Charles Martin Smith Net Worthy of: Charles Martin Smith can be an American actor, article writer, and director who includes a net worthy of of $1.5 million. Charles Martin Smith was created in Van Nuys, California in October 1953. In 1978 Smith performed Ray Bob in the film The Buddy Holly Tale. In 1972 he produced his film debut in the film The Culpepper Cattle Co. He was found out while performing in a college play. His first Television role arrived in The Brady bunch in 1971. Charles graduated from California Condition University, Northridge. Smith in addition has directed the movies Boris and Natasha, Fifty/Fifty, Atmosphere Bud, The Snow Walker, Rock of Destiny, and Dolphin Tale. His dad managed a French computer animation studio. He starred in Even more American Graffiti and Herbie Moves Bananas. In 1987 he performed Agent Oscar Wallace in The Untouchables. From 2005 to 2006 he starred on it series Da Vinci’s Town Hall. Smith can be known for his functions as Tag Shermin in 1984’s Starman and as Farley Mowat in 1983’s Under no circumstances Cry Wolf. His directing debut arrived in the 1986 film Halloween. He starred as Terry in the 1973 film American Graffiti. Smith wrote and directed the film The Snow Walker in 2003 which gained nine Genie Award nominations.
Known for movies
The Untouchables (1987) as Agent Oscar Wallace
American Graffiti (1973) as Terry
Starman (1984) as Mark Shermin
Never Cry Wolf (1983) as Farley Mowat / Tyler
Quick Facts
Full Name
Charles Martin Smith
Net Worth
$1.5 Million
Date Of Birth
October 30, 1953
Height
1.63 m
Profession
Screenwriter, Film producer, Film director, Actor, Television Director
Education
Cleveland High School, California State University, Northridge
Nationality
American
Parents
Frank Smith
Nominations
Academy of Canadian Cinema and Television Award for Best Screenplay, Gemini Award for Best Performance by an Actor in a Leading Role in a Dramatic Program or Mini-Series, Genie Award for Best Achievement in Direction
Movies
Dolphin Tale, Dolphin Tale 2, The Untouchables, American Graffiti, Never Cry Wolf, Starman, Air Bud, The Snow Walker, The Buddy Holly Story, Trick or Treat, Stone of Destiny, The Spikes Gang, Herbie Goes Bananas, Deep Cover, The Hot Spot, Fifty/Fifty, Deep Impact, Pat Garrett and Billy the Kid, Animal Tales: Touching Wild Horses, Jack and Jill vs. the World, Lucky You, Boris and Natasha: The Movie, More American Graffiti, Rafferty and the Gold Dust Twins, And the Band Played On, Blackout Effect, The Beast, The Experts, No Deposit, No Return, Perfect Alibi, Left Behind: World at War, The Last Casino, Dead Heat, Wedding Bell Blues, Still Small Voices, Speechless, Icon, Roughing It, The Final Cut, Dead Silence, Radioland Murders, Cotton Candy, The Campus Corpse
TV Shows
Drive, Da Vinci's City Hall, Streets of Laredo, Left Behind
Attended Grover Cleveland High School with fellow classmate Morgan Brittany (Suzanne Cupito at the time), They performed in school musicals and dramas such as "The Crucible", "The Pajama Game", "Look Homeward, Angel" and others. They were both strong performers for the school and went on to achieve fame.
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Is also an accomplished musician/songwriter, director of stage plays and screenwriter.
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Lived for three years in Paris, France, as a youth where his film cartoonist and animator father Frank Smith managed the English-language branch of a French animation studio.
1970 - Was discovered by talent agent while appearing as "Sancho Panza" in high school production of "Man of La Mancha".
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1970 - Graduate of Grover Cleveland High School, Reseda, California.
Quotes
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Quote
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[on 'Dolphin Tale'] A lot of this is far-fetched kid fantasy. But I wanted to bring an element of magic to it, and let us enter this kids' world where things were a little scary and magical at the same time. I think people talk down to kids too much. I think kids' movies can be great and carry the (weight) and (pathos) of an adult drama. They tend to get short shrift, but the kids are smarter than we give them credit for.
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I intend to do things of artistic integrity. I grew up thinking that every movie should be The Graduate (1967). I don't want to do something just because it might be commercially popular--it's more important to do something that has meaning.