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Dan Boyle Net Worth

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Dan Boyle Net Worth is
$42 Million

Dan Boyle Biography

He performed for the Miami RedHawks in the CCHA for four periods and also performed for the Cincinnati Cyclones in the IHL and the Kentucky Thoroughblades in the AHL. Dan Boyle was created in Ottawa, Ontario, Canada in July 1976.Dan Boyle Net Value: Dan Boyle is a Canadian professional hockey player who includes a net worthy of of $42 million. Boyle was undrafted but signed with the Florida Panthers for the 1998-99 period. Boyle provides represented Canada in worldwide competition earning a Gold medal at the 2010 Wintertime Olympics and a Silver at the 2005 Globe Championships. He was called to the All-CCHA Rookie Group, All-CCHA First Group, AHCA West First-Group All-American, AHL All-Rookie Group, and AHL Second All-Star Group. In the NHL Boyle gained a Stanley Glass championship in 2004 with the Tampa Bay Lightning. He was called to the NHL Second All-Star Group twice. He became a member of the Tampa Bay Lightning in the 2001-02 period and signed a six calendar year $40 million offer in 208 before getting exchanged to the San Jose Sharks. He signed a two year cope with the brand new York Rangers in July 2014.

Known for movies

Quick Facts

Full Name	Danny Boyle
Net Worth	$42 Million
Salary	4.5 million USD
Date Of Birth	October 20, 1956, July 12, 1976
Height	1.82 m, 1.8 m
Weight	86 kg
Profession	Screenwriter, Television producer, Film producer, Film director, Theatre Director, Television Director
Education	Thornleigh Salesian College, Bangor University, Miami University
Nationality	British, Canadian
Spouse	Amber Esposito
Children	Grace Boyle, Caitlin Boyle, Gabriel Boyle, Eastin Sky Boyle
Parents	Annie Boyle, Frank Boyle
Siblings	Maria Boyle, Bernadette Boyle
Awards	Academy Award for Best Director, Golden Globe Award for Best Director - Motion Picture, BAFTA Award for Best British Film, Satellite Award for Best Director, Critics' Choice Movie Award for Best Director, BAFTA Award for Best Direction, Directors Guild of America Award for Outstanding Directing – Feature Film, People's Choice Award for Best European Film, Goya Award for Best European Film, British Independent Film Award for Best British Independent Film, Outstanding Contribution Award, British Independent Film Award for Best Director, National Board of Review Award for Best Film, Bodil Award for Best Non-American Film, Los Angeles Film Critics Association Award for Best Director, David di Donatello for Best European Film, Robert Award for Best Non-American Film, Primetime Emmy Award for Outstanding Art Direction For Variety Or Nonfiction Programming, Golden Space Needle Award for Best Director
Nominations	Academy Award for Best Picture, Academy Award for Best Writing Adapted Screenplay, Golden Globe Award for Best Screenplay - Motion Picture, Independent Spirit Award for Best Feature, César Award for Best Foreign Film, BAFTA Award for Best Adapted Screenplay, Independent Spirit Award for Best Director, Producers Guild of America Award for Best Theatrical Motion Picture, European Film Award for Best Director, European Film Award for Best Film, Independent Spirit Award for Best International Film, Satellite Award for Best Adapted Screenplay, Writers Guild of America Award for Best Adapted Screenplay, Hugo Award for Best Dramatic Presentation, Long Form, Saturn Award for Best Director, Critics' Choice Movie Award for Best Adapted Screenplay, National Society of Film Critics Award for Best Director, Polish Academy Award for Best European Film, Grande Prêmio do Cinema Brasileiro for Best Foreign Language Film, Laurence Olivier Observer Award for Outstanding Achievement, European Film Awards Audience Award for Best Director, British Academy Television Award for Best Drama Serial, Empire Award for Best Director, Chlotrudis Award for Best Director, London Film Critics Circle Award for British Director of the Year
Movies	Trainspotting, Slumdog Millionaire, 28 Days Later, 127 Hours, Sunshine, Trance, The Beach, Shallow Grave, Steve Jobs, A Life Less Ordinary, T2 Trainspotting, Millions, Strumpet, Alien Love Triangle, Vacuuming Completely Nude in Paradise, Elephant, Paani, The London 2012 Olympic Opening Ceremony: Isles of Wonder, Babylon, Scout, Miss Saigon, Trainspotting, Slumdog Millionaire, 28 Days Later, 127 Hours, Sunshine, Trance, The Beach, Shallow Grave, Steve Jobs, A Life Less Ordinary, T2 Trainspotting, Millions, Strumpet, Alien Love Triangle, Vacuuming Completely Nude in Paradise, Elephant, Paani, Frankenstein, The London 2012 Olympic Opening Ceremony: Isles of Wonder, Babylon, Scout, Miss Saigon
TV Shows	Babylon, Babylon

Interesting Facts

#	Fact
1	In 2012, Boyle was among the British cultural icons selected by artist Sir Peter Blake to appear in a new version of his most famous artwork - The Beatles' Sgt. Pepper's Lonely Hearts Club Band album cover - to celebrate the British cultural figures of his lifetime that he most admires.
2	In 2010, The Tablet named Boyle one of Britain's most influential Roman Catholics.
3	He was asked to direct The Full Monty (1997), but he turned it down, as he didn't find the story interesting.
4	He was asked to direct 8 Mile (2002), but he was busy with 28 Days Later... (2002).
5	He was considered to direct Alien: Resurrection (1997), but chose to direct A Life Less Ordinary (1997) instead.
6	He was originally going to direct Our Friends in the North (1996), but decided to focus on his film career.
7	He was asked to direct Fight Club (1999), but he was busy with The Beach (2000).
8	Directed three actors to an Oscar-nominated performance: James Franco, Michael Fassbender, and Kate Winslet.
9	Was in a relationship with casting director Gail Stevens (1983-2003). They had 3 children together: Caitlin Boyle (born 1985), Gabriel Boyle (born 1989) and Grace Boyle (born 1991).
10	Was the artistic director of the 2012 Olympic games in London.
11	Is one of 9 directors to win the Golden Globe, Director's Guild, BAFTA, and Oscar for the same movie, winning for Slumdog Millionaire (2008). The other directors to achieve this are Mike Nichols for The Graduate (1967), Milos Forman for One Flew Over the Cuckoo's Nest (1975), Richard Attenborough for Gandhi (1982), Oliver Stone for Platoon (1986), Steven Spielberg for Schindler's List (1993), Ang Lee for Brokeback Mountain (2005), Alfonso Cuarón for Gravity (2013), and Alejandro G. Iñárritu for The Revenant (2015).
12	His favorite film is Apocalypse Now (1979)
13	Attended Thornliegh Salesian College in Bolton, Lancashire
14	Passed directing Alien: Resurrection (1997) to work on A Life Less Ordinary (1997).

Net Worth & Salary

Title	Salary
Steve Jobs (2015)	$3,000,000

Trademarks

#	Trademark
1	Often casts Cillian Murphy
2	His films often contain intricate and creative flashback sequences
3	Effective use of music editing
4	Known for being extremely versatile and working in a variety of different genres
5	His protagonists are often unsympathetic in some way
6	Frequently works with screenwriter 'John Hodge'
7	Bright, colorful landscapes
8	Frequently collaborates with 'John Murphy' for Soundtrack production
9	Kinetic camera
10	Scotland - Often uses places, characters, actors or references to and relating to Scotland
11	Often uses electronic music in his films
12	The opening shot is usually a shot from the middle of the movie
13	Often uses Ewan McGregor

Quotes

#	Quote
1	[on Shallow Grave (1994)] - I was very lucky to get a really tight, 90-minute, taut script. Because you kind of don't know what you're doing on your first movie and there's something wonderful about that. You can never get back to that innocence. It's a good thing to start with a thriller, because you're not going to have a lot of money and thrillers don't depend on a lot of money. I say sort of semi-controversially or provocatively, your first film is your best film, always, because it has that innocence about it, about not knowing what you're doing.
2	[on A Life Less Ordinary (1997)] - Originally the script was set in France and Scotland, and we moved it, foolishly as it turned out, to Utah and Los Angeles. I've always wanted to make popular movies and make the films appeal, and if you're going to do that, you're going to have to, at some point, embrace America. I think we should have made the film more extreme. The original script was intensely violent, I mean hideously violent, and I think in retrospect we should have kept it like that. But we thought, 'That's not compatible with the romance.' But in fact, the clash of things is often the most interesting things about films, where they clash together, where they're not smooth, where they are inappropriate for each other.
3	The Beach (2000) was a very interesting stepping stone for me to 'Slumdog,' because we went to Thailand and we took a huge crew from the West, I mean a massive crew. When you take a crew like that, you are an invading army. There is no other way you can be seen by the local population. You are this huge, brute force with big elbows coming in. It didn't suit me, that. And it was compounded by the fact that the characters, I didn't get to know them for some reason. I'm a city boy and I find myself making a film about paradise hippies. I tried to shift the film to be more about what Thai people thought of them, but you can't do that with a $55 million film. It's a huge oil tanker. You can't move it around. It just goes steadily on its way. So when I made 'Slumdog,' I took 10 people because I didn't want to have that role of the invading army again.
4	[on Millions (2004)] - It felt very personal, even though it's not a script I wrote. Frank [Cottrell Boyce, the screenwriter] and I were both brought up very religiously but we were both very imaginative. It was probably a reaction to the excesses of 28 Days Later... (2002), to find a different mood, a different tone from that. You've got to set challenges to see if you can do it. The most obvious scene in it that was missing was, there was never any scene with his mom, and I said to Frank, 'You've got to write a scene with his mom.' He didn't want to but he wrote this scene and it's the most beautiful little scene. You learn sometimes that the most obvious fucking thing is the thing we need. And don't try to avoid it, because sometimes you get all wrapped up in subtlety, but sometimes it's the most obvious thing that you need to do.
5	[on Sunshine (2007)] - You go into it, you think, 'It's funny, most directors only ever seem to make one space movie. I wonder why that is.' And then you make one and you know why: They are merciless, the demands on you. More than any other genre, it's really narrow. Your options as a storyteller are incredibly limited, plus the fact you've got these technical limitations you've got to get right, every detail: how your shoelace behaves in weightless conditions, how your hair behaves. The precision you have to bring is migraine-inducing, and the patience you have to have while you wait for CG. If I ever did another movie like that, I would take a break during editing. Editing is such an organic thing; you keep editing, even though you should have stopped. What you're really doing is waiting for these CG effects to arrive and we should have taken six months off. Because what you're doing is cutting the film and there are huge swaths of it you haven't got. But the fact that they're not there affects how you cut after it, so actually you're distorting the film. I'd certainly advise anyone about big CG to build in a break.
6	[on Slumdog Millionaire (2008)] - You leave India, but it never leaves you. It's an extraordinary place and you learn about yourself as a person and as a filmmaker. It's an incredibly generous place and it's an incredibly contradictory place. And these contradictions are on a viciously extreme scale: the poverty and the wealth, the nuclear status [but] no toilets - half the population of Mumbai have no toilets. I was trying to capture some of that, really, and we did it by some extreme storytelling. People say, 'How can you go from the deliberate maiming of a child to a big Bollywood song and dance in the end?' Well, you don't try to smooth the path from one to the other. I was trying to put all the elements into the film that belong to the city, that are a part of that city.
7	[on 127 Hours (2010)] - The same as this one [Steve Jobs (2015)], I learned that just because something isn't factually correct, doesn't mean it's not truthful. That was the experience with Aron Ralston. Because he had been through the experience and had a photographic memory about it, everything had to be exactly as he'd seen it and experienced it. Obviously you trust that to a degree. It's a first-person testimony. How could you not? But actually in reality, making a film, if you just make the facts, it doesn't necessarily work and it doesn't look truthful. And it's because something else happens in art and film, which is that you have to represent truth rather than photograph it.
8	Trance (2013) was interesting because it was our relaxation. It was born out of doing the Olympics, which was hugely insane and stressful. So we made what we wanted to be a fun thriller. But it's a pretty tortured idea and I think that comes out of the fact that our minds were tortured by the responsibility of doing the Olympics. None of the dark stuff could go into the Olympics, because it's a family show, obviously. So it went into 'Trance.' I learned that the dark stuff is always there. You might be doing the wholesome family entertainment as your day job, but at night the dark stuff is still there.
9	[on Steve Jobs (2015)] - I learned more about film acting. Especially these two [Michael Fassbender and Kate Winslet]. A lot of it is their mental preparation. And it's not about slavishly learning lines, though in this case it was, because of the nature of it. But the execution of it is simple, in a way. They just step into it. It was extraordinary. There's no demarcation: 'Stop that fun, everybody! Stop everything! Action!' It was just, like, 'Go!' That was real film acting, and I loved kind of recording it, watching it happen. And something extraordinary happens to Fassbender in act three where he just is the guy. We set out not to make it slavish and gestural with the hair and everything, because that would be boring and we'd be concentrating on that. We just wanted to flow into it.
10	[on 28 Days Later... (2002)] - It was wonderful to work on digital. I'm very proud of the fact that's the first proper widely distributed release on digital, and on a very inferior digital format. It suited the guerilla nature of the story and that was cool, doing it like that. I began to learn how to contradict film culture just in the way films are made. I got much more into doing it in what you would call an unprofessional way. I'm not a big fan of the tautly professional films that do things 'the right way.' I think it's not a great spur to creativity sometimes.
11	[on Trainspotting (1996)] - 'Take risks' is the one I got from that. Really take risks. I haven't always clung to it but I certainly always return to it. And I love that. That's what people go to the movies for. They don't go to see what's acceptable. John [Hodge] adapted it in a way - it was impossible to adapt, so he didn't try. He sort of was inspired by it and went off. And I love that in adaptations. It's really irreverent to the skill.
12	What I've always wanted to do is to try and make it look like $100m but it doesn't cost that - I find that really liberating.
13	[on Sunshine (2007)] It's very disappointing we didn't get more people in to see it. It's strange, though. I've had people pass me and say, "I saw Sunshine and really liked that." We tried to make it for very little money, but we tried to make a big film. I love that ambition. I think it was probably too close to the films that inspired it. I did say this at the time - with space movies, it's a very narrow corridor you are working in, it's very hard to be inventive in it. Your choices are very, very specific. You have to shuffle it very, very cleverly. So I think people thought it was too like those other films, and it clearly does owe a lot to those other films, but when you see it, there is a side of it that does have its own originality as well. I'm proud of it. It was pretty exhausting doing it, and I wouldn't do another one. Not for a while anyway.
14	Apocalypse Now (1979) fueled my obsession with experiences in the cinema, really, of trying to create. There are risks attached to it. You're trying to stretch things, but you are also fundamentally committed to getting as many people to see it is as possible.
15	[on 127 Hours (2010)] - This is a film about how precious life is. And it's only precious because of other people. It's not precious in itself, which is what we sometimes think - we think the will to survive is an individualistic thing. ... But it's actually connected to other people. And that's what the life essence is really about - it's always about other people, even in the loneliest places.
16	I think Ken Loach is an extraordinary filmmaker. It is so effortless what he does. The effortlessness with which he can get some stuff is just extraordinary. You may not like his concerns as a filmmaker, that they are political or whatever, and you may actually think that the films should be more exciting, they should have more dramatic climaxes, but he is extraordinary. You think about The Godfather (1972) and that is shot in Ken Loach's fashion, in a way. It's effortless. That's one of the things about Coppola. You never had any fancy angles with Coppola. You don't get any of that Scorsese stuff. Those filmmakers are the real craftsmen, the real masters. They don't need the camera to do anything for them, the whole thing is set up - the camera just records it and you witness it. Whereas I tend to use the camera as part of the experience, the actual point of view is part of the experience. They didn't want to do that. They wanted something much more like looking at a painting. The camera is much more reliable and still. It won't confuse you, you just witness what is within it.
17	[on The Beach (2000)] Leo [DiCaprio] is an amazing movie star because he's very director-oriented. When he commits to a project he just goes, "We do whatever this guy wants," and that's it. It's amazing how he has supported Scorsese and re-birthed Scorsese, if you like. That is a great definition of a movie star. That's what he's like. He's a fantastic guy. He wants to have a big relationship with the director. He uses his power to bat away the studio. He would say to me, "Do you want to shoot that five-day sequence again? We can do it again if you want?" That's what he uses his power for. He has very European taste. He wants to smuggle European art films into the American market. When I look at it, I remember thinking how much I didn't like these people, and that's really tough when you're directing a film. I liked the actors, we had a great time, but I didn't like the characters. I'm an urban person. I love cities and I made that film about a load of hippies in the countryside, nothing in common with them at all. You're there making the film and you think, "I can't relate to these people at all. What are they doing here? I am so bored." I don't like these people very much and I don't approve of what they're doing so we tried to make the film critical. But of course you've taken $55m. You can't make a sociocritique of these invaders for $55m. If you take $15m you can, but you've taken $55m so there's got to be a romance and it needs to feel like paradise. It needs to sell itself like that.
18	[on Shallow Grave (1994)] When you make a film for £1m, we were literally selling furniture to pay for film stock by the end. We were flogging off sofas because we'd finished using them and using the money to buy film stock. I think your first film is always your best film. Always. It may not be your most successful or your technically most accomplished, whatever. It is your best film in a way because you never, ever get close to that feeling of not knowing what you're doing again. And that feeling of not knowing what you're doing is an amazing place to be. If you can cope with it and not panic, it's amazing. It's guesswork, inventiveness and freshness that you never get again. To prove it, watch Blood Simple. (1984) again. The Coen brothers are geniuses, but they never made a film as good as Blood Simple. I don't care what you say. So in a funny way, your first film is always your best film, so there you go.
19	When I was making Sunshine (2007), it suddenly struck me: No director has ever gone back into space, with the exception of franchise directors. If you look at the record, you'll find that's true. I now know why.
20	[His next project, Sunshine (2007)] We're doing this film Sunshine (2007). In fact, we're casting for it in a few minutes actually. It's about a mission to the sun. It's a sci-fi set in space. They're flying a bomb to the sun and the bomb is like the size of Kansas, this immense bomb that they built in space. They're flying it to reignite a section of the sun which is failing, but it's really about a mission that went earlier, seven years earlier, and failed. So it's sort of mystery of what happened. It's quite big at the end, you get to meet the sun. Quite spectacular hopefully.
21	That's what's wonderful about actors sometimes, is that's who we watch on the screen... Some of us are interested in directors, but really the vast majority of us are interested in actors. You experience the films through the actors, so they're all locked into your imagination in some kind of layer of fantasy or hatred or wherever they settle into your imagination. They make much better fodder for this kind of thing [interviews] than a director.
22	I think I'm better at making films on my home turf, really. You learn from experience and I've learnt that through The Beach (2000). I love big movies, like Gladiator (2000), but I'm better at smaller films.
23	I want my films to be life-affirming, even a film like Trainspotting (1996), which is very dark in many ways. I want people to leave the cinema feeling that something's been confirmed for them about life.
24	I don't want to make pompous, serious films; I like films that have a kind of vivacity about them. At this time of the year you think about awards and if you want to win one you think you should make serious films, but my instinct is to make vivacious films.
25	I learned that what I'm better at is making stuff lower down the radar. Actually, ideally not on the radar at all.
26	You don't realize it, but often people are frightened of the director.

Pictures

All Dan Boyle pictures

Won Awards

Won awards

Year	Award	Ceremony	Nomination	Movie	Award shared with
2016	Career Achievement Award	Casting Society of America, USA
2015	Silver Medallion Award	Telluride Film Festival, US	Tribute
2013	Outstanding Contribution Award	Empire Awards, UK
2013	Primetime Emmy	Primetime Emmy Awards	Outstanding Art Direction for Variety or Nonfiction Programming	London 2012 Olympic Opening Ceremony: Isles of Wonder (2012)	Mark Tildesley (production designer) Suttirat Anne Larlarb (production designer)
2011	Movies for Grownups Award	AARP Movies for Grownups Awards	Best Director	127 Hours (2010)
2011	AFI Award	AFI Awards, USA	Movie of the Year	127 Hours (2010)	Christian Colson John Smithson
2011	Sonny Bono Visionary Award	Palm Springs International Film Festival
2011	Writers' Guild of Great Britain Award	Writers' Guild of Great Britain	Best Film Screenplay	127 Hours (2010)	Simon Beaufoy
2010	BFI Fellowship	British Film Institute Awards
2010	DFCS Award	Detroit Film Critic Society, US	Best Director	127 Hours (2010)
2010	Golden Eagle	Golden Eagle Awards, Russia	Best Foreign Film	Slumdog Millionaire (2008)
2010	Goya	Goya Awards	Best European Film (Mejor Película Europea)	Slumdog Millionaire (2008)
2010	Hollywood Film Award	Hollywood Film Awards	Producer of the Year		Christian Colson
2010	Mill Valley Film Festival Award	Mill Valley Film Festival	Best Narrative Feature	127 Hours (2010)
2010	Robert	Robert Festival	Best Non-American Film (Årets ikke-amerikanske film)	Slumdog Millionaire (2008)
2009	Amanda	Amanda Awards, Norway	Best Foreign Feature Film (Årets utenlandske kinofilm)	Slumdog Millionaire (2008)	Loveleen Tandan
2009	Britannia Award	BAFTA/LA Britannia Awards	Artistic Excellence in Directing
2009	Critics Choice Award	Broadcast Film Critics Association Awards	Best Director	Slumdog Millionaire (2008)
2009	COFCA Award	Central Ohio Film Critics Association	Best Director	Slumdog Millionaire (2008)
2009	David	David di Donatello Awards	Best European Film (Miglior Film dell'Unione Europea)	Slumdog Millionaire (2008)
2009	DGA Award	Directors Guild of America, USA	Outstanding Directorial Achievement in Motion Pictures	Slumdog Millionaire (2008)	Sanjay Kumar (unit production manager plaque) Raj Acharya (first assistant director plaque) Avani Batra (second assistant director plaque) Sonia Nemawarkar (second second assistant director plaque)
2009	Special Award	Empire Awards, UK		For outstanding contribution to British cinema.
2009	Audience Award	European Film Awards		Slumdog Millionaire (2008)
2009	FCCA Award	Film Critics Circle of Australia Awards	Best Foreign Film - English Language	Slumdog Millionaire (2008)
2009	IFC Award	Iowa Film Critics Awards	Best Director	Slumdog Millionaire (2008)
2009	Silver Ribbon	Italian National Syndicate of Film Journalists	Best European Director (Regista del Miglior Film Europeo)	Slumdog Millionaire (2008)
2009	ALFS Award	London Critics Circle Film Awards	British Director of the Year	Slumdog Millionaire (2008)
2009	NTFCA Award	North Texas Film Critics Association, US	Best Director	Slumdog Millionaire (2008)
2009	MovieZone Award	Rotterdam International Film Festival		Slumdog Millionaire (2008)	Loveleen Tandan
2009	Audience Award	Rotterdam International Film Festival		Slumdog Millionaire (2008)	Loveleen Tandan
2009	Outstanding Director of the Year Award	Santa Barbara International Film Festival		Slumdog Millionaire (2008)
2009	Oscar	Academy Awards, USA	Best Achievement in Directing	Slumdog Millionaire (2008)
2009	Golden Globe	Golden Globes, USA	Best Director - Motion Picture	Slumdog Millionaire (2008)
2009	David Lean Award for Direction	BAFTA Awards	Best Director	Slumdog Millionaire (2008)
2008	AAFCA Award	African-American Film Critics Association (AAFCA)	Best Director	Slumdog Millionaire (2008)
2008	EDA Award	Alliance of Women Film Journalists	Best Director	Slumdog Millionaire (2008)
2008	Audience Award	Austin Film Festival	Out of Competition Feature	Slumdog Millionaire (2008)	Simon Beaufoy (writer)
2008	ACCA	Awards Circuit Community Awards	Best Director	Slumdog Millionaire (2008)
2008	British Independent Film Award	British Independent Film Awards	Best Director	Slumdog Millionaire (2008)
2008	CFCA Award	Chicago Film Critics Association Awards	Best Director	Slumdog Millionaire (2008)
2008	Audience Choice Award	Chicago International Film Festival		Slumdog Millionaire (2008)
2008	DFWFCA Award	Dallas-Fort Worth Film Critics Association Awards	Best Director	Slumdog Millionaire (2008)
2008	DFCS Award	Detroit Film Critic Society, US	Best Director	Slumdog Millionaire (2008)
2008	FFCC Award	Florida Film Critics Circle Awards	Best Director	Slumdog Millionaire (2008)
2008	HFCS Award	Houston Film Critics Society Awards	Best Director	Slumdog Millionaire (2008)
2008	LAFCA Award	Los Angeles Film Critics Association Awards	Best Director	Slumdog Millionaire (2008)
2008	NYFCO Award	New York Film Critics, Online	Best Director	Slumdog Millionaire (2008)	Loveleen Tandan
2008	OFCC Award	Oklahoma Film Critics Circle Awards	Best Director	Slumdog Millionaire (2008)
2008	PFCS Award	Phoenix Film Critics Society Awards	Best Director	Slumdog Millionaire (2008)
2008	SDFCS Award	San Diego Film Critics Society Awards	Best Director	Slumdog Millionaire (2008)
2008	Satellite Award	Satellite Awards	Best Director	Slumdog Millionaire (2008)
2008	SEFCA Award	Southeastern Film Critics Association Awards	Best Director	Slumdog Millionaire (2008)
2008	SLFCA Award	St. Louis Film Critics Association, US	Best Director	Slumdog Millionaire (2008)
2008	Audience Choice Award	St. Louis International Film Festival	Best International Feature	Slumdog Millionaire (2008)
2008	People's Choice Award	Toronto International Film Festival		Slumdog Millionaire (2008)
2008	WAFCA Award	Washington DC Area Film Critics Association Awards	Best Director	Slumdog Millionaire (2008)
2005	PFCS Award	Phoenix Film Critics Society Awards	Best Live Action Family Film	Millions (2004)
2005	ShoWest Award	ShoWest Convention, USA	International Filmmaker of the Year
2003	International Fantasy Film Award	Fantasporto	Best Director	28 Days Later... (2002)
2003	Grand Prize of European Fantasy Film in Silver	Fantasporto		28 Days Later... (2002)
2003	Narcisse Award	Neuchâtel International Fantastic Film Festival	Best Feature Film	28 Days Later... (2002)
1997	BAFTA Scotland Award	BAFTA Awards, Scotland	Best Feature Film	Trainspotting (1996)	Andrew Macdonald (producer) John Hodge (writer)
1997	Bodil	Bodil Awards	Best Non-American Film (Bedste ikke-amerikanske film)	Trainspotting (1996)
1997	Czech Lion	Czech Lions	Best Foreign Language Film (Nejlepsí zahranicní film)	Trainspotting (1996)
1997	Empire Award	Empire Awards, UK	Best British Director	Trainspotting (1996)
1996	Empire Award	Empire Awards, UK	Best Director	Shallow Grave (1994)
1996	Evening Standard British Film Award	Evening Standard British Film Awards	Most Promising Newcomer	Shallow Grave (1994)
1996	ALFS Award	London Critics Circle Film Awards	British Newcomer of the Year	Shallow Grave (1994)
1996	Golden Space Needle Award	Seattle International Film Festival	Best Director	Trainspotting (1996)
1996	Audience Award	Warsaw International Film Festival		Trainspotting (1996)
1995	Alexander Korda Award for Best British Film	BAFTA Awards		Shallow Grave (1994)	Andrew Macdonald
1995	Liberation Advertisement Award	Angers European First Film Festival		Shallow Grave (1994)
1995	Best Screenplay	Angers European First Film Festival	Feature Film	Shallow Grave (1994)
1995	Audience Award	Angers European First Film Festival	Feature Film	Shallow Grave (1994)
1995	Grand Prix	Cognac Festival du Film Policier		Shallow Grave (1994)
1995	Audience Award	Cognac Festival du Film Policier		Shallow Grave (1994)
1995	International Fantasy Film Award	Fantasporto	Best Film	Shallow Grave (1994)
1994	Golden Hitchcock	Dinard British Film Festival		Shallow Grave (1994)
1994	Silver Seashell	San Sebastián International Film Festival	Best Director	Shallow Grave (1994)
1992	Writers' Guild of Great Britain Award	Writers' Guild of Great Britain	TV - Original Drama Series	Inspector Morse (1987)	Julian Mitchell Alma Cullen John Brown
1991	Writers' Guild of Great Britain Award	Writers' Guild of Great Britain	TV - Original Drama Series	Inspector Morse (1987)	Julian Mitchell Alma Cullen Peter Nichols Geoffrey Case

Nominated Awards

Nominated awards

Year	Award	Ceremony	Nomination	Movie	Award shared with
2011	EDA Award	Alliance of Women Film Journalists	Best Writing, Adapted Screenplay	127 Hours (2010)	Simon Beaufoy
2011	Critics Choice Award	Broadcast Film Critics Association Awards	Best Director	127 Hours (2010)
2011	Critics Choice Award	Broadcast Film Critics Association Awards	Best Screenplay, Adapted	127 Hours (2010)	Simon Beaufoy
2011	COFCA Award	Central Ohio Film Critics Association	Best Director	127 Hours (2010)
2011	COFCA Award	Central Ohio Film Critics Association	Best Adapted Screenplay	127 Hours (2010)	Simon Beaufoy
2011	DFCS Award	Denver Film Critics Society	Best Director	127 Hours (2010)
2011	DFCS Award	Denver Film Critics Society	Best Adapted Screenplay	127 Hours (2010)	Simon Beaufoy
2011	Evening Standard British Film Award	Evening Standard British Film Awards	Best Screenplay	127 Hours (2010)	Simon Beaufoy
2011	Gold Derby Award	Gold Derby Awards	Director	127 Hours (2010)
2011	Humanitas Prize	Humanitas Prize	Feature Film Category	127 Hours (2010)	Simon Beaufoy (writer)
2011	Independent Spirit Award	Independent Spirit Awards	Best Director	127 Hours (2010)
2011	IFC Award	Iowa Film Critics Awards	Best Director	127 Hours (2010)
2011	ALFS Award	London Critics Circle Film Awards	British Director of the Year	127 Hours (2010)
2011	OFTA Film Award	Online Film & Television Association	Best Director	127 Hours (2010)
2011	OFTA Film Award	Online Film & Television Association	Best Writing, Screenplay Based on Material from Another Medium	127 Hours (2010)	Simon Beaufoy
2011	OFCS Award	Online Film Critics Society Awards	Best Director	127 Hours (2010)
2011	OFCS Award	Online Film Critics Society Awards	Best Screenplay, Adapted	127 Hours (2010)	Simon Beaufoy
2011	PGA Award	PGA Awards	Outstanding Producer of Theatrical Motion Pictures	127 Hours (2010)	Christian Colson
2011	USC Scripter Award	USC Scripter Award		127 Hours (2010)	Simon Beaufoy (screenwriter) Aron Ralston (author)
2011	WGA Award (Screen)	Writers Guild of America, USA	Best Adapted Screenplay	127 Hours (2010)	Simon Beaufoy
2011	Oscar	Academy Awards, USA	Best Motion Picture of the Year	127 Hours (2010)	Christian Colson John Smithson
2011	Oscar	Academy Awards, USA	Best Writing, Adapted Screenplay	127 Hours (2010)	Simon Beaufoy
2011	Golden Globe	Golden Globes, USA	Best Screenplay - Motion Picture	127 Hours (2010)	Simon Beaufoy
2011	David Lean Award for Direction	BAFTA Awards	Best Director	127 Hours (2010)
2011	BAFTA Film Award	BAFTA Awards	Best Screenplay (Adapted)	127 Hours (2010)	Simon Beaufoy
2011	Alexander Korda Award for Best British Film	BAFTA Awards		127 Hours (2010)	Christian Colson John Smithson Simon Beaufoy
2010	ACCA	Awards Circuit Community Awards	Best Motion Picture	127 Hours (2010)	Christian Colson John Smithson
2010	ACCA	Awards Circuit Community Awards	Best Achievement in Directing	127 Hours (2010)
2010	ACCA	Awards Circuit Community Awards	Best Adapted Screenplay	127 Hours (2010)	Simon Beaufoy
2010	Cinema Brazil Grand Prize	Cinema Brazil Grand Prize	Best Foreign-Language Film (Melhor Filme Estrangeiro)	Slumdog Millionaire (2008)
2010	César	César Awards, France	Best Foreign Film (Meilleur film étranger)	Slumdog Millionaire (2008)
2010	Gaudí Award	Gaudí Awards	Best European Film (Millor Pel·lícula Europea)	Slumdog Millionaire (2008)
2010	HFCS Award	Houston Film Critics Society Awards	Best Director	127 Hours (2010)
2010	IGN Award	IGN Summer Movie Awards	Best Director	127 Hours (2010)
2010	Sierra Award	Las Vegas Film Critics Society Awards	Best Director	127 Hours (2010)
2010	PFCS Award	Phoenix Film Critics Society Awards	Best Director	127 Hours (2010)
2010	SDFCS Award	San Diego Film Critics Society Awards	Best Director	127 Hours (2010)
2010	Satellite Award	Satellite Awards	Best Director	127 Hours (2010)
2010	Satellite Award	Satellite Awards	Best Screenplay, Adapted	127 Hours (2010)	Simon Beaufoy
2010	SLFCA Award	St. Louis Film Critics Association, US	Best Adapted Screenplay	127 Hours (2010)	Simon Beaufoy
2010	SLFCA Award	St. Louis Film Critics Association, US	Best Director	127 Hours (2010)
2010	UFCA Award	Utah Film Critics Association Awards	Best Director	127 Hours (2010)
2010	WAFCA Award	Washington DC Area Film Critics Association Awards	Best Director	127 Hours (2010)
2010	WAFCA Award	Washington DC Area Film Critics Association Awards	Best Adapted Screenplay	127 Hours (2010)	Simon Beaufoy
2009	Movies for Grownups Award	AARP Movies for Grownups Awards	Best Director	Slumdog Millionaire (2008)
2009	European Film Award	European Film Awards	European Director	Slumdog Millionaire (2008)
2009	European Film Award	European Film Awards	European Film	Slumdog Millionaire (2008)	Christian Colson
2009	Evening Standard British Film Award	Evening Standard British Film Awards	Best Director	Slumdog Millionaire (2008)
2009	Gold Derby Award	Gold Derby Awards	Director	Slumdog Millionaire (2008)
2009	IOFCP Award	International Online Film Critics' Poll	Best Director	Slumdog Millionaire (2008)
2009	ALFS Award	London Critics Circle Film Awards	Director of the Year	Slumdog Millionaire (2008)
2009	OFTA Film Award	Online Film & Television Association	Best Director	Slumdog Millionaire (2008)
2009	OFCS Award	Online Film Critics Society Awards	Best Director	Slumdog Millionaire (2008)
2009	VFCC Award	Vancouver Film Critics Circle	Best Director	Slumdog Millionaire (2008)
2009	Alexander Korda Award for Best British Film	BAFTA Awards		Slumdog Millionaire (2008)	Christian Colson Simon Beaufoy
2008	ALFS Award	London Critics Circle Film Awards	British Director of the Year	Sunshine (2007)
2008	TFCA Award	Toronto Film Critics Association Awards	Best Director	Slumdog Millionaire (2008)
2005	Emden Film Award	Emden International Film Festival		Millions (2004)
2004	Saturn Award	Academy of Science Fiction, Fantasy & Horror Films, USA	Best Director	28 Days Later... (2002)
2004	Chlotrudis Award	Chlotrudis Awards	Best Director	28 Days Later... (2002)
2004	Hugo	Hugo Awards	Best Dramatic Presentation - Long Form	28 Days Later... (2002)	Alex Garland (written by)
2003	British Independent Film Award	British Independent Film Awards	Best Director	28 Days Later... (2002)
2003	Grand Prize of European Fantasy Film in Gold	Cinénygma - Luxembourg International Film Festival		28 Days Later... (2002)
2003	Audience Award	European Film Awards	Best European Director	28 Days Later... (2002)
2003	International Fantasy Film Award	Fantasporto	Best Film	28 Days Later... (2002)
2000	Golden Berlin Bear	Berlin International Film Festival		The Beach (2000)
1997	Chlotrudis Award	Chlotrudis Awards	Best Director	Trainspotting (1996)
1997	Independent Spirit Award	Independent Spirit Awards	Best Foreign Film	Trainspotting (1996)
1997	European Silver Ribbon	Italian National Syndicate of Film Journalists		Trainspotting (1996)
1997	ALFS Award	London Critics Circle Film Awards	British Director of the Year	Trainspotting (1996)
1996	Alexander Korda Award for Best British Film	BAFTA Awards		Trainspotting (1996)	Andrew Macdonald
1996	ACCA	Awards Circuit Community Awards	Best Director	Trainspotting (1996)
1994	BAFTA TV Award	BAFTA Awards	Best Drama Serial	Mr. Wroe's Virgins (1993)	John Chapman Jane Rogers
1994	Golden Seashell	San Sebastián International Film Festival		Shallow Grave (1994)

2^nd Place Awards

2nd place awards

Year	Award	Ceremony	Nomination	Movie
2010	DFWFCA Award	Dallas-Fort Worth Film Critics Association Awards	Best Director	127 Hours (2010)
2010	Audience Choice Award	St. Louis International Film Festival	Best Feature	127 Hours (2010)
2008	Golden Schmoes	Golden Schmoes Awards	Best Director of the Year	Slumdog Millionaire (2008)
2008	NYFCC Award	New York Film Critics Circle Awards	Best Director	Slumdog Millionaire (2008)

3^rd Place Awards

3rd place awards

Year	Award	Ceremony	Nomination	Movie	Award shared with
2016	IFC Award	Iowa Film Critics Awards	Best Director	Steve Jobs (2015)
2009	NSFC Award	National Society of Film Critics Awards, USA	Best Director	Slumdog Millionaire (2008)

Filmography

Director

Title	Year	Status
Trust	2018	TV Series 1 episode filming
T2 Trainspotting	2017
Steve Jobs	2015
Babylon	2014	TV Mini-Series 1 episode
Trance	2013/I
London 2012 Olympic Opening Ceremony: Isles of Wonder	2012	TV Special
Frankenstein	2011
127 Hours	2010
Slumdog Millionaire	2008
Alien Love Triangle	2008	Short
Sunshine	2007
Millions	2004
28 Days Later...	2002
Vacuuming Completely Nude in Paradise	2001	TV Movie
Strumpet	2001	TV Movie
The Beach	2000/I
A Life Less Ordinary	1997
Trainspotting	1996
Shallow Grave	1994
Screenplay	1989-1993	TV Series 3 episodes
Mr. Wroe's Virgins	1993	TV Mini-Series 3 episodes
Inspector Morse	1990-1992	TV Series 2 episodes
For the Greater Good	1991	TV Series 3 episodes
Monkeys	1989	TV Movie
The Nightwatch	1989	TV Movie
Scout	1987	TV Movie
The Venus de Milo Instead	1987	TV Movie

Producer

Title	Year	Status
Trust	2018	TV Series executive producer - 5 episodes filming
Battle of the Sexes	2017	producer completed
T2 Trainspotting	2017	producer
Steve Jobs	2015	producer
Babylon	2014	TV Mini-Series executive producer - 4 episodes
Trance	2013/I	producer - uncredited
127 Hours	2010	producer
28 Weeks Later	2007	executive producer
Twin Town	1997	executive producer
Monkeys	1989	TV Movie producer
The Nightwatch	1989	TV Movie producer
Elephant	1989	TV Short producer
Scout	1987	TV Movie producer
The Rockingham Shoot	1987	TV Movie producer

Writer

Title	Year	Status	Character
127 Hours	2010	screenplay
Hamish Macbeth	1997	TV Series written by - 2 episodes

Actor

Title	Year	Status	Character
Celebrity Conversations	2016	TV Series
Hollywood's Best Film Directors	2014	TV Series

Miscellaneous

Title	Year	Status	Character
London 2012 Olympic Opening Ceremony: Isles of Wonder	2012	TV Special staged by: "Isles of Wonder"
Frankenstein	2011	directed for the stage by

Assistant Director

Title	Year	Status	Character
28 Weeks Later	2007	second unit director - uncredited

Thanks

Title	Year	Status
Nosferatu vs. Father Pipecock & Sister Funk	2014	special thanks
Back on Earth?	2013	Short inspirational thanks
My Angel My Hero	2011	Short very special thanks
Tin Can	2010/I	special thanks
The Last Seven	2010	special thanks
Cameraman: The Life and Work of Jack Cardiff	2010	Documentary producers gratefully acknowledge support from
Slumdog Dreams: Danny Boyle & the Making of 'Slumdog Millionaire'	2009	TV Short documentary special thanks
Dev.D	2009	special thanks
28 Days Later: The Aftermath (Chapter 1)	2007	Video short special thanks
InZer0	2006	Short special thanks
Eight	1998	Short special thanks
StarCraft	1998	Video Game thanks

Self

Title	Year	Status	Character
Tavis Smiley	2009-2017	TV Series	Himself
WGN Morning News	2017	TV Series	Himself
Días de cine	2009-2017	TV Series	Himself - Interviewee / Himself
Tria33	2017	TV Series	Himself - Interviewee
Evening Urgant	2017	TV Series	Himself
The Graham Norton Show	2017	TV Series	Himself - Guest
Quotidien	2017	TV Series	Himself
Film '72	1996-2017	TV Series	Himself - Interviewee / Himself
One Night in 2012	2016	TV Movie documentary	Himself
The British Academy Scotland New Talent Awards	2016	TV Movie	Himself
60 Minutes	2016	TV Series documentary	Himself - Director (segment "And the Nominees Are")
Close Up with the Hollywood Reporter	2016	TV Series	Himself
Larry King Now	2015	TV Series	Himself - Guest
Last Call with Carson Daly	2008-2015	TV Series	Himself
CBS This Morning	2015	TV Series	Himself
Charlie Rose	1996-2015	TV Series	Himself - Guest
Arena	2015	TV Series documentary	Himself
FilmRaker	2015	TV Series documentary	Himself
Ain't It Cool with Harry Knowles	2015	TV Series	Himself
Jai Ho	2014/II	Documentary	Himself
Side by Side Extra: Volume Four	2014	Documentary	Himself
The Class of 92	2013	Documentary	Himself
Made in Hollywood	2010-2013	TV Series	Himself
Big Morning Buzz Live	2013	TV Series	Himself
The Daily Show	2013	TV Series	Himself
Up Close with Carrie Keagan	2007-2013	TV Series	Himself
Reel Junkie	2013	TV Series	Himself
The Jonathan Ross Show	2013	TV Series	Himself
Frankenstein: A Modern Myth	2012	TV Movie documentary	Himself - Director
Today	2012	TV Series	Himself
Side by Side	2012	Documentary	Himself
The 2011 Independent Spirit Awards	2011	TV Special	Himself
The 68th Annual Golden Globe Awards	2011	TV Special	Himself
London Tonight	2011	TV Series	Himself
Breakfast	2011	TV Series	Himself - Director
127 Hours: An Extraordinary View	2010	Documentary short	Himself
Top Gear	2010	TV Series	Himself
In the House with Peter Bart & Peter Guber	2010	TV Series
The Fabulous Picture Show	2010	TV Series	Himself
BFI London Film Festival Awards	2010	TV Special	Himself - Fellowship recipient
Late Night with Jimmy Fallon	2010	TV Series	Himself
The Hour	2010	TV Series	Himself
The 2009 European Film Awards	2009	TV Special	Himself - Award Recipient
Live from Studio Five	2009	TV Series	Himself
Moving Pictures Live!	2009	TV Series	Himself
The BackStage Pass	2009	Video	Himself
The Oprah Winfrey Show	2009	TV Series	Himself - Guest
La noche de los Oscar	2009	TV Movie	Himself
The 81st Annual Academy Awards	2009	TV Special	Himself - Winner: Best Director
Slumdog Dreams: Danny Boyle & the Making of 'Slumdog Millionaire'	2009	TV Short documentary	Himself
Larry King Live	2009	TV Series	Himself
Storymakers	2009	TV Series	Himself
This Morning	2009	TV Series	Himself - Interviewee
The Orange British Academy Film Awards	2009	TV Special	Himself
The Orange British Academy Film Awards: Red Carpet	2009	TV Special	Himself
The Tonight Show with Jay Leno	2009	TV Series	Himself
Movie Connections	2009	TV Series documentary	Himself
The 66th Annual Golden Globe Awards	2009	TV Special	Himself - Winner: Best Director
The 14th Annual Critics' Choice Awards	2009	TV Special	Himself - Winner Best Director
Rencontres de cinéma	2009	TV Series	Himself
2009 Britannia Awards	2009	TV Special	Himself
Shootout	2008	TV Series	Himself
Dead On: The Life and Cinema of George A. Romero	2008	Documentary	Himself
28 Weeks Later: Getting Into the Action	2007	Video documentary short	Himself
Code Red: The Making of '28 Weeks Later'	2007	Video documentary short	Himself
British Film Forever	2007	TV Mini-Series documentary	Himself
HypaSpace	2007	TV Series documentary	Himself
The Culture Show	2007	TV Series documentary	Himself
The Bazura Project	2007	TV Series	Himself
28 Weeks Later: The Rage Is Back	2007	Video documentary short	Himself
DP/30: Conversations About Movies	2007	TV Series	Himself
Lo + plus	1997-2005	TV Series	Himself
Shock & Awe: The Return of 'Alien'	2003	TV Movie documentary	Presenter
The South Bank Show	2003	TV Series documentary	Himself
Liquid News	2002	TV Series	Himself
Pure Rage: The Making of '28 Days Later'	2002	TV Short documentary	Himself
The 100 Greatest Films	2001	TV Movie documentary	Himself
Anatomy of a Scene	2001	TV Series documentary	Himself
Watching	2000	TV Series documentary	Himself
Sen kväll med Luuk	2000	TV Series	Himself
Gomorron	2000	TV Series	Himself - Regissör
Nulle part ailleurs	1996	TV Series	Himself
The Little Picture Show	1995	TV Series	Himself
Shallow Grave: Digging Your Own Grave	1994	Video documentary short	Himself - Director

Archive Footage

Title	Year	Status	Character
The Graham Norton Show	2017	TV Series	Himself
60 Minutes	2016	TV Series documentary	Himself - Director (segment "And the Nominees Are")
Lennon or McCartney	2014	Documentary short	Himself
And the Oscar Goes To...	2014	TV Movie documentary	Himself
Breakfast	2010	TV Series	Himself - Director
Comedy Lab	2010	TV Series	Himself
Cinema mil	2005	TV Series	Himself

Source

Dan Boyle Net Worth is $42 Million