonds' hair] Enduring abundance.
251 [the Trotters in Only Fools and Horses] A cross-generational trio.
252 [his first radio] I kept it in my bedroom, twitching the whiskers of wire to find voices or music, and lying in bed in the dark, listening to the great wide world.
253 Actors don't really retire: there isn't usually a formal moment. You don't give up the business, the business tends to give you up.
254 [as a 7-year old] I've been going to the house of God all these weeks, and every time I go He's never at home.
255 [Wellington boots] A fantastic breakthrough.
256 [reading the script for the first episode of Only Fools and Horses] It was one of those ones where, within about a page and a half, you realize it's got you hooked. It had characters, it had some zinging lines, it had warmth - it seemed to have all the necessary ingredients.
257 [Ronnie Barker's retirement] For all that it disappointed me that he stopped producing work, I respected him so much for it. It gave him 16 relaxed and contented years before his terribly sad death in 2005.
258 [his childhood home] There was very little for burglars to help themselves to.
259 [egg and bacon sandwiches] Salmonella on legs.
260 [Ronnie Barker] He was constantly playing with words and was very quick at composing verses.
261 [derived from Ronnie Barker's nickname on Open All Hours] There was only one Guvnor.
262 [£500 a week] Handsome money.
263 [flying for 23 hours] You get a bit stir-crazy, stuck in a tube that long.
264 [being a team player] What you need to be in a touring production, unless the whole thing is going to implode horribly.
265 [the song Singin' in the Rain] Long and complex.
266 [Leslie Philips] A legend of British comedy.
267 [old fairground slot machines] Great, historic machinery.
268 I like a practical project.
269 In Dubai, the Sheikhs seemed to be going in for competitive airport building - fantastically constructed, you wouldn't want your airport to be smaller than anyone else's, would you?
270 [his character Granville from Open All Hours] Seemingly eternal shopboy. The shop had become the full extent of his world and he didn't have time for anything beyond it.
271 [the eyes going back and forward and the eyebrows going up and down] The manner of someone contemplating magic.
272 The most impolite thing you can do is point your foot at somebody's head. It's the worst kind of insult.
273 My grasp of music is not the best.
274 [his knowledge of art history] Fairly minimal.
275 Life is notoriously short.
276 Funny how a certain kind of calm can descend on you.
277 I loved traveling and seeing new places, and I was also of the firm opinion that the opportunity to travel and see new places at someone else's expense and while being paid should never be batted away lightly. Wages in the bin, living like a king - what could be better?
278 [while flying on a 747 over Iran and Iraq] Somewhere way below us, people were firing rockets and bombs at each other. We, meanwhile, were suspended at 35,000ft, in our unworldly little bubble, sipping cocktails, chinking glasses and saying chin-chin.
279 [himself] The idea that acting could open up experiences to someone from a terraced house in Lodge Lane seemed staggering to me.
280 [getting lost in Hong Kong] Happens from time to time.
281 [Singapore, Hong Kong, Dubah, Kuala Lumpur and Egypt] Places that were just a vague rumor in a distant atlas.
282 [Open All Hours] I was there to be Ronnie's stooge.
283 It's always best to confront things, actor to actor.
284 [while wearing slippers with leather soles] You don't walk downstairs so much as ski down them.
285 The makeup department is a wonderful thing.
286 [cling film] It will keep you extremely fresh.
287 [watching an exotic dancer in Hong Kong] I had no idea that you could use an unpeeled banana for quite those purposes, or press a ping-pong ball into service like that - nor that it would shoot quite so high into the air when you did so. Table tennis has never felt the same to me since.
288 [at the Jakarta Hilton] It was like being in some kind of fairytale.
289 [never knowing where you are in a play] Not an especially useful trait in that line of work.
290 [Hong Kong entertainment] As far removed from a matinée performance of Aladdin in Wimbledon over the Christmas period as it is possible to get.
291 Everyone in a new play gets nerves on a first night.
292 Be careful with a Flymo on a slope.
293 [comics relying on alcohol to function] There have been many over the years and it's my fortune that I've never been one of them.
294 It was easier to carry a quill around than a typewriter.
295 [Maureen Lipman, Hattie Jacques and Roy Kinnear] Distinguished company.
296 [Ronnie Barker] Very wise, and if he thought it was OK, that was good enough.
297 If the thing you most love about acting is the chance to inhabit other characters, and disappear into them, how could you not love voicing animations? The secret, is to treat the drawing as you would treat any other character you might be asked to play. You don't think of yourself as adding a voice to a cartoon; you think of yourself as playing a character.
298 [going bald] Time had performed its evil depredations.
299 [Sir Michael Hordern] One of the theatrical greats and a real hero of mine. I could never have stood on a stage with him doing Shakespeare and been competitive.
300 [Brian Cosgrove] Deeply dedicated to his craft. Good company.
301 [a large brandy] Poison. Even the smell of it made the head swim.
302 [the Wind in the Willows] Classic. Very successful. What a cast Brian (Cosgrove) had managed to assemble.
303 [Cosgrove Hall] That first connection was the start of so much pleasure for me.
304 [spilling a drink on someone] What larks.
305 [watching cartoons as a kid] The color and the vibrancy and the silliness made a wonderful impression on me.
306 [a hotel room] A sterile environment.
307 [playing Mr Toad in The Wind in the Willows] I just about managed to hold my own.
308 [the old silent movie] The attitude was: here's what you've got to do: see what you can get out of it; and hope you survive.
309 [encephalitis] I had no idea what that was, or even how to pronounce it.
310 A wonderful feeling, being part of the creative process.
311 [a sharp intake of breath] The noise people make, sucking air past their teeth.
312 [hapless characters in the first part of his TV career] The parts I was getting at this time.
313 [student beds] Monastically narrow.
314 Richard (Wilson) had great timing and I admired him enormously and was very pleased for him with the success he went on to have.
315 [scantily clad] Popular phrase.
316 [single beds] Narrow as a plank.
317 etly spoken] That's often been a surprise to me, with comedy writers. You expect people who write funny things to be loud and constantly saying things. Often it couldn't be further from the truth.
318 [John Sullivan, the creator and writer of Only Fools and Horses] He had a warm personality and was extremely easy to like.
319 [finding somewhere to hide in a hurry] Not uncommon in farces, or certain draconian bed & breakfasts too, as I well knew.
320 Any way you could find to save money while out on tour was always welcomed.
321 [his career] A pretty good stretch. A lot of luck in there. A lot of good times, with some truly great people. And some really amazing success. Only Fools and Horses, The Darling Buds of May, A Touch of Frost, a few BAFTAs on the mantelpiece - not too shabby as CV's go. A busy and fulfilling life, and not bad at all for a working-class lad from North London.
322 [industrial action] Very 1970s.
323 cking] Going through the script and working out all the positions on the set during the scenes.
324 In the mid-70s, phone calls were only made possible by someone sitting at a switchboard with a fistful of plugs.
325 [going with Ronnie Barker to antique and junk shops] The tinier and the more offbeat the shop was, and the further it was into the middle of nowhere, the happier Ronnie was.
326 People always say that the essence of a sitcom is people trapped by their circumstances.
327 [after the Daily Mirror compared him to Buster Keaton] As comparisons go...well, I was ready to accept that one.
328 [getting to carry a series] A real vote of confidence.
329 Ronnie (Barker) wasn't playing to win. He was playing simply towards the end of getting the laugh. He knew where the laugh was - the winning shot at the end of the rally.
330 Could I do a convincingly suave and appealing phone manner? Yes, I have to say I could.
331 Mr Nobodies with rich fantasy lives: are we beginning to detect a certain theme emerging in my professional roles?
332 [the ability to slip in and out of character] The sign of true comfort in a role. Some actors never come out of character.
333 [the makeup chair] Quite uncomfortable and not a little boring, but you lump it.
334 [himself and Nicholas Lyndhurst] A pair of silly Buddhas.
335 [Open All Hours] The chance to play opposite Ronnie (Barker) in an entire series was a dream outcome.
336 [playing the Phantom Raspberry Blower in The Two Ronnies] I'm enormously proud of my contribution to that little moment of comic history.
337 [having a stuntman] Where's the fun in that? I was happier being given the chance to channel my inner Buster Keaton.
338 [Ronnie Barker] He didn't collect things because they were valuable, particularly. He collected them because they appealed to him and he liked to have them around. His place was like a house of wonders. The walls were covered with wonderful pictures, of all shapes, sizes and styles. Ronnie's house in Oxfordshire was a treasure trove.
339 Why Ronnie (Barker) left ITV for the BBC, only those in the know would know, and as I wasn't in the know, you know, I wouldn't know. You know?
340 [BBC2] The backwater for a brand new comedy series.
341 [a delivery bike] Not as straightforward as it may look. Riding a bike is like...well, riding a bike.
342 [the ability to stay in character] Why not, if it helps you. Ronnie Barker could slip in and out of character effortlessly.
343 Filming television in front of an audience requires you to serve two masters: the audience in the studio and the audience at home. When the audience laugh, you have to find a way to ride that laugh and absorb it and then choose the right moment to continue with the show. You mustn't crash into the audience but you mustn't look like you're waiting for them to stop laughing, either. There's a technique to interacting with the audience's laughter that you only pick up by doing it.
344 [having an article written about him in TV Times for the first time] It made me feel pretty special - like some kind of top gun.
345 [Only Fools and Horses] A series that definitely did work.
346 [the 70s] These were years when I felt like I was learning all the time. The industry was certainly more patient in those days than it seems to be now - but even then, patience had its limits. The most important thing was not to think too hard about the longer term, but just to enjoy the work when it came up, and for as long as it continued to do so. The journey, not the arrival, as they say. They do say that, don't they? Ah, well. If they don't, they do now.
347 [having your lines DLP] Dead Line Perfect.
348 [Richard Beckinsale] A handsome, friendly guy with something rather effortlessly glamorous about him. He could spin a story so well that you had no choice but to believe it. Richard's attitude was, if you've got it, spend it, because there's no point hanging on to it. Richard's life ended tragically early. He had barely started. It was so shocking. We were devastated for him. It caught all of us completely off guard but it hit Ronnie (Barker) particularly hard. He couldn't work for a number of days because he was so upset.
349 [being strapped into a gas mask as an infant during World War II] An infringement of my liberty. A rubber deep-sea diver's helmet.
350 [World War II] Those five years of global conflagration had nothing to do with me. I associate my earliest days with the smell and taste of brick dust.
351 I don't want to die alone. I don't even want to die in company. I want to be alive. I've got stuff I still want to do. Reasons to live.
352 There's a motto we Dive Masters know well: 'Stop. Breathe. Think. Act'. I had that thoroughly drilled into me.
353 [his raspberry version of the 1812 Overture] Anyone interested in seeing me re-stage this performance at the Royal Albert Hall any time soon, get on to my agent. Jobs don't come much more profound than going into a BBC studio to spend a morning making farting noises into a microphone.
354 [Lennard Pearce, who played Grandad in Only Fools and Horses] Lamented.
355 [Del, Rodney and Grandad Trotter, the original trio from Only Fools and Horses] The Three Stooges.
356 [Nicholas Lyndhurst] My mate.
357 A good comedian is never on holiday.
358 [on his Hollywood days] An unforgettable period for me. I was constantly pinching myself to check that it was really me. Seven days of tourism. I was a wide-eyed innocent throughout that trip. It didn't occur to me to network or mingle or put myself about or turn the trip to my commercial advantage. For all the fantasies about a life in film, I lacked the belief. I thought it was far, above and beyond me. I suppose I wanted someone to tell me I was good. I was incapable of telling them. I was the wrong way round in LA.
359 [Danger Mouse] I loved that mouse.
360 [on Ronnie Barker] It wasn't just the depth of his comic gift, it was the way he conducted himself, the kind of man he was. I've always tried to emulate him a bit and to feel him on my shoulder. You would have been hard-pushed to find someone less grand or starry. The trappings of show business and the attention that it brought him were of no interest to Ronnie.
361 Diving grew into one of my great passions.
362 Very few people blow a raspberry as well as I do; an area of expertise in which I could be described as a world leader.
363 I turned up when I was told to turn up, I stood where I was told to stand and I said the words I was told to say - the definition of film-acting.
364 It's hard to explain what makes two actors sit comfortably opposite one another on camera, and come across well together, and no doubt there are many contributing factors; that shared sense of timing, which can take a verbal form as well as a physical one. Sometimes you can find that rhythm with someone over the course of time.
365 It wasn't about Ronnie (Barker) being the big star, the needy comedian, having to get the laughs. It was about what Ronnie, as an actor, thought worked best for the piece. That was his fundamental philosophy. He saw the bigger picture at all times.
366 You have to have been in a film to be considered for a film. It's a catch-22 and equity all over again. So if you somehow do break through and get to make a film, you're off and running. That's how it works, isn't it? How far from the truth can you get?
367 [jokes] Some fall on stony ground - beware the in-joke.
368 I could perform a reliable pratfall.
369 [on Bob Monkhouse] I was very impressed by his professionalism, his knowledge of comedy, which was vast. Bob's house was even more vast than his knowledge of comedy. He had a deep respect for the physical comedy of the silent stars. With regard to comedy, he was a student as much as anything else, and a collector of it.
370 [on acting in the West End] This whole period was a huge learning curve.
371 Don't be such a fool as not to use things that work when they're offered to you. If someone has blazed a trail, don't muck about in the long grass: follow them up it. If it works, and has been proved to work, you'd be an idiot not to help yourself.
372 [on radio] I love the immediacy of it.
373 If any actor tells you their idle contemplations haven't turned longingly, at some point or other, to the prospect of a major American film deal, they're almost certainly fibbing.
374 [on shooting a sex scene] When you go to the pub after a day like that, and you tell someone with a proper job that this is how you spent your working day, they tend to look at you slightly askance. But what you've got to remember about experiences like these is that they take place in excruciating circumstances: witheringly, belittlingly, in a roomful of people and with someone popping up every minute or so with a bit of powder on a puff. It's not uncomplicated, is what I'm saying.
375 [on hang gliding] It was a wonderful way to relax and get away from the job. The cheapest way to get into the air, and the cheapest kind of aircraft money could buy.
376 [on the 70s] Those were thrilling times altogether. I was acting in the West End, living in the West End, drinking in the West End - I couldn't have got much more West End without changing my name to "West End".
377 [in the 70s] There was no way that I was a name you could put up outside a theatre and expect it to bring in the crowds.
378 When you're out of work, unsure where you're headed, or even headed anywhere at all, and you're looking at the success that people are having without you...well, I was pretty bitter about it.
379 I have never been a naturally assertive or confrontational person. But I knew what I wanted and I made sure I stood firm and got it.
380 If I had followed the money and not my heart, I wouldn't have got to work with Ronnie Barker. It profoundly affected the course of my life thereafter.
381 [on Bob Monkhouse] He was the first person I knew who had satellite television, presumably so he could plunder the airwaves for gags 24 hours a day. Bob was an early adopter of new technology.
382 [on his character on Do Not Adjust Your Set] The whole point of Captain Fantastic was that it was a parody of the silent era. If you lost that, you lost everything about it.
383 [on being rejected for Dad's Army] Well, that knocked the wind right out of my sails, while at the same time, removing the bottom from my world. Ah, well, bet that show doesn't come to anything anyway.
384 [on working with the Dulux sheepdog in an ad] He was just a lovely dog with an unusually keen interest in interior decorating. I thought he looked slightly smaller in the flesh. But then people often say the same about me. He was a total nightmare.
385 [auditioning for a musical] It was my duty to be up for absolutely anything at this crucial formative stage in my professional life.
386 [on his fear of commitment] I got frightened about going down a road that would lead to responsibilities - responsibilities that might, in turn, take me away from the theatre. When the person I was with got too close or I felt that I was getting too involved, I drew away. I was very adept at snuffing out the spark, I'm sorry to say. An absolute expert at it.
387 [on first meeting Eric Idle, Michael Palin and Terry Jones] They seemed a bit posh. Absolutely sure of themselves in a way I could never have imagined being in those days. They were highly educated, very articulate and quite experienced. They were very chummy with each other and a bit cliquey.
388 It amuses me that the conversation which gave rise to so much of my career in television took place in the tiny, run-down bar of the Bournemouth Pier Theatre.
389 [on Do Not Adjust Your Set] We were out, being paid to make films and behave like idiots, and wherever we went, the tab was picked up. I couldn't have been more blissfully happy, really. There was a wonderful freedom to it all. I was doing something I loved but under no pressure. I was an unknown actor, so there were no expectations. No one was expecting me to deliver. That came later. I was free to bury myself in work and enjoy it. I learned from this why so many people find solace in painting and drawing.
390 [on Do Not Adjust Your Set] Suddenly I was a budding star of children's television. It wasn't the route I'd imagined when I set out and I'm sure the same was true of Michael Palin, Terry Jones and Eric Idle. But none of us were complaining.
391 [on Dick Emery's talent for face-pulling] He'd start pulling the most horrendous faces - faces in which his lower lip seemed to pass up over his nose, faces wherein his eyes seemed to grow to the size of tennis balls and his chin to drag along the ground, faces which seemed to express the most alarming of sexual intentions...the worst faces you have ever seen.
392 [on Do Not Adjust Your Set] Whatever else you wanted to say, there was nothing like it at the time and all the kids locked onto it. It spoke to them - they could feel proprietorial about it. It was the humor: none of the adults got it. Mums and Dads would say I don't know what you're watching this rubbish for and that just elevated it higher in kids estimations. It was mad.
393 [on his childhood home] So tiny that when you opened the front door, you almost fell up the stairs.
394 [on people during World War II] Physical affection and displays of emotion were rare, and moments of intimacy, too. That was how people were.
395 [on Terry Scott] He didn't suffer fools. Fame had temporarily exhausted his patience with lesser mortals, as fame sometimes will.
396 Lofty ambitions aside, what I loved about acting was the chance it gave you to adapt.
397 [on seeing someone roll a joint] It was a total novelty for me, and I have to admit, it rather fazed me. Alcohol I could happily entertain the concept of, but the thought of illicit substances made me nervous.
398 [on Dad's Army; Are You Being Served; It Ain't Half Hot Mum; Hi-De-Hi; Allo, Allo] More than three quarters of the most successful sitcoms made for British television in the 70s and 80s and an extraordinarily high proportion of the greatest comedy hits of all time.
399 I was used to directors helping an actor to draw the nuance out of a character, as tended to happen in the theatre. In television, you were supposed to know that already.
400 Me and alcohol learned to be careful around one another. Tales of tippling actors are legion.
401 [on his first apartment] It was the first rung on the ladder to independence. At last, no doubt to my parents' immense relief, I had flown the nest - and at the age of 26, probably not a moment too soon.
402 [on working in the electrical business] Quite grubby and uncomfortable work. At the end of the day, I was quite often entirely blackened, like some poor Victorian kid who'd been sent up a chimney.
403 What else is the gift of acting, if not the ability to convince other people that you are something other than what you actually are?
404 Comedy lies in how you draw out that time and fill it - edging gradually closer, almost committing, backing off, starting again, and hoping to pull the audience in and out with you.
405 No actor, to my knowledge, has ever been described as steady.
406 [on going to drama school] Performing what we might call a reverse Nelly, I unpacked my trunk, metaphorically speaking, and said hello to the circus.
407 [on telling his parents that he was going to drama school] They couldn't have been less enthusiastic if I'd just proposed setting up a commercial newt-breeding operation in the bathroom.
408 [on his first car] I thought that was going to be the passport to international jet-set pleasure with members of the opposite sex. In fact, I mostly ended up playing taxi driver for all my car-less male mates.
409 Sometimes you take your life in your hands just walking up the street.
410 Lots of actors wait tables while 'resting' between jobs. Not me. I did electrics while 'resting', and waited tables while I was working.
411 (Alan) Ladd was one of my earliest cinema heroes.
412 If you're a comic actor, the idea of people laughing at absolutely anything is actually rather worrying. You want to know why people are laughing. You want to be in control of the reason they laugh. You want to know it's coming from something you've done - something you could do again if you had to.
413 I was in the traditional catch-22 that traps so many performers when they first set out on their fumbling way towards a career: you can't get any work unless you've acted before, and if you haven't acted before, you can't get any work.
414 [on his first professional role] I could hardly breathe with the thrill of it. But it was completely tiddly. And I was completely green and oblivious.
415 [when his first agent got him work in an ad] Visions of Hollywood movies danced in my mind, but Hollywood would have to wait.
416 All actors are a mix of confidence and doubt - of bulletproof self-belief one minute, and trembling insecurity the next. Its what makes us such a joy to be around.
417 [on his height] I was made to realize very early that however this acting life of mine panned out, romantic leads were probably going to be hard to come by.
418 [on returning to work as an electrician when acting dried up during the early years of his career] It kept my feet on the ground.
419 I had been one of those people who didn't quite have the courage or the know-how to take the future into their own hands, but who were waiting for it to happen - waiting to be discovered. And waiting to be discovered wasn't necessarily going to work. You needed to find to make it happen, or you needed something, or someone, to give you a shove.
420 My two favorite activities in the world: diving and flying. I am rarely happier than when deep in the water or high in the sky. Psychiatrists: help yourself.
421 One thing which I definitely had in my favor was determination.
422 Comments about my height were water off a not very tall duck's back.
423 [on his first audition] My tongue had taken on the thickness of a can of Spam.
424 The self-taught among us have our own particularly strong strain of the common actors' virus - and somehow no amount of success and acclaim ever quite squeezes it out of you.
425 The real dream for me was acting. I felt time creeping on. I couldn't bear the idea of getting to 35 and not having given it a shot - and then maybe living with the regret and the sense of what if for the rest of my life.
426 I was going to do the unsteady thing. I was going to become an actor.
427 Many of the world's leading film stars are shorties, mentioning no Tom Cruises.
428 Learning wasn't really my thing, and it was fairly clear from an early stage that I would be unlikely to be troubling the scorers at Oxford.
429 I was a person who rather liked his home comforts.
430 [on failing his first audition] It was dead man walking - one of the longest walks I'll ever make. I felt about as foolish as I have ever felt.
431 [on the late 1950s] A period I remember with great affection. My life seemed to be coming together in this period, or settling into a rhythm.
432 [on needing stitches several times as a boy] I probably only needed to go one more time to qualify for my own set of needles.
433 Hell hath no fury like a man spurned and on a motorbike.
434 [on his first job center interview] The whole setup felt fantastically, bowel-liquidisingly intimidating to me. When asked what kind of thing do you have in mind for yourself, my answer was I don't know.
435 [on amateur theatre] This was where I cut my teeth - the first stages of my acting journey.
436 The most important thing for me is that I can sit back and watch it with my ten-year-old daughter, Sophie, without thinking, 'Whoops, why did they say that? Oh blimey' - and then unable get to the 'off ' knob fast enough. I try to protect what she sees on television, but you can't. Take the adverts: I was watching SpongeBob, a favourite cartoon of ours, but suddenly a scent advert came on with this girl stripping off as she walks towards the camera. It's done for mums but they forget a lot of girls are watching these powerful images. There wasn't much on telly the other night so with Sophie and her friend we watched Laurel and Hardy, made in the 1930s, and these kids laughed like drains. That's humour - doing what funny people have done since comedy began without being edgy and pushing boundaries.
437 People have high expectations. You enter a room and know they're thinking, 'He'll be funny,' and you go, 'Leave it out, love. I'm having a day off.' You then become a disappointment.
438 I'm not perfect, though. Any woman who takes on someone in this business has a bit of a handful.
439 Comedy is a funny business, which you have to take seriously. It requires a lot of thought, energy and adrenaline, so when you return home you want to calm down, recharge your batteries and not be the life and soul of the party.
440 Today they push down barriers. Take the 'f' word. It's become commonplace. Stephen Fry - I'm a great fan and think he's clever - puts up a good argument for using all swearwords as a rich part of our language. But he couldn't persuade me. Language has implications and it's offensive if it's meant to denigrate something or someone. Only Fools had nothing unpleasant, really. I shouldn't be telling you this, but when Del Boy calls Rodney a dipstick, BBC executives thought it was OK because, 'He's so tall and thin, how terribly funny,' so it slipped past. Had they known the cockney rhyming slang they might have taken it out.
441 The trouble now is we have stand-up comedians who have forgotten about innuendo. In music-hall days, and especially at the BBC, you were never allowed swearwords, so they came up with brilliant wheezes in Beyond Our Ken, The Goon Show and Round the Horne - 'Hello, I'm Jules and this is my friend Sandy'. Everyone knew what it was about and the audience filled in the gaps.
442 John Sullivan's scripts were always very funny, and cast and crew got on well. You can't convince an audience if you're not enjoying it yourself.
443 Everything I've done has been a pleasure, touch wood. I love my job. Ronnie Barker said to me, 'Aren't we lucky: being paid very well for making ourselves laugh?'
444 [on missing out on the part of Corporal Jones in Dad's Army (1968)] Bill Cotton was having drinks with Clive Dunn and hired him. Co-writer/producer David Croft protested. But Cotton said, 'David Jason? Who's he? Clive Dunn has a much better reputation.' What a blow that was, I tell you. I was bitterly disappointed, but that's showbusiness.
445 When we did Only Fools and Horses.... (1981), it was a five-day week. You'd rehearse for four days and record on a Sunday, but it was much more laid back. The Royal Bodyguard (2011) has been extremely intensive. I think that's because today's budgets are so tight, not just at the BBC, but for everybody. It's been really hard work.
446 When I worked with Ronnie Barker, who was very well known himself at the time, I always remember him saying, 'You don't have to be a shit to be a big star, David.' I've always tried to remember that.
447 A show like the Only Fools and Horses.... (1981) Christmas special got 24 million viewers, so practically everyone in the country was watching. But of course it's a different world now, with so many channels. And those kind of figures are really difficult to achieve. It doesn't help that channels try to split the audience by putting their best shows head-to-head. Recently the BBC moved Strictly Come Dancing (2004) to compete with The X Factor (2004) which, quite rightly, annoyed a lot of people. Why play silly buggers with the audience, especially in the case of the BBC, who don't need to do it at all? In the end the motive is just plain power hunger and empire-building and it's unnecessary; it doesn't serve the audience.
448 When you had just three and then four channels, I could always find something that was watchable because the standard of TV was much higher. In those days they had so much more money to put into so many less programmes. I feel sorry for ITV, who are finding it difficult because of the recession and lack of advertising and they're in a bit of a spiral. One thing follows the other, of course, and if you don't have advertising revenue, you can't put it into programmes, so you end up with the shows that will generate the most ads, like The X Factor (2004) and Britain's Got Talent (2007). Personally, I'm not sure if I like those shows, but other people do, so I suppose, from ITV's point of view, it's good programming. But I'm an actor and so of course I want to see TV companies making good dramas. I want that to be a priority.
449 "Perhaps being a character actor on radio was, in retrospect, the best training I could get".
450 "It was a long time before TV wanted me - I would have had to commit murder to get a part on the box at one time".
451 "I've done my fair share of waiting on tables in restaurants, cleaning cars, whatever. I was even an electrician at one time, and I've done my fair bit of decorating, too. But slowly my fortunes changed".
452 I've never ever 'felt my age', whatever that means. I think that there are a lot of people who feel 22 when in fact they're 62, and there are a lot of youngsters out there who behave as if they were four times their age. It's an attitude of mind, isn't it?
453 Marriage is like throwing yourself into a river when you only wanted a drink of water.
454 "I've been fascinated by deep sea diving since watching Jacques-Yves Cousteau's TV programmes as a lad".


Won Awards

Won awards

YearAwardCeremonyNominationMovieAward shared with
2011 National Television Award National Television Awards, UK Most Popular Drama Performance A Touch of Frost (1992)
2010 Angel Film Award Monaco International Film Festival Lifetime Achievement Award

in recognition of his life long commitment to the acting profession and for his inspiring ... More

2004 National Television Award National Television Awards, UK Most Popular Actor The Second Quest (2004)
2003 Academy Fellowship BAFTA Awards
2002 National Television Award National Television Awards, UK Most Popular Actor A Touch of Frost (1992)
2002 National Television Award National Television Awards, UK Most Popular Comedy Performance Only Fools and Horses.... (1981)
2002 TV Quick Award TV Quick Awards, UK Best Actor A Touch of Frost (1992)
2001 Lifetime Achievement Award British Comedy Awards
2001 National Television Award National Television Awards, UK Most Popular Actor A Touch of Frost (1992)
2001 TV Quick Award TV Quick Awards, UK Best Actor A Touch of Frost (1992)
2000 TV Quick Award TV Quick Awards, UK Best Actor A Touch of Frost (1992)
1997 BAFTA TV Award BAFTA Awards Best Comedy Performance Only Fools and Horses.... (1981)
1997 British Comedy Award British Comedy Awards Best TV Comedy Actor Only Fools and Horses.... (1981)
1997 National Television Award National Television Awards, UK Most Popular Comedy Performer Only Fools and Horses.... (1981)
1997 National Television Award National Television Awards, UK Most Popular Actor A Touch of Frost (1992)
1992 British Comedy Award British Comedy Awards Best TV Comedy Actor The Darling Buds of May (1991)
1991 BAFTA TV Award BAFTA Awards Best Light Entertainment Performance Only Fools and Horses.... (1981)
1990 British Comedy Award British Comedy Awards Best TV Comedy Actor A Bit of a Do (1989)
1988 BAFTA TV Award BAFTA Awards Best Actor Porterhouse Blue (1987)

Nominated Awards

Nominated awards

YearAwardCeremonyNominationMovieAward shared with
2010 National Television Award National Television Awards, UK Most Popular Drama Performance A Touch of Frost (1992)
2007 TV Quick Award TV Quick Awards, UK Best Actor Diamond Geezer (2005)
2003 National Television Award National Television Awards, UK Most Popular Actor A Touch of Frost (1992)
2000 National Television Award National Television Awards, UK Most Popular Actor A Touch of Frost (1992)
1999 National Television Award National Television Awards, UK Most Popular Actor A Touch of Frost (1992)
1996 National Television Award National Television Awards, UK Most Popular Actor A Touch of Frost (1992)
1990 BAFTA TV Award BAFTA Awards Best Light Entertainment Performance Only Fools and Horses.... (1981)
1989 BAFTA TV Award BAFTA Awards Best Light Entertainment Performance Only Fools and Horses.... (1981)
1987 BAFTA TV Award BAFTA Awards Best Light Entertainment Performance Only Fools and Horses.... (1981)
1986 BAFTA TV Award BAFTA Awards Best Light Entertainment Performance Only Fools and Horses.... (1981)



Still Open All Hours 2013-2017 TV Series Granville
Pip Ahoy! 2014-2015 TV Series Skipper / Pasty / Mouse Pirate
Porridge: Inside Out 2014 TV Series Narrator
Only Fools and Horses: Beckham in Peckham 2014 TV Short Del Boy
The Royal Bodyguard 2011-2012 TV Series Guy Hubble Captain Guy Hubble
Come Rain Come Shine 2010 TV Movie Don Mitchell
A Touch of Frost 1992-2010 TV Series DI Frost D.I. Frost Insp. Jack Frost ...
Muddle Earth 2010 TV Series Randolf
Albert's Memorial 2009 TV Movie Harry
The Color of Magic 2008 TV Mini-Series Rincewind
Diamond Geezer 2005-2007 TV Series Des
Hogfather 2006 TV Movie Albert
Prehistoric Park 2006 TV Series Narrator
Ghostboat 2006 TV Movie Jack Hardy
The Final Quest 2004 TV Movie Dave
The Second Quest 2004 TV Movie Dave
The Quest 2002 TV Movie Dave
Micawber 2001-2002 TV Series Wilkins Micawber
All the King's Men 1999 TV Movie Capt. Frank Beck
Angelmouse 1999 TV Series Narrator
Father Christmas and the Missing Reindeer 1998 TV Short voice
March in Windy City 1998 TV Movie Steven March
The Adventures of Dawdle the Donkey 1996-1997 TV Series Rola Polar Bear
Only Fools and Horses: Only Fools Cutaway 1997 TV Short Del Boy
The Snow Queen 1995 Eric (voice)
Screen One 1993 TV Series Billy Mac
The Darling Buds of May 1991-1993 TV Series Pop Larkin
Count Duckula 1988-1993 TV Series Count Duckula / Pierre / Burt / ...
Victor & Hugo: Bunglers in Crime 1991-1992 TV Series Hugo / Interpoll / Count Duckula / ...
Danger Mouse 1981-1992 TV Series Danger Mouse The Narrator Count Duckula ...
Screenplay 1990 TV Series George
Oh! Mr. Toad 1989-1990 TV Series Toad
Single Voices: The Chemist. 1989 TV Movie The chemist
The BFG 1989 TV Movie The BFG (voice)
A Bit of a Do 1989 TV Mini-Series Ted Simcock
The Wind in the Willows 1984-1988 TV Series Toad Chief Weasel
Porterhouse Blue 1987 TV Mini-Series Skullion
Open All Hours 1976-1985 TV Series Granville
Dramarama 1984 TV Series Mr. Stabs
The Wind in the Willows 1983/I TV Movie Toad (voice)
Only Fools and Horses: Christmas Trees 1982 TV Short Derek 'Del Boy' Trotter
A Sharp Intake of Breath 1977-1981 TV Series Peter Barnes
The Dick Emery Show 1967-1979 TV Series
Wombling Free 1978 Womble (voice)
The Odd Job 1978 The Odd Job Man
The Water Babies 1978 Cyril the Walrus (voice)
The Sound of Laughter 1977 TV Series Peter Barnes
Porridge 1975-1977 TV Series Blanco
Lucky Feller 1975-1976 TV Series Shorty Mepstead
Royal Flash 1975 The Mayor
The Top Secret Life of Edgar Briggs 1974 TV Series Edgar Briggs
Comedy Playhouse 1974 TV Series Quentin
Doctor at Sea 1974 TV Series Manuel Sanchez
White Cargo 1973 Albert Toddey
7 of 1 1973 TV Series Granville
His Lordship Entertains 1972 TV Series Dithers - the gardener
Under Milk Wood 1972 Nogood Boyo
Doctor at Large 1971 TV Series Mr. Bligh / The Toad
Six Dates with Barker 1971 TV Series Clive
Hark at Barker 1969-1970 TV Series Dithers - the gardener Dithers Foghorn
Two D's and a Dog 1970 TV Series Dingle Bell
Doctor in the House 1970 TV Series Mr. Drobnic
Canada Goose 1969 TV Movie
My Partner the Ghost 1969 TV Series Abel
Counterstrike 1969 TV Series Taffy Sadler
Do Not Adjust Your Set 1967-1969 TV Series Various Characters / Various / Captain Fantastic
Galton and Simpson Comedy 1969 TV Series Gordon
Hugh and I 1967 TV Series
Crossroads 1966 TV Series Bernie Kilroy
Softly Softly 1966 TV Series Smith
Mother Goose 1965 TV Movie


Still Open All Hours 2013-2017 TV Series executive producer - 15 episodes
The Royal Bodyguard 2011-2012 TV Series executive producer - 6 episodes
Come Rain Come Shine 2010 TV Movie executive producer
A Touch of Frost 1999-2010 TV Series executive producer - 20 episodes
Albert's Memorial 2009 TV Movie executive producer
The Color of Magic 2008 TV Mini-Series executive producer - 2 episodes
Diamond Geezer 2005-2007 TV Series executive producer - 4 episodes
Ghostboat 2006 TV Movie executive producer
Micawber 2001 TV Series executive producer
March in Windy City 1998 TV Movie executive producer


The Quest 2002 TV Movie creator
Do Not Adjust Your Set 1968 TV Series additional material - 9 episodes


All the Way Up 2010 Short
The Final Quest 2004 TV Movie
The Second Quest 2004 TV Movie
The Quest 2002 TV Movie


Only Fools and Horses.... 1982-1993 TV Series performer - 2 episodes
The BFG 1989 TV Movie performer: "Whizzpopping"
Do Not Adjust Your Set 1968 TV Series performer - 1 episode

Sound Department

Six Dates with Barker 1971 TV Series sound effects - 1 episode


David Jason: Battle of Britain 2010 TV Movie documentary Himself
The People's Detective 2010 TV Series documentary Himself / DI Jack Frost
The Show Must Go On! 2010 TV Movie documentary Himself
Touched by Frost: Goodbye Jack 2010 TV Movie documentary Himself / Insp. Jack Frost
Top of the Cops 2009 TV Movie documentary Himself / DI 'Jack' Frost (as Sir David Jason)
David Jason: Frost and Me 2008 TV Mini-Series documentary short Himself
The Comedy Christmas 2007 TV Movie documentary Himself
The Whole Hog: Making Terry Pratchett's 'Hogfather' 2006 TV Movie documentary Himself
Nation on Film 2006 TV Series documentary Himself - Narrator
TV's 50 Greatest Stars 2006 TV Movie documentary Himself (as Sir David Jason)
Parkinson 2001-2006 TV Series Himself
Cartoon Kings 2006 TV Movie documentary Himself - Presenter
And It's Goodnight from Him 2005 TV Movie Himself - Interviewee
BBC News at Ten O'Clock 2005 TV Series Himself
What Did ITV Do for Me? 2005 TV Movie documentary Himself (as Sir David Jason)
Avenue of the Stars: 50 Years of ITV 2005 TV Special Himself
ITV 50 Greatest Shows 2005 TV Movie Himself (as Sir David Jason)
The 100 Greatest Christmas Moments 2004 TV Special documentary Himself
Ronnie Barker: A BAFTA Tribute 2004 TV Movie Himself
The BAFTA TV Awards 2004 2004 TV Movie documentary Himself
The National Television Awards 2003 TV Special Himself
Comedy Connections 2003 TV Series documentary Himself
The BAFTA TV Awards 2003 2003 TV Special Himself - Fellowship Winner
The Story of 'Only Fools and Horses....' 2002 TV Movie documentary Himself / Derek Trotter
John Thaw: An Appreciation 2002 TV Special short Himself / Interviewee
The British Comedy Awards 2001 2001 TV Special Himself
National Television Awards 2001 TV Special Himself
A Perfect Two Ronnies Show 2001 TV Movie documentary
I Love 1980's 2001 TV Series documentary Danger Mouse
Heroes of Comedy 2000 TV Series documentary Himself
The 100 Greatest TV Moments 1999 TV Special Himself
David Jason in His Element 1997 TV Movie Himself
National Television Awards 1997 TV Special Himself
Comic Relief 1997 TV Special Derek Trotter
National Television Awards 1996 TV Special Himself
The British Academy Craft Awards 1996 TV Special Himself
Aspel & Company 1989-1991 TV Series Himself
Wogan 1985 TV Series Himself
Bestseller 1985 TV Movie documentary Narrator
Blankety Blank 1979-1980 TV Series Himself
The Les Dawson Show 1978 TV Series Himself
Our Show 1977 TV Series Himself - Guest
Hullabaloo 1968 TV Series Himself
We Love Sitcom 2016 TV Movie Himself (voice)
World Cup 1966: Alfie's Boys 2016 TV Movie documentary Himself - Presenter (as Sir David Jason)
The One Show 2011-2015 TV Series Himself / Himself - Guest
National Television Awards 2015 TV Special Himself
Lorraine 2014 TV Series Himself
Open All Hours: A Celebration 2013 TV Movie documentary Himself / Granville (as Sir David Jason)
Britain's Secret Homes 2013 TV Series documentary Himself
Goodbye Television Centre 2013 TV Special documentary Himself
The A to Z of Crime 2011 TV Series documentary Himself
The Comedy Genius of John Sullivan 2011 TV Movie documentary Himself
The National Television Awards 2011 2011 TV Special Himself

Archive Footage

Sir Terry Wogan Remembered: Fifty Years at the BBC 2016 TV Movie documentary Himself (uncredited)
British Sitcom: 60 Years of Laughing at Ourselves 2016 TV Movie documentary Derek 'Del Boy' Trotter (uncredited)
South at Six 2016 TV Series Derek 'Del Boy' Trotter
Too Much TV 2016 TV Series Derek 'Del Boy' Trotter - Only Fools and Horses
Britain's Best Loved Sitcoms 2015 TV Series documentary Granville / Del Boy
The Many Faces of... 2010-2011 TV Series documentary Comedy Role / Peter Barnes
Monty Python: Almost the Truth - The Lawyer's Cut 2009 TV Mini-Series Himself
The Green Green Grass 2009 TV Series Derek 'Del Boy' Trotter
The Greatest Christmas Comedy Moments 2008 TV Movie documentary Derek 'Del Boy' Trotter (uncredited)
How TV Changed Britain 2008 TV Series documentary DI Jack Frost
50 Greatest Comedy Catchphrases 2008 TV Movie documentary Derek 'Del Boy' Trotter (uncredited)
Comedy Connections 2003-2007 TV Series documentary Derek 'Del Boy' Trotter / Himself
What the Pythons Did Next... 2007 TV Movie documentary The Odd Job Man (uncredited)
The Best of the Royal Variety 2006 TV Series Derek 'Del Boy' Trotter
One O'Clock News 2005 TV Series Himself / Granville
Bruce Forsyth's Comedy Heroes 2005 TV Movie documentary Del Boy
It Shouldn't Happen to a TV Actor 2003 TV Movie documentary DI Jack Frost (uncredited)
The Greatest 2001 TV Series documentary Derek 'Del Boy' Trotter
Omnibus 1997 TV Series documentary
And It's Goodnight from Him: The Very Best of Ronnie Barker 1996 Video documentary
Monkey Business 1993 Video documentary short PG Tips Chimp
Mis-Takes 1985 Video Derek 'Del Boy' Trotter (uncredited)

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