Producers

Alfred Hitchcock Net Worth

Alfred Hitchcock Net Worth is
$200 Million

Alfred Hitchcock Biography

He had one girl named Patricia along with his wife, Alma Reville. This led to around $15 million payday, which altered for inflation is just about $120 million today. However, in 1980 the director passed on in Bel Surroundings and the reason for his loss of life was stated to end up being renal failing. He was generally known as ‘Hitch’. Hitchcock produced his name in British cinema and was shortly recognized as England’s greatest director. He directed silent movies and early talkies while getting in England. Then moved to the united states in 1939. He produced a significant name for himself in Hollywood through his many mental thriller genre movies, interviews, and a Television system he hosted for a decade. In London, he was their studies at Salesian University and later on at St. The approximated net well worth of Alfred Hitchcock is just about $200 million US dollars. He was also nominated five instances for an ‘Academy Award for Greatest Director’. Carroll, Hannah Jones, Donald Calthrop, Cary Grant, Edmund Gwenn, Phyllis Konstam, John Longden James Stewart, Ingrid Bergman, Charles Halton, Patricia Hitchcock, Ian Hunter, Grace Kelly, Basil Radford, and John Williams. His dad was a greengrocer. In the 50s, his achievement continued with the launch of movies, including “Stage Fright”, “I Confess”, “Rear Window”, “THE PERSON who Knew an excessive amount of”, “North by Northwest”, “Strangers on a Teach”, “Dial M for Murder”, “To Capture a Thief” and “THE INCORRECT Man”. At age 11, Alfred attended St. Hitchcock specific in suspense and gallows humor, that have been signature to his name in Hollywood. In 1914, he started employed in the sales division at W.T. and Mrs. He got a part-time work as a developer at a film studio in Islington, London. It had been in those days when he began thinking of a profession in the arts. He created his profession defining artistic abilities there and finally went on to become listed on their advertisement division. Hitchcock directed his first full-size feature film ‘The Pleasure Backyard’ in 1925. He passed away peacefully on 29 April 1980, in Bel-Atmosphere, California. Alfred Hitchcock wedded Alma Lucy Reville, his associate director on 2 December 1926, at Church of the Immaculate Center of Mary in Brompton, London. They just had one child, who was simply born on 7 July 1928. Alfred Hitchcock got an excellent profession spanning over six years. He directed over fifty feature movies for the reason that period. He not merely created his personal directorial design of filmmaking but also brought landmark improvements in cinema. His 1st Hollywood film ‘ Rebecca ‘ earned an academy award for Greatest Picture. In 1929, he directed his first audio feature film ‘Blackmail’. Before shifting to Hollywood, Hitchcock directed 23 movies in England. The majority of his films are actually thought to be classics. Hitchcock was nominated for Greatest Director award for the same film. He directed his first color film ‘Rope’ in 1948. His best years of path are from 1954 to 1960. He directed movies like Rear Windowpane (1954), Vertigo (1958), and Psycho (1960) for the reason that period. Hitchcock became a superstar himself when he began hosting a Television show titled ‘Alfred Hitchcock Presents’; He started employed in the film market in 1921 when he started employed in film creation in London under Paramount Photos. Alfred Hitchcock collected numerous prestigious awards throughout his profession. He earned two Golden Globes, five lifetime accomplishment awards, and eight Laurel Awards. Sir Alfred Joseph Hitchcock referred to as Alfred Hitchcock was created on 13 August 1899, in Leytonstone, London, England. He also received an honorary knighthood in Queen’s Honors List. Just how much can be Alfred Hitchcock Net Well worth: Alfred Hitchcock directed many movies in his career, therefore earning lots of money. In the 40s, he directed many successful movies like ‘Notorious’ and ‘Spellbound’. His achievement continued in the 50s as well when he released his most effective and well-known film ‘Psycho’. ‘Psycho’ was his most lucrative film ever; additionally it is regarded as the most lucrative dark and white film in the annals. He film is recognized as the most rewarding film created by him and also the most profitable dark and white film ever sold. He also gained a lot of money from it present he hosted for a decade. The estimated net worthy of of Alfred Hitchcock, altered for inflation is just about $200 million US dollars today. Hitchcock was the world’s first genre expert. He was innovative and acquired a distinctive design. In 1960 Alfred Hitchcock’s name became even more known internationally when he released an extremely successful and well-known film known as “Psycho”, which includes been known until today. His peak happened in the 1950s with the release of movies such as for example Stage Fright, Strangers on a Teach, I Confess, Dial M for Murder, Rear Window, To Capture a Thief, THE PERSON Who Knew AN EXCESSIVE AMOUNT OF (remake), The Wrong Guy, Vertigo, and North by Northwest. It’s been reported that the full total estimate of the existing Alfred Hitchcock net well worth is really as high as 10 million dollars. He was a favorite English director and maker. He was created in 1899 in Essex, England. In the market, Alfred Hitchcock was generally known as ‘The Expert of Suspense’ and ‘Hitch’. Hitchcock directed about 53 films throughout his profession. Later, he was employed by Gainsborough Photos, where he offered as the title developer. In 1921 he started to function in film market and during his profession this market served as the primary resource of increasing the quantity of Alfred Hitchcock net worthy of. His first work was employed in film creation in Paramount Images. Ignatius’ College. It had been because of his function there that he was promoted to become a director, a profession he appreciated most. Being truly a director also added up too much to the full total size of Alfred Hitchcock net value. Alfred Hitchcock became known for his get better at usage of suspense in his movies. In the 40s, he reached his peak achievement when he released many effective films, such as for example “Mr. Henley’s Telegraph Functions. Smith”, “Shadow of any doubt”, “Saboteur”, “The Keys of the Kingdom”, “Under Capricorn”, “The Paradine Case”, “Suspicion”, “Lifeboat”, “Notorious” and “Spellbound”.” He attended Salesian University in London in addition to St. He previously two older siblings called William John Hitchcock and Ellen Kathleen Hitchcock. Born in Leytonstone, Essex, England on August 13, 1899, Hitchcock was also referred to as “Hitch” or “The Get better at of Suspense. His path has contributed too much to the emotional thrillers produced today. It elevated Hitchcock’s net worthy of immensely. Afterwards, he released another effective film known as “The Birds”, where actors such as for example Rod Taylor, Suzanne Pleshette and Tippi Hedren made an appearance. Alfred Hitchcock was nicknamed ‘Master of Suspense’ for his psychological thriller movies.Alfred Hitchcock is certainly a well-known name through the entire film industry. Alfred Hitchcock net worthy of: Alfred Hitchcock was an English director and maker who got a net worthy of of $200 million. Alfred’s largest payday originated from the film Psycho. He deferred his income in trade for 60% of the movie’s income. He was a director and maker in English film sector. Therefore, these movies also added up to the entire size of Alfred Hitchcock net worthy of. Thus, his focus on these movies also added up a whole lot of revenues to the full total sum of Alfred Hitchcock net worthy of and produced his name popular. Ignatius’ University. it aired from 1955 to 1965. He afterwards began working as name designer for Gainsborough Photos, which resulted in his rise to being truly a director. Ignatius University, a secondary college in Stamford Hill, London. The rise of his profession was doing the 1940s as he produced powerful and culturally diverse movies including Mr. and Mrs. Smith, The Paradine Case, Shadow of any doubt, Suspicion, Saboteur, Lifeboat, The Keys of the Kingdom, Spellbound, Notorious, and Under Capricorn. He received many accolades for his contribution to the film market. In 1960 he released his most broadly regarded film, Psycho. It had been named the most profitable dark and white film ever sold along with Hitchcock’s most rewarding in his profession. Hitchcock afterwards released The Birds, which highlighted Tippi Hedren, Rod Taylor, and Suzanne Pleshette. On April 29, 1980 Hitchcock passed away in Bel atmosphere of renal failing. He was wedded to Alma Reville and got one girl by the name of Patricia. Hitchcock implemented Roman Catholicism, and his Mass happened at Great Shepherd Catholic Church in Beverly Hills, California. He was known for using do it again actors and actresses for his movies including Clare Greet, Leo G. He was created to parents William Hitchcock and Emma Jane Hitchcock.


Known for movies

Quick Facts

Full NameAlfred Hitchcock
Net Worth$200 Million
Date Of BirthAugust 13, 1899
DiedApril 29, 1980, Bel-Air, Los Angeles, California, United States
Height1.7 m
ProfessionScreenwriter, Television producer, Film producer, Film director, Actor, Film Editor, Film Art Director, Television Director
EducationTower Hamlets College, St Ignatius' College, Salesian College, Battersea
SpouseAlma Reville
ChildrenPat Hitchcock
ParentsWilliam Hitchcock, Emma Jane Hitchcock
SiblingsWilliam Hitchcock, Eileen Hitchcock
AwardsAFI Life Achievement Award, Irving G. Thalberg Memorial Award, Golden Globe Cecil B. DeMille Award, BAFTA Fellowship, Saturn Award, DGA Lifetime Achievement Award, Edgar Grand Master Award, Raven Award, Silver Shell for Best Director, Jussi Award for Best Foreign Filmmaker, Golden Globe Award for Television Achievement
NominationsAcademy Award for Best Director, Golden Globe Award for Best Director - Motion Picture, BAFTA Award for Best Film, Directors Guild of America Award for Outstanding Directing – Feature Film, Primetime Emmy Award for Best MC or Program Host - Male or Female, Primetime Emmy Award for Best Male Personality Continuing Performance, Primetime Emmy Award for Best Direction of a Single Program of a Dramatic Series - Less Than One Hour, Primetime Emmy Award for Best Director - Film Series
MoviesPsycho, The Birds, Vertigo, Rear Window, North by Northwest, Rebecca, Strangers on a Train, Notorious, Rope, Shadow of a Doubt, The 39 Steps, Marnie, Dial M for Murder, The Lady Vanishes, Spellbound, Family Plot, Suspicion, Frenzy, The Lodger: A Story of the London Fog, Blackmail, To Catch a Thief, Torn Curtain, The Trouble with Harry, The Man Who Knew Too Much, Lifeboat, Saboteur, The Wrong Man, I Confess, Young and Innocent, Foreign Correspondent, Jamaica Inn, Stage Fright, Secret Agent, The Paradine Case, Under Capricorn, Easy Virtue, The Ring, The Pleasure Garden, Mr. & Mrs. Smith, The Manxman, The Farmer's Wife, The Skin Game, Number Seventeen, Rich and Strange, Topaz, Juno and the Paycock, The Mountain Eagle, Waltzes from Vienna, Sabotage, Murder!, Number 13
TV ShowsAlfred Hitchcock Presents, Alfred Hitchcock Hour


Interesting Facts

#Fact
1 If you watch his films closely noting the endings or portrayal of cops, you will see that if a cop is required to die, the death will be slow, gruesome or uncompromisingly grisly. If cops survive they are nearly always portrayed as baddies, though in reality they are the good guys. This is because Hitchcock had a life-long phobia of policemen.
2 British author Anthony Horowitz is a huge fan of Hitchcock and will often pay homage to his work.
3 Director Alexander Payne could not imagine Hitchcock's Psycho (1960) in color because it's more chilling in black and white, but it was later remade in color as Psycho (1998), to universal disapproval.
4 Deliberately shot much of the setups in Rear Window (1954) so they would appear voyeuristic.
5 His Dial M for Murder (1954) was re-released in 3D in 1980.
6 (April 27, 2014) Most successful director in IMDB Top 250 movies ever made with 9 entries - Rear Window (1954) (no 31.), Psycho (1960) (no. 32), North by Northwest (1959) (no. 61), Vertigo (1958) (no. 66), Rebecca (1940) (no. 138), Dial M for Murder (1954) (no. 163), Strangers on a Train (1951) (no. 194), Notorious (1946) (no. 198) and Rope (1948) (no. 242).
7 From 1942 until his death, the Hitchcocks lived at 10957 Bellagio Road, Bel Air, California. They had been living at 609 St. Cloud Road in Bel Air in a home leased from friends Carole Lombard and Clark Gable.
8 In the Press Conference for Family Plot (1976), Alfred Hitchcock revealed that his least favorite film out of all the films he directed was Champagne (1928).
9 Is portrayed by Anthony Hopkins in Hitchcock (2012).
10 Donald Spoto wrote that Hitchcock hid behind the door when Bernard Herrmann went to see him after Torn Curtain (1966) break up. Herrmann's third wife Norma denied this in an interview with Gunther Kogebehn in June 2006. In June 2006 interview with Kogebehn, Norma Herrmann states that she and Bernard Herrmann "together" visited Alfred Hitchcock.
11 Many of Hitchcock's films have one-word titles: Blackmail (1929), Rebecca (1940), Suspicion (1941), Saboteur (1942), Lifeboat (1944), Spellbound (1945), Notorious (1946), Rope (1948), Vertigo (1958), Psycho (1960), Marnie (1964), Topaz (1969) and Frenzy (1972). He favored one-word titles because he felt that it was uncluttered, clean and easily remembered by the audience.
12 Hitchcock's wife, Alma Reville, was one day younger than him. They were born August 13 and August 14, 1899.
13 He appears momentarily in a trademark/cameo role in all of his movies. In addition the neon silhouette in Rope (1948), he is seen walking down the street during the opening credits. During the movie, the characters of Mrs. Atwater and Janet are discussing a movie whose one-word title they can not remember. It was a plug for one of Hitchcock's other movies, Notorious (1946).
14 He directed nine of the American Film Institute's 100 Most Heart-Pounding Movies: Psycho (1960) at #1, North by Northwest (1959) at #4, The Birds (1963) at #7, Rear Window (1954) at #14, Vertigo (1958) at #18, Strangers on a Train (1951) at #32, Notorious (1946) at #38, Dial M for Murder (1954) at #48 and Rebecca (1940) at #80.
15 Appears on a 44¢ USA commemorative postage stamp, issued 11 August 2009, in the Early TV Memories issue honoring Alfred Hitchcock Presents (1955).
16 During production of Alfred Hitchcock Presents (1955) he was said to have hid from producer Joan Harrison every time there was a problem with production. His favorite hiding place was behind the couch in his office.
17 Tied with Robert Altman and Clarence Brown for the most nominations for best director (five) at the Academy Awards without a win. Martin Scorsese had been part of this group before his win for The Departed (2006) on his sixth nomination.
18 As a long-time friend of Sidney Bernstein (the pair had formed production company Transatlantic Pictures together in the 1940s), Hitch was the first celebrity visitor to the set of long-running British soap opera Coronation Street (1960), during a June 1964 visit to the Manchester studios of Granada Television which Bernstein co-founded with his brother Cecil.
19 As of the 5th edition of 1001 Movies You Must See Before You Die (edited by Steven Jay Schneider), Hitchcock is the most represented director, with 18 films. Included are his films Blackmail (1929), The 39 Steps (1935), Sabotage (1936), Rebecca (1940), Shadow of a Doubt (1943), Spellbound (1945), Notorious (1946), Rope (1948), Strangers on a Train (1951), Rear Window (1954), The Man Who Knew Too Much (1956), The Wrong Man (1956), Vertigo (1958), North by Northwest (1959), Psycho (1960), The Birds (1963), Marnie (1964) and Frenzy (1972).
20 In addition to his fear of the police, Hitchcock possessed one other phobia: eggs.
21 Walt Disney refused to allow him to film at Disneyland in the early 1960s because Hitchcock had made "that disgusting movie Psycho (1960)".
22 He was naturalized as a United States citizen in 1956.
23 He suggested some improvements to a scene in Gone with the Wind (1939) but the shots integrating his improvements were not used.
24 Though he was Oscar-nominated five times as best director, DGA-nominated six times as best director, and received three nominations from Cannes, he never won in any of these competitive categories, a fact that surprises fans and film critics to this day.
25 A statistical survey he did among audiences revealed that according to moviegoers the most frightening noise in films was the siren of a police patrol-car, followed by the crash of a road accident, cracklings of a burning forest, far galloping horses, howling dogs, the scream of a stabbed woman and the steps of a lame person in the dark.
26 He was awarded 2 Stars on the Hollywood Walk of Fame for Motion Pictures at 6506 Hollywood Boulevard; and for Television at 7013 Hollywood Boulevard in Hollywood, California.
27 On August 2, 1968, he visited Finland to look filming locations for his next film "The Short Night". Of course, the film was never made. In the airport, he was interviewed by Finnish reporters. He was asked why his films were so popular. His answer was: "Everybody likes to be scared".
28 Is the "voice" of the "Jaws" ride at Universal Studios.
29 For Psycho (1960), he deferred his standard $250,000 salary in lieu of 60% of the film's net profits. His personal earnings from the film exceeded $15 million. Adjusted for inflation, that amount would now top $150 million in 2006 terms.
30 Although some of the movie going public knew him, his fame really took off after 1955. That was when Alfred Hitchcock Presents (1955) started. When the show was broadcast in homes week after week, it gave him a much bigger exposure in the public eye. He also became quite rich from the show when it was syndicated in the United States and overseas.
31 He was reportedly furious when Brian De Palma decided to make Obsession (1976), because he thought it was a virtual remake of Vertigo (1958). Ironically, De Palma stopped making mystery/adventure films after Hitchcock's death in 1980, with the possible exception of Body Double (1984).
32 Grandfather of Mary Stone, Tere Carrubba and Katie Fiala.
33 Due to his death in 1980, he never got to see Psycho II (1983). It remains unsure as to whether or not he was approached regarding the second movie, or any other "Psycho (1960) - Expansion" motion picture.
34 Told François Truffaut that although he had made two films prior to The Lodger (1927), he considered that to be his first real film.
35 Education: St. Ignatius College, London, School of Engineering and Navigation (Studied mechanics, electricity, acoustics and navigation); University of London (Studied art).
36 Ranked #2 in Empire (UK) magazine's "The Greatest Directors Ever!" in 2005.
37 As with W.C. Fields and Arthur Godfrey before him, he was legendary for gently tweaking his sponsors during the run of his television show. One typical example runs, "We now interrupt our story for an important announcement. I needn't tell you to whom it will be most important of all.".
38 Praised Luis Buñuel as the best director ever.
39 Directed eight different actors in Oscar-nominated performances: Laurence Olivier, Joan Fontaine, Judith Anderson, Albert Bassermann, Michael Chekhov, Claude Rains, Ethel Barrymore and Janet Leigh. Fontaine won an Oscar for Suspicion (1941).
40 He would work closely with screenwriters, giving them a series of scenes that he wanted in the films, thus closely controlling what he considered the most important aspect of the filmmaking process. Although the screenwriter would write the actual dialogue and blocking, many of the scripts for his films were rigidly based on his ideas.
41 Directed the pilot episode of the radio series "Suspense" (1942-1962), and made a brief appearance at the end. It was an adaptation of his film The Lodger (1927) and starred Herbert Marshall and Edmund Gwenn, who reprised his brother Arthur Chesney 's role as Mr. Bunting.
42 He almost never socialized when not shooting films, and spent most of his evenings quietly at home with his wife Alma Reville and daughter Patricia Hitchcock.
43 He was infamous with cast and crews for his practical jokes. While some inspired laughs, such as suddenly showing up in a dress, most were said to have been a bit more scar than funny. Usually, he found out about somebody's phobias, such as mice or spiders, and in turn sent them a box full of them.
44 Steven Spielberg, Brian De Palma, John Carpenter, Sam Raimi, M. Night Shyamalan, Martin Scorsese, George A. Romero, Peter Bogdanovich, Dario Argento, William Friedkin, David Cronenberg and Quentin Tarantino have named him as an influence.
45 Was a supporter of West Ham United Football Club. He told colleagues in Hollywood that he subscribed to English newspapers in order to keep track of their results.
46 Often said that Shadow of a Doubt (1943) was his favorite film among those he had directed.
47 Had a hard time devising one of his signature walk-ons for Lifeboat (1944), a film about a small group of people trying to survive on a small boat. What he eventually came up with was to have his picture in a newspaper advertisement for weight loss that floated among some debris around the boat. He had happened to have lost a considerable amount of weight from dieting around that time, so he was seen in both the "Before" and the "After" pictures.
48 Was at his heaviest in the late 1930s, when he weighed over 300 pounds. Although always overweight, he dieted and lost a considerable amount of weight in the early 1950s, with pictures from sets like To Catch a Thief (1955) showing a surprisingly thin Hitchcock. His weight continued to fluctuate throughout his life.
49 Was voted the Greatest Director of all time by Entertainment Weekly. The same magazine's list of the 100 Greatest Films of all time includes more films directed by Hitchcock than by any other director, with four. On the list were his masterworks Psycho (1960) (#11), Vertigo (1958) (#19), North by Northwest (1959) (#44) and Notorious (1946) (#66).
50 When he won his Lifetime Achievement award in 1979, he joked with friends that he must be about to die soon. He died a year later.
51 He allegedly refused the British honour of CBE (Commander of the Order of the British Empire) in 1962.
52 One of the most successful Hitchcock tie-ins is a pulp publication titled "Alfred Hitchcock's Mystery Magazine". The publication is highly respected and has become one of the longest running mystery anthologies. It continues to be published almost a quarter century after Hitchock's death.
53 He was listed as the editor of a series of anthologies containing mysteries and thillers. However, he had little to do with them. Even the introductions, credited to him, were, like the introductions on his television series, written by others.
54 Lent his name and character to a series of adolescent books entitled "Alfred Hitchcock and the Three Investigators" (circa late 1960s - early 1970s). The premise was that main character and crime-solver Jupiter Jones won the use of Mr. Hitchcock's limousine in a contest. Hitch also wrote forewords to this series of books. After his death, his famous silhouette was taken off the spine of the books, and the forewords (obviously) stopped appearing as well.
55 In a recent USC class on Hitchcock (fall 2000), guest speaker Patricia Hitchcock revealed that two guilty pleasures of Hitch's were Smokey and the Bandit (1977) and Benji (1974).
56 Destiny (1921) by Fritz Lang was his declared favorite movie.
57 He delivered the shortest acceptance speech in Academy Award history: while accepting the Irving Thalberg Memorial Award at the 1967 Academy Awards, he simply said "Thank you".
58 Asked writers Pierre Boileau and Thomas Narcejac to write a novel for him after Henri-Georges Clouzot had been faster in buying the rights for "Celle qui n'était plus" which became Diabolique (1955). The novel they wrote, "From Among the Dead", was shot as Vertigo (1958).
59 He was director William Girdler's idol. Girdler made Day of the Animals (1977) borrowing elements from Hitchcock's The Birds (1963).
60 When finishing a cup of tea while on the set, he would often non-discriminatingly toss the cup and saucer over his shoulder, letting it fall (or break) wherever it may.
61 First visited Hollywood in the late 1930s, but was turned down by virtually all major motion picture studios because they thought he could not make a Hollywood-style picture. He was finally offered a seven-year directing contract by producer David O. Selznick. His first project was supposed to be a film about the Titanic, but Selznick scrapped the project because he "couldn't find a boat to sink." Selznick assigned Hitch to direct Rebecca (1940) instead, which later won the best picture Oscar.
62 His bridling under the heavy hand of producer David O. Selznick was exemplified by the final scene of Rebecca (1940). Selznick wanted his director to show smoke coming out of the burning house's chimney forming the letter 'R'. Hitchcock thought the touch lacked any subtlety; instead, he showed flames licking at a pillow embroidered with the letter 'R'.
63 From 1977 until his death, he worked with a succession of writers on a film to be known as "The Short Night". The majority of the writing was done by David Freeman, who published the final screenplay after Hitchcock's death.
64 In the 1980 Queen's New Year's Honours list (only a few months before his death), he was named an Honorary (as he was a United States citizen) Knight Commander of the Order of the British Empire.
65 Alma Reville and Hitchcock had one daughter, Patricia Hitchcock, who appeared in three of his movies: Stage Fright (1950), Strangers on a Train (1951) and Psycho (1960).
66 He never won a best director Academy Award in competition, although he was awarded the Irving Thalberg Memorial Award at the 1967 Academy Awards.
67 On April 29, 1974, the Film Society of Lincoln Center in New York sponsored a gala homage to Alfred Hitchcock and his contributions to the cinema. Three hours of film excerpts were shown that night. François Truffaut who had published a book of interviews with Hitchcock a few years earlier, was there that night to present "two brilliant sequences: the clash of the cymbals in the second version of The Man Who Knew Too Much (1956) , and the plane attack on Cary Grant in North by Northwest (1959)." After the gala, Truffaut reflected again on what made Hitchcock unique and concluded: "It was impossible not to see that the love scenes were filmed like murder scenes, and the murder scenes like love scenes...It occurred to me that in Hitchcock's cinema...to make love and to die are one and the same.".
68 As a child, Hitchcock was sent to the local police station with a letter from his father. The desk sergeant read the letter and immediately locked the boy up for ten minutes. After that, the sergeant let young Alfred go, explaining, "This is what happens to people who do bad things." Hitchcock had a morbid fear of police from that day on. He also cited this phobia as the reason he never learned to drive (as a person who doesn't drive can never be pulled over and given a ticket). It was also cited as the reason for the recurring "wrong man" themes in his films.
69 He appears on a 32-cent U.S. postage stamp, in the "Legends of Hollywood" series, that was released 8/3/98 in Los Angeles, California.
70 Was close friends with Albert R. Broccoli, well known as the producer of the James Bond - 007 franchise. Hitchcock's North by Northwest (1959) was the influence for the helicopter scene in From Russia with Love (1963). Actors Sean Connery, Karin Dor, Louis Jourdan and Anthony Dawson have appeared in both a Hitchcock film and a Bond film.
71 According to Hitchcock himself, he was required to stand at the foot of his mother's bed, and tell her what happened to him each day.
72 He once dressed up in drag for a party he threw. Footage of this was kept in his office, but after his death, his office was cleaned out and the footage not found. It is not known if the footage still exists.
73 According to many people who knew Hitchcock, he could not stand to even look at his wife, Alma Reville, while she was pregnant.
74 British author Anthony Horowitz is a huge fan of Hitchcock and will often pay homage to his work.
75 Sir Alfred Hitchcock passed away on April 29, 1980, less than four months away from what would have been his 81st birthday on August 13.
76 Director Alexander Payne could not imagine Hitchcock's Psycho (1960) in color because it's more chilling in black and white, but it was later remade in color as Psycho (1998), to universal disapproval.
77 Deliberately shot much of the setups in Rear Window (1954) so they would appear voyeuristic.
78 His Dial M for Murder (1954) was re-released in 3D in 1980.
79 (April 27, 2014) Most successful director in IMDB Top 250 movies ever made with 9 entries - Rear Window (1954) (no 31.), Psycho (1960) (no. 32), North by Northwest (1959) (no. 61), Vertigo (1958) (no. 66), Rebecca (1940) (no. 138), Dial M for Murder (1954) (no. 163), Strangers on a Train (1951) (no. 194), Notorious (1946) (no. 198) and Rope (1948) (no. 242).
80 From 1942 until his death, the Hitchcocks lived at 10957 Bellagio Road, Bel Air, California. They had been living at 609 St. Cloud Road in Bel Air in a home leased from friends Carole Lombard and Clark Gable.
81 In the Press Conference for Family Plot (1976), Alfred Hitchcock revealed that his least favorite film out of all the films he directed was Champagne (1928).
82 Is portrayed by Anthony Hopkins in Hitchcock (2012).
83 Donald Spoto wrote that Hitchcock hid behind the door when Bernard Herrmann went to see him after Torn Curtain (1966) break up. Herrmann's third wife Norma denied this in an interview with Gunther Kogebehn in June 2006. In June 2006 interview with Kogebehn, Norma Herrmann states that she and Bernard Herrmann "together" visited Alfred Hitchcock.
84 Many of Hitchcock's films have one-word titles: Blackmail (1929), Rebecca (1940), Suspicion (1941), Saboteur (1942), Lifeboat (1944), Spellbound (1945), Notorious (1946), Rope (1948), Vertigo (1958), Psycho (1960), Marnie (1964), Topaz (1969) and Frenzy (1972). He favored one-word titles because he felt that it was uncluttered, clean and easily remembered by the audience.
85 Hitchcock's wife, Alma Reville, was one day younger than him. They were born August 13 and August 14, 1899.
86 He appears momentarily in a trademark/cameo role in all of his movies. In addition the neon silhouette in Rope (1948), he is seen walking down the street during the opening credits. During the movie, the characters of Mrs. Atwater and Janet are discussing a movie whose one-word title they can not remember. It was a plug for one of Hitchcock's other movies, Notorious (1946).
87 He directed nine of the American Film Institute's 100 Most Heart-Pounding Movies: Psycho (1960) at #1, North by Northwest (1959) at #4, The Birds (1963) at #7, Rear Window (1954) at #14, Vertigo (1958) at #18, Strangers on a Train (1951) at #32, Notorious (1946) at #38, Dial M for Murder (1954) at #48 and Rebecca (1940) at #80.
88 Appears on a 44¢ USA commemorative postage stamp, issued 11 August 2009, in the Early TV Memories issue honoring Alfred Hitchcock Presents (1955).
89 During production of Alfred Hitchcock Presents (1955) he was said to have hid from producer Joan Harrison every time there was a problem with production. His favorite hiding place was behind the couch in his office.
90 Tied with Robert Altman and Clarence Brown for the most nominations for best director (five) at the Academy Awards without a win. Martin Scorsese had been part of this group before his win for The Departed (2006) on his sixth nomination.
91 As a long-time friend of Sidney Bernstein (the pair had formed production company Transatlantic Pictures together in the 1940s), Hitch was the first celebrity visitor to the set of long-running British soap opera Coronation Street (1960), during a June 1964 visit to the Manchester studios of Granada Television which Bernstein co-founded with his brother Cecil.
92 As of the 5th edition of 1001 Movies You Must See Before You Die (edited by Steven Jay Schneider), Hitchcock is the most represented director, with 18 films. Included are his films Blackmail (1929), The 39 Steps (1935), Sabotage (1936), Rebecca (1940), Shadow of a Doubt (1943), Spellbound (1945), Notorious (1946), Rope (1948), Strangers on a Train (1951), Rear Window (1954), The Man Who Knew Too Much (1956), The Wrong Man (1956), Vertigo (1958), North by Northwest (1959), Psycho (1960), The Birds (1963), Marnie (1964) and Frenzy (1972).
93 In addition to his fear of the police, Hitchcock possessed one other phobia: eggs.
94 Walt Disney refused to allow him to film at Disneyland in the early 1960s because Hitchcock had made "that disgusting movie Psycho (1960)".
95 He was naturalized as a United States citizen in 1956.
96 He suggested some improvements to a scene in Gone with the Wind (1939) but the shots integrating his improvements were not used.
97 Though he was Oscar-nominated five times as best director, DGA-nominated six times as best director, and received three nominations from Cannes, he never won in any of these competitive categories, a fact that surprises fans and film critics to this day.
98 A statistical survey he did among audiences revealed that according to moviegoers the most frightening noise in films was the siren of a police patrol-car, followed by the crash of a road accident, cracklings of a burning forest, far galloping horses, howling dogs, the scream of a stabbed woman and the steps of a lame person in the dark.
99 He was awarded 2 Stars on the Hollywood Walk of Fame for Motion Pictures at 6506 Hollywood Boulevard; and for Television at 7013 Hollywood Boulevard in Hollywood, California.
100 On August 2, 1968, he visited Finland to look filming locations for his next film "The Short Night". Of course, the film was never made. In the airport, he was interviewed by Finnish reporters. He was asked why his films were so popular. His answer was: "Everybody likes to be scared".
101 Is the "voice" of the "Jaws" ride at Universal Studios.
102 For Psycho (1960), he deferred his standard $250,000 salary in lieu of 60% of the film's net profits. His personal earnings from the film exceeded $15 million. Adjusted for inflation, that amount would now top $150 million in 2006 terms.
103 Although some of the movie going public knew him, his fame really took off after 1955. That was when Alfred Hitchcock Presents (1955) started. When the show was broadcast in homes week after week, it gave him a much bigger exposure in the public eye. He also became quite rich from the show when it was syndicated in the United States and overseas.
104 He was reportedly furious when Brian De Palma decided to make Obsession (1976), because he thought it was a virtual remake of Vertigo (1958). Ironically, De Palma stopped making mystery/adventure films after Hitchcock's death in 1980, with the possible exception of Body Double (1984).
105 Grandfather of Mary Stone, Tere Carrubba and Katie Fiala.
106 Due to his death in 1980, he never got to see Psycho II (1983). It remains unsure as to whether or not he was approached regarding the second movie, or any other "Psycho (1960) - Expansion" motion picture.
107 Told François Truffaut that although he had made two films prior to The Lodger (1927), he considered that to be his first real film.
108 Education: St. Ignatius College, London, School of Engineering and Navigation (Studied mechanics, electricity, acoustics and navigation); University of London (Studied art).
109 Ranked #2 in Empire (UK) magazine's "The Greatest Directors Ever!" in 2005.
110 As with W.C. Fields and Arthur Godfrey before him, he was legendary for gently tweaking his sponsors during the run of his television show. One typical example runs, "We now interrupt our story for an important announcement. I needn't tell you to whom it will be most important of all.".
111 Praised Luis Buñuel as the best director ever.
112 Directed eight different actors in Oscar-nominated performances: Laurence Olivier, Joan Fontaine, Judith Anderson, Albert Bassermann, Michael Chekhov, Claude Rains, Ethel Barrymore and Janet Leigh. Fontaine won an Oscar for Suspicion (1941).
113 He would work closely with screenwriters, giving them a series of scenes that he wanted in the films, thus closely controlling what he considered the most important aspect of the filmmaking process. Although the screenwriter would write the actual dialogue and blocking, many of the scripts for his films were rigidly based on his ideas.
114 Directed the pilot episode of the radio series "Suspense" (1942-1962), and made a brief appearance at the end. It was an adaptation of his film The Lodger (1927) and starred Herbert Marshall and Edmund Gwenn, who reprised his brother Arthur Chesney 's role as Mr. Bunting.
115 He almost never socialized when not shooting films, and spent most of his evenings quietly at home with his wife Alma Reville and daughter Patricia Hitchcock.
116 He was infamous with cast and crews for his practical jokes. While some inspired laughs, such as suddenly showing up in a dress, most were said to have been a bit more scar than funny. Usually, he found out about somebody's phobias, such as mice or spiders, and in turn sent them a box full of them.
117 Steven Spielberg, Brian De Palma, John Carpenter, Sam Raimi, M. Night Shyamalan, Martin Scorsese, George A. Romero, Peter Bogdanovich, Dario Argento, William Friedkin, David Cronenberg and Quentin Tarantino have named him as an influence.
118 Was a supporter of West Ham United Football Club. He told colleagues in Hollywood that he subscribed to English newspapers in order to keep track of their results.
119 Often said that Shadow of a Doubt (1943) was his favorite film among those he had directed.
120 Had a hard time devising one of his signature walk-ons for Lifeboat (1944), a film about a small group of people trying to survive on a small boat. What he eventually came up with was to have his picture in a newspaper advertisement for weight loss that floated among some debris around the boat. He had happened to have lost a considerable amount of weight from dieting around that time, so he was seen in both the "Before" and the "After" pictures.
121 Was at his heaviest in the late 1930s, when he weighed over 300 pounds. Although always overweight, he dieted and lost a considerable amount of weight in the early 1950s, with pictures from sets like To Catch a Thief (1955) showing a surprisingly thin Hitchcock. His weight continued to fluctuate throughout his life.
122 Was voted the Greatest Director of all time by Entertainment Weekly. The same magazine's list of the 100 Greatest Films of all time includes more films directed by Hitchcock than by any other director, with four. On the list were his masterworks Psycho (1960) (#11), Vertigo (1958) (#19), North by Northwest (1959) (#44) and Notorious (1946) (#66).
123 When he won his Lifetime Achievement award in 1979, he joked with friends that he must be about to die soon. He died a year later.
124 He allegedly refused the British honour of CBE (Commander of the Order of the British Empire) in 1962.
125 One of the most successful Hitchcock tie-ins is a pulp publication titled "Alfred Hitchcock's Mystery Magazine". The publication is highly respected and has become one of the longest running mystery anthologies. It continues to be published almost a quarter century after Hitchock's death.
126 He was listed as the editor of a series of anthologies containing mysteries and thillers. However, he had little to do with them. Even the introductions, credited to him, were, like the introductions on his television series, written by others.
127 Lent his name and character to a series of adolescent books entitled "Alfred Hitchcock and the Three Investigators" (circa late 1960s - early 1970s). The premise was that main character and crime-solver Jupiter Jones won the use of Mr. Hitchcock's limousine in a contest. Hitch also wrote forewords to this series of books. After his death, his famous silhouette was taken off the spine of the books, and the forewords (obviously) stopped appearing as well.
128 In a recent USC class on Hitchcock (fall 2000), guest speaker Patricia Hitchcock revealed that two guilty pleasures of Hitch's were Smokey and the Bandit (1977) and Benji (1974).
129 Destiny (1921) by Fritz Lang was his declared favorite movie.
130 He delivered the shortest acceptance speech in Oscar history: while accepting the Irving Thalberg Memorial Award at the 1967 Oscars, he simply said "Thank you.".
131 Asked writers Pierre Boileau and Thomas Narcejac to write a novel for him after Henri-Georges Clouzot had been faster in buying the rights for "Celle qui n'était plus" which became Diabolique (1955). The novel they wrote, "From Among the Dead", was shot as Vertigo (1958).
132 He was director William Girdler's idol. Girdler made Day of the Animals (1977) borrowing elements from Hitchcock's The Birds (1963).
133 When finishing a cup of tea while on the set, he would often non-discriminatingly toss the cup and saucer over his shoulder, letting it fall (or break) wherever it may.
134 First visited Hollywood in the late 1930s, but was turned down by virtually all major motion picture studios because they thought he could not make a Hollywood-style picture. He was finally offered a seven-year directing contract by producer David O. Selznick. His first project was supposed to be a film about the Titanic, but Selznick scrapped the project because he "couldn't find a boat to sink." Selznick assigned Hitch to direct Rebecca (1940) instead, which later won the best picture Oscar.
135 His bridling under the heavy hand of producer David O. Selznick was exemplified by the final scene of Rebecca (1940). Selznick wanted his director to show smoke coming out of the burning house's chimney forming the letter 'R'. Hitchcock thought the touch lacked any subtlety; instead, he showed flames licking at a pillow embroidered with the letter 'R'.
136 From 1977 until his death, he worked with a succession of writers on a film to be known as "The Short Night". The majority of the writing was done by David Freeman, who published the final screenplay after Hitchcock's death.
137 In the 1980 Queen's New Year's Honours list (only a few months before his death), he was named an Honorary (as he was a United States citizen) Knight Commander of the Order of the British Empire.
138 Alma Reville and Hitchcock had one daughter, Patricia Hitchcock, who appeared in three of his movies: Stage Fright (1950), Strangers on a Train (1951) and Psycho (1960).
139 He never won a best director Oscar in competition, although he was awarded the Irving Thalberg Memorial Award at the 1967 Oscars.
140 On April 29, 1974, the Film Society of Lincoln Center in New York sponsored a gala homage to Alfred Hitchcock and his contributions to the cinema. Three hours of film excerpts were shown that night. François Truffaut who had published a book of interviews with Hitchcock a few years earlier, was there that night to present "two brilliant sequences: the clash of the cymbals in the second version of The Man Who Knew Too Much (1956) , and the plane attack on Cary Grant in North by Northwest (1959)." After the gala, Truffaut reflected again on what made Hitchcock unique and concluded: "It was impossible not to see that the love scenes were filmed like murder scenes, and the murder scenes like love scenes...It occurred to me that in Hitchcock's cinema...to make love and to die are one and the same.".
141 As a child, Hitchcock was sent to the local police station with a letter from his father. The desk sergeant read the letter and immediately locked the boy up for ten minutes. After that, the sergeant let young Alfred go, explaining, "This is what happens to people who do bad things." Hitchcock had a morbid fear of police from that day on. He also cited this phobia as the reason he never learned to drive (as a person who doesn't drive can never be pulled over and given a ticket). It was also cited as the reason for the recurring "wrong man" themes in his films.
142 He appears on a 32-cent U.S. postage stamp, in the "Legends of Hollywood" series, that was released 8/3/98 in Los Angeles, California.
143 Was close friends with Albert R. Broccoli, well known as the producer of the James Bond - 007 franchise. Hitchcock's North by Northwest (1959) was the influence for the helicopter scene in From Russia with Love (1963). Actors Sean Connery, Karin Dor, Louis Jourdan and Anthony Dawson have appeared in both a Hitchcock film and a Bond film.
144 According to Hitchcock himself, he was required to stand at the foot of his mother's bed, and tell her what happened to him each day.
145 He once dressed up in drag for a party he threw. Footage of this was kept in his office, but after his death, his office was cleaned out and the footage not found. It is not known if the footage still exists.
146 According to many people who knew Hitchcock, he could not stand to even look at his wife, Alma Reville, while she was pregnant.


Net Worth & Salary

TitleSalary
Psycho (1960) 60% of the net profits (salary deferred)
North by Northwest (1959) $250,000 + 10% of the net profits.
Vertigo (1958) $150,000 + 10% of the profits +film negative ownership
The Man Who Knew Too Much (1956) $150,000 + 10% of the profits +film negative ownership
Rear Window (1954) $150,000 + 10% of the profits +film negative ownership
Notorious (1946) $7,000 /week
Suspicion (1941) $2,500 /week
The Lady Vanishes (1938) $50,000
Psycho (1960) 60% of the net profits (salary deferred)
North by Northwest (1959) $250,000 + 10% of the net profits.
Vertigo (1958) $150,000 + 10% of the profits +film negative ownership
The Man Who Knew Too Much (1956) $150,000 + 10% of the profits +film negative ownership
Rear Window (1954) $150,000 + 10% of the profits +film negative ownership
Notorious (1946) $7,000 /week
Suspicion (1941) $2,500 /week
The Lady Vanishes (1938) $50,000


Trademarks

#Trademark
1 Unusual subjective point of view shots
2 Often makes the audience empathizes with the villain's plight, usually in a sequence where the villain is in danger of being caught.
3 Liked to use major stars in his films that the audience was familiar with, so he could dispense with character development and focus more on the plot.
4 [Attribution] Name often appears before the film titles, as in "Alfred Hitchcock's Psycho".
5 Frequent collaborators: actors 'James Stewart' and 'Cary Grant', editor George Tomasini, composer Bernard Herrmann, costume designer Edith Head and director of photography Robert Burks.
6 Distinctively slow way of speaking, dark humor and dry wit, especially regarding murder
7 He hated to shoot on location. He preferred to shoot at the studio where he could have full control of lighting and other factors. This is why even his later films contain special effects composite and rear screen shots.
8 His "MacGuffins" were objects or devices which drove the plot and were of great interest to the film's characters, but which to the audience were otherwise inconsequential and could be forgotten once they had served their purpose. The most notable examples include bottled uranium in Notorious (1946), the wedding ring in Rear Window (1954), the microfilm in North by Northwest (1959) and the $40,000 in the envelope in Psycho (1960).
9 Inspired the adjective "Hitchcockian" for suspense thrillers
10 In a lot of his films (more noticeably in the early black and white American films), he used to create more shadows on the walls to create suspense and tension (e.g., the "Glowing Milk" scene in Suspicion (1941) or the ominous shadow during the opening credits of Saboteur (1942)).
11 [Profile] The famous profile sketch, most often associated with Alfred Hitchcock Presents (1955) and The Alfred Hitchcock Hour (1962). It was actually from a Christmas card Hitchcock designed himself while still living in England.
12 In order to create suspense in his films, he would alternate between different shots to extend cinematic time (e.g., the climax of Saboteur (1942), the cropduster sequence in North by Northwest (1959), the shower scene in Psycho (1960), etc.) His driving sequences were also shot in this particular way. They would typically alternate between the character's point of view while driving and a close-up shot of those inside car from opposite direction. This technique kept the viewer 'inside' the car and made any danger encountered more richly felt.
13 Always formally dressed, wearing a suit on film sets
14 There is a recurrent motif of lost or assumed identity. While mistaken identity applies to a film like North by Northwest (1959), assumed identity applies to films such as The 39 Steps (1935), Vertigo (1958), Psycho (1960), and Marnie (1964) among others.
15 [Blondes] The most famous actresses in his filmography (mostly in leading roles) were Anny Ondra, Madeleine Carroll, Joan Fontaine, Ingrid Bergman, Grace Kelly, Eva Marie Saint, Kim Novak, Vera Miles, Janet Leigh and Tippi Hedren.
16 Often used the "wrong man" or "mistaken identity" theme in his movies (Saboteur (1942), I Confess (1953), The Wrong Man (1956), North by Northwest (1959), Frenzy (1972)).
17 [Bathrooms] Often a plot device, a hiding place or a place where lovemaking is prepared for. Hitchcock also frequently used the letters "BM", which stand for "Bowel Movement".
18 [Hair] Likes to insert shots of a woman's hairstyle, frequently in close-ups.
19 [Cameo] Often has a quick cameo in his films. He eventually began making his appearances in the beginning of his films, because he knew viewers were watching for him and he didn't want to divert their attention away from the story's plot. He made a live cameo appearance in all of his movies beginning with The Lady Vanishes (1938) (Man in London Railway Station walking on the station train platform), The Girl Was Young (1937) (Photographer Outside Courthouse) ... aka The Girl Was Young (USA), The 39 Steps (1935) (Passerby Near the Bus), Murder! (1930) (Man on Street), Blackmail (1929) (Man on subway), Easy Virtue (1928) (Man with stick near tennis court), The Lodger (1927) (Extra in newspaper office) ... aka The Case of Jonathan Drew., excluding Lifeboat (1944), in which he appeared in a newspaper advertisement; Dial M for Murder (1954), in which he appeared in a class reunion photo; Rope (1948) in which his "appearance" is as a neon version of his famous caricature on a billboard outside the window in a night scene and Family Plot (1976) in which his "appearance" is as a silhouette of someone standing on the other side of a frosted glass door.
20 Unusual subjective point of view shots
21 Often makes the audience empathizes with the villain's plight, usually in a sequence where the villain is in danger of being caught.
22 Liked to use major stars in his films that the audience was familiar with, so he could dispense with character development and focus more on the plot.
23 [Attribution] Name often appears before the film titles, as in "Alfred Hitchcock's Psycho".
24 Frequent collaborators: actors 'James Stewart' and 'Cary Grant', editor George Tomasini, composer Bernard Herrmann, costume designer Edith Head and director of photography Robert Burks.
25 Distinctively slow way of speaking, dark humor and dry wit, especially regarding murder
26 He hated to shoot on location. He preferred to shoot at the studio where he could have full control of lighting and other factors. This is why even his later films contain special effects composite and rear screen shots.
27 His "MacGuffins" were objects or devices which drove the plot and were of great interest to the film's characters, but which to the audience were otherwise inconsequential and could be forgotten once they had served their purpose. The most notable examples include bottled uranium in Notorious (1946), the wedding ring in Rear Window (1954), the microfilm in North by Northwest (1959) and the $40,000 in the envelope in Psycho (1960).
28 Inspired the adjective "Hitchcockian" for suspense thrillers
29 In a lot of his films (more noticeably in the early black and white American films), he used to create more shadows on the walls to create suspense and tension (e.g., the "Glowing Milk" scene in Suspicion (1941) or the ominous shadow during the opening credits of Saboteur (1942)).
30 [Profile] The famous profile sketch, most often associated with Alfred Hitchcock Presents (1955) and The Alfred Hitchcock Hour (1962). It was actually from a Christmas card Hitchcock designed himself while still living in England.
31 In order to create suspense in his films, he would alternate between different shots to extend cinematic time (e.g., the climax of Saboteur (1942), the cropduster sequence in North by Northwest (1959), the shower scene in Psycho (1960), etc.) His driving sequences were also shot in this particular way. They would typically alternate between the character's point of view while driving and a close-up shot of those inside car from opposite direction. This technique kept the viewer 'inside' the car and made any danger encountered more richly felt.
32 Always formally dressed, wearing a suit on film sets
33 There is a recurrent motif of lost or assumed identity. While mistaken identity applies to a film like North by Northwest (1959), assumed identity applies to films such as The 39 Steps (1935), Vertigo (1958), Psycho (1960), and Marnie (1964) among others.
34 [Blondes] The most famous actresses in his filmography (mostly in leading roles) were Anny Ondra, Madeleine Carroll, Joan Fontaine, Ingrid Bergman, Grace Kelly, Eva Marie Saint, Kim Novak, Vera Miles, Janet Leigh and Tippi Hedren.
35 Often used the "wrong man" or "mistaken identity" theme in his movies (Saboteur (1942), I Confess (1953), The Wrong Man (1956), North by Northwest (1959), Frenzy (1972)).
36 [Bathrooms] Often a plot device, a hiding place or a place where lovemaking is prepared for. Hitchcock also frequently used the letters "BM", which stand for "Bowel Movement".
37 [Hair] Likes to insert shots of a woman's hairstyle, frequently in close-ups.
38 [Cameo] Often has a quick cameo in his films. He eventually began making his appearances in the beginning of his films, because he knew viewers were watching for him and he didn't want to divert their attention away from the story's plot. He made a live cameo appearance in all of his movies beginning with The Lady Vanishes (1938) (Man in London Railway Station walking on the station train platform), Young and Innocent (1937) (Photographer Outside Courthouse) ... aka The Girl Was Young (USA), The 39 Steps (1935) (Passerby Near the Bus), Murder! (1930) (Man on Street), Blackmail (1929) (Man on subway), Easy Virtue (1928) (Man with stick near tennis court), The Lodger: A Story of the London Fog (1927) (Extra in newspaper office) ... aka The Case of Jonathan Drew., excluding Lifeboat (1944), in which he appeared in a newspaper advertisement; Dial M for Murder (1954), in which he appeared in a class reunion photo; Rope (1948) in which his "appearance" is as a neon version of his famous caricature on a billboard outside the window in a night scene and Family Plot (1976) in which his "appearance" is as a silhouette of someone standing on the other side of a frosted glass door.


Quotes

#Quote
1 If you've designed a picture correctly, the Japanese audience should scream at the same time as the Indian audience.
2 I deny I ever said that actors are cattle. What I said was, "Actors should be treated like cattle.".
3 [1955, as host of his television series Alfred Hitchcock Presents (1955)] For those of you watching this show in the year 2000, write us a letter and tell us how things are going where you are.
4 [1972] Puns are the highest form of literature.
5 [to an interviewer on why he does not make comedies] But every film I made IS a comedy!
6 [on Michelangelo Antonioni and Federico Fellini] Those Italian fellows are a hundred years ahead of us. Blow-Up (1966) and 8½ (1963) are bloody masterpieces. [1978]
7 [on how to properly build suspense] Four people are sitting around a table talking about baseball or whatever you like. Five minutes of it. Very dull. Suddenly, a bomb goes off. Blows the people to smithereens. What does the audience have? Ten seconds of shock. Now take the same scene and tell the audience there is a bomb under that table and will go off in five minutes. The whole emotion of the audience is totally different because you've given them that information. In five minutes time that bomb will go off. Now the conversation about baseball becomes very vital. Because they're saying to you, "Don't be ridiculous. Stop talking about baseball. There's a bomb under there." You've got the audience working.
8 The length of a film should be directly related to the endurance of the human bladder.
9 Cartoonists have the best casting system. If they don't like an actor, they just tear him up.
10 Everything's perverted in a different way.
11 I like stories with lots of psychology.
12 Reality is something that none of us can stand, at any time.
13 [A portion of his AFI Lifetime Achievement Award acceptance speech] Had the beautiful Ms. Reville [his wife Alma Reville] not accepted a lifetime contract without options as Mrs. Alfred Hitchcock some 53 years ago, Mr. Alfred Hitchcock might be in this room tonight, not at this table but as one of the slower waiters on the floor.
14 I wanted once to do a scene, for North by Northwest (1959) by the way, and I couldn't get it in there. I wanted it to be in Detroit, and two men walking along in front of an assembly line. And behind them you see the automobile being put together. It starts with a frame, and you just take the camera along, the two men are talking. And you know all those cars are eventually driven off the line, they load them with gas and everything. And one of the men goes forward, mind you you've seen a car from nothing, just a frame, opens the door and a dead body falls out.
15 [on the making of Psycho (1960) and a fake torso made by the special effects department that spurted blood when stabbed with a knife] But I never used it. It was all unnecessary because the cocking of the knife, the girl's face and the feet and everything was so rapid that there were 78 separate pieces of film in 45 seconds.
16 [on his history as a practical joker] I once gave a dinner party, oh many years ago, where all the food was blue.
17 All love scenes started on the set are continued in the dressing room.
18 [Part of his publicity campaign prior to the release of Psycho (1960)] It has been rumored that Psycho is so terrifying that it will scare some people speechless. Some of my men hopefully sent their wives to a screening. The women emerged badly shaken but still vigorously vocal.
19 [When asked by a member of the press why, at his advanced age, it took so long for the British government to grant him the title of Knight] I think it's just a matter of carelessness.
20 Fear isn't so difficult to understand. After all, weren't we all frightened as children? Nothing has changed since Little Red Riding Hood faced the big bad wolf. What frightens us today is exactly the same sort of thing that frightened us yesterday. It's just a different wolf. This fright complex is rooted in every individual.
21 [on his lifelong fear of eggs ("ovophobia")] I'm frightened of eggs, worse than frightened, they revolt me. That white round thing without any holes... have you ever seen anything more revolting than an egg yolk breaking and spilling its yellow liquid? Blood is jolly, red. But egg yolk is yellow, revolting. I've never tasted it.
22 I made a remark a long time ago. I said I was very pleased that television was now showing murder stories, because it's bringing murder back into its rightful setting - in the home.
23 [on North by Northwest (1959)] Our original title, you know, was "The Man in Lincoln's Nose". Couldn't use it, though. They also wouldn't let us shoot people on Mount Rushmore. Can't deface a national monument. And it's a pity, too, because I had a wonderful shot in mind of Cary Grant hiding in Lincon's nose and having a sneezing fit.
24 To make a great film you need three things - the script, the script and the script.
25 I don't understand why we have to experiment with film. I think everything should be done on paper. A musician has to do it, a composer. He puts a lot of dots down and beautiful music comes out. And I think that students should be taught to visualize. That's the one thing missing in all this. The one thing that the student has got to do is to learn that there is a rectangle up there - a white rectangle in a theater - and it has to be filled.
26 When an actor comes to me and wants to discuss his character, I say, "It's in the script". If he says, "But what's my motivation?", I say, "Your salary".
27 I am scared easily, here is a list of my adrenaline-production: 1: small children, 2: policemen, 3: high places, 4: that my next movie will not be as good as the last one.
28 Blondes make the best victims. They're like virgin snow that shows up the bloody footprints.
29 [Walt Disney] has the best casting. If he doesn't like an actor he just tears him up.
30 Cary Grant is the only actor I ever loved in my whole life.
31 [on The Birds (1963)] You know, I've often wondered what the Audubon Society's attitude might be to this picture.
32 In feature films the director is God; in documentary films God is the director.
33 A good film is when the price of the dinner, the theatre admission and the babysitter were worth it.
34 If it's a good movie, the sound could go off and the audience would still have a perfectly clear idea of what was going on.
35 I am a typed director. If I made Cinderella (1937), the audience would immediately be looking for a body in the coach.
36 Film your murders like love scenes, and film your love scenes like murders.
37 The paperback is very interesting but I find it will never replace the hardcover book -- it makes a very poor doorstop.
38 [on directing Charles Laughton] You can't direct a Laughton picture. The best you can hope for is to referee.
39 [on Claude Jade, who starred in Topaz (1969)] Claude Jade is a brave nice young lady. But I don't give any guarantee what she will do on a taxi's back seat.
40 Man does not live by murder alone. He needs affection, approval, encouragement and, occasionally, a hearty meal.
41 There is nothing quite so good as a burial at sea. It is simple, tidy, and not very incriminating.
42 It's only a movie, and, after all, we're all grossly overpaid.
43 I was an uncommonly unattractive young man.
44 [to Ingrid Bergman when she told him that she couldn't play a certain character the way he wanted because "I don't feel like that, I don't think I can give you that kind of emotion."] Ingrid - fake it!
45 I enjoy playing the audience like a piano.
46 Some films are slices of life, mine are slices of cake.
47 [on Michelangelo Antonioni and his film Blow-Up (1966)] This young Italian guy is starting to worry me.
48 [when accepting the American Film Institute Life Achievement award] I beg permission to mention by name only four people who have given me the most affection, appreciation, and encouragement, and constant collaboration. The first of the four is a film editor, the second is a scriptwriter, the third is the mother of my daughter Pat [Patricia Hitchcock], and the fourth is as fine a cook as ever performed miracles in a domestic kitchen. And their names are Alma Reville.
49 [His entire acceptance speech for the Irving Thalberg Memorial Award] Thank you.
50 Drama is life with the dull bits left out.
51 Always make the audience suffer as much as possible.
52 Even my failures make money and become classics a year after I make them.
53 To me, Psycho (1960) was a big comedy. Had to be.
54 There is no terror in the bang, only in the anticipation of it.
55 The length of a film should be directly related to the endurance of the human bladder.
56 [on his cameos] One of the earliest of these was in The Lodger (1927), the story of Jack the Ripper. My appearance called for me to walk up the stairs of the rooming house. Since my walk-ons in subsequent pictures would be equally strenuous - boarding buses, playing chess, etc. - I asked for a stunt man. Casting, with an unusual lack of perception, hired this fat man!
57 There is a dreadful story that I hate actors. Imagine anyone hating James Stewart... Jack L. Warner. I can't imagine how such a rumor began. Of course it may possibly be because I was once quoted as saying that actors are cattle. My actor friends know I would never be capable of such a thoughtless, rude and unfeeling remark, that I would never call them cattle... What I probably said was that actors should be treated like cattle.
58 If you've designed a picture correctly, the Japanese audience should scream at the same time as the Indian audience.
59 I deny I ever said that actors are cattle. What I said was, "Actors should be treated like cattle.".
60 [1955, as host of his television series Alfred Hitchcock Presents (1955)] For those of you watching this show in the year 2000, write us a letter and tell us how things are going where you are.
61 [1972] Puns are the highest form of literature.
62 [to an interviewer on why he does not make comedies] But every film I made IS a comedy!
63 [on Michelangelo Antonioni and Federico Fellini] Those Italian fellows are a hundred years ahead of us. Blow-Up (1966) and 8½ (1963) are bloody masterpieces. [1978]
64 [on how to properly build suspense] Four people are sitting around a table talking about baseball or whatever you like. Five minutes of it. Very dull. Suddenly, a bomb goes off. Blows the people to smithereens. What does the audience have? Ten seconds of shock. Now take the same scene and tell the audience there is a bomb under that table and will go off in five minutes. The whole emotion of the audience is totally different because you've given them that information. In five minutes time that bomb will go off. Now the conversation about baseball becomes very vital. Because they're saying to you, "Don't be ridiculous. Stop talking about baseball. There's a bomb under there." You've got the audience working.
65 The length of a film should be directly related to the endurance of the human bladder.
66 Cartoonists have the best casting system. If they don't like an actor, they just tear him up.
67 Everything's perverted in a different way.
68 I like stories with lots of psychology.
69 Reality is something that none of us can stand, at any time.
70 [A portion of his AFI Lifetime Achievement Award acceptance speech] Had the beautiful Ms. Reville [his wife Alma Reville] not accepted a lifetime contract without options as Mrs. Alfred Hitchcock some 53 years ago, Mr. Alfred Hitchcock might be in this room tonight, not at this table but as one of the slower waiters on the floor.
71 I wanted once to do a scene, for North by Northwest (1959) by the way, and I couldn't get it in there. I wanted it to be in Detroit, and two men walking along in front of an assembly line. And behind them you see the automobile being put together. It starts with a frame, and you just take the camera along, the two men are talking. And you know all those cars are eventually driven off the line, they load them with gas and everything. And one of the men goes forward, mind you you've seen a car from nothing, just a frame, opens the door and a dead body falls out.
72 [on the making of Psycho (1960) and a fake torso made by the special effects department that spurted blood when stabbed with a knife] But I never used it. It was all unnecessary because the cocking of the knife, the girl's face and the feet and everything was so rapid that there were 78 separate pieces of film in 45 seconds.
73 [on his history as a practical joker] I once gave a dinner party, oh many years ago, where all the food was blue.
74 All love scenes started on the set are continued in the dressing room.
75 [Part of publicity campaign prior to release of Psycho (1960)] It has been rumored that Psycho is so terrifying that it will scare some people speechless. Some of my men hopefully sent their wives to a screening. The women emerged badly shaken but still vigorously vocal.
76 [When asked by a member of the press why, at his advanced age, it took so long for the British government to grant him the title of Knight] I think it's just a matter of carelessness.
77 Fear isn't so difficult to understand. After all, weren't we all frightened as children? Nothing has changed since Little Red Riding Hood faced the big bad wolf. What frightens us today is exactly the same sort of thing that frightened us yesterday. It's just a different wolf. This fright complex is rooted in every individual.
78 [on his lifelong fear of eggs ("ovophobia")] I'm frightened of eggs, worse than frightened, they revolt me. That white round thing without any holes... have you ever seen anything more revolting than an egg yolk breaking and spilling its yellow liquid? Blood is jolly, red. But egg yolk is yellow, revolting. I've never tasted it.
79 I made a remark a long time ago. I said I was very pleased that television was now showing murder stories, because it's bringing murder back into its rightful setting - in the home.
80 [on North by Northwest (1959)] Our original title, you know, was "The Man in Lincoln's Nose". Couldn't use it, though. They also wouldn't let us shoot people on Mount Rushmore. Can't deface a national monument. And it's a pity, too, because I had a wonderful shot in mind of Cary Grant hiding in Lincon's nose and having a sneezing fit.
81 To make a great film you need three things - the script, the script and the script.
82 I don't understand why we have to experiment with film. I think everything should be done on paper. A musician has to do it, a composer. He puts a lot of dots down and beautiful music comes out. And I think that students should be taught to visualize. That's the one thing missing in all this. The one thing that the student has got to do is to learn that there is a rectangle up there - a white rectangle in a theater - and it has to be filled.
83 When an actor comes to me and wants to discuss his character, I say, "It's in the script". If he says, "But what's my motivation?", I say, "Your salary".
84 I am scared easily, here is a list of my adrenaline-production: 1: small children, 2: policemen, 3: high places, 4: that my next movie will not be as good as the last one.
85 Blondes make the best victims. They're like virgin snow that shows up the bloody footprints.
86 [Walt Disney] has the best casting. If he doesn't like an actor he just tears him up.
87 Cary Grant is the only actor I ever loved in my whole life.
88 [regarding The Birds (1963)] You know, I've often wondered what the Audubon Society's attitude might be to this picture.
89 In feature films the director is God; in documentary films God is the director.
90 A good film is when the price of the dinner, the theatre admission and the babysitter were worth it.
91 If it's a good movie, the sound could go off and the audience would still have a perfectly clear idea of what was going on.
92 I am a typed director. If I made Cinderella (1937), the audience would immediately be looking for a body in the coach.
93 Film your murders like love scenes, and film your love scenes like murders.
94 The paperback is very interesting but I find it will never replace the hardcover book -- it makes a very poor doorstop.
95 [on directing Charles Laughton] You can't direct a Laughton picture. The best you can hope for is to referee.
96 [on Claude Jade, who starred in Topaz (1969)] Claude Jade is a brave nice young lady. But I don't give any guarantee what she will do on a taxi's back seat.
97 Man does not live by murder alone. He needs affection, approval, encouragement and, occasionally, a hearty meal.
98 There is nothing quite so good as a burial at sea. It is simple, tidy, and not very incriminating.
99 It's only a movie, and, after all, we're all grossly overpaid.
100 I was an uncommonly unattractive young man.
101 [to Ingrid Bergman when she told him that she couldn't play a certain character the way he wanted because "I don't feel like that, I don't think I can give you that kind of emotion."] Ingrid - fake it!
102 I enjoy playing the audience like a piano.
103 Some films are slices of life, mine are slices of cake.
104 [on Michelangelo Antonioni and his film Blow-Up (1966)] This young Italian guy is starting to worry me.
105 [when accepting the American Film Institute Life Achievement award] I beg permission to mention by name only four people who have given me the most affection, appreciation, and encouragement, and constant collaboration. The first of the four is a film editor, the second is a scriptwriter, the third is the mother of my daughter Pat [Patricia Hitchcock], and the fourth is as fine a cook as ever performed miracles in a domestic kitchen. And their names are Alma Reville.
106 [His entire acceptance speech for the Irving Thalberg Memorial Award] Thank you.
107 Drama is life with the dull bits left out.
108 Always make the audience suffer as much as possible.
109 Even my failures make money and become classics a year after I make them.
110 To me, Psycho (1960) was a big comedy. Had to be.
111 There is no terror in the bang, only in the anticipation of it.
112 The length of a film should be directly related to the endurance of the human bladder.
113 [on his cameos] One of the earliest of these was in The Lodger (1927), the story of Jack the Ripper. My appearance called for me to walk up the stairs of the rooming house. Since my walk-ons in subsequent pictures would be equally strenuous - boarding buses, playing chess, etc. - I asked for a stunt man. Casting, with an unusual lack of perception, hired this fat man!
114 There is a dreadful story that I hate actors. Imagine anyone hating James Stewart... Jack L. Warner. I can't imagine how such a rumor began. Of course it may possibly be because I was once quoted as saying that actors are cattle. My actor friends know I would never be capable of such a thoughtless, rude and unfeeling remark, that I would never call them cattle... What I probably said was that actors should be treated like cattle.


Pictures

All Alfred Hitchcock pictures

Won Awards

Won awards

YearAwardCeremonyNominationMovieAward shared with
1994 Posthumous Award Academy of Science Fiction, Fantasy & Horror Films, USA
1984 Jussi Jussi Awards Best Foreign Filmmaker
1979 Life Achievement Award American Film Institute, USA
1974 Gala Tribute Film Society of Lincoln Center
1972 Cecil B. DeMille Award Golden Globes, USA
1971 Academy Fellowship BAFTA Awards
1971 Golden Laurel Laurel Awards Best Producer-Director
1970 Golden Laurel Laurel Awards Producer-Director
1970 NBR Award National Board of Review, USA Best Director Topaz (1969)
1968 Irving G. Thalberg Memorial Award Academy Awards, USA
1968 Lifetime Achievement Award Directors Guild of America, USA
1966 Golden Laurel Laurel Awards Producer-Director
1964 Golden Laurel Laurel Awards Top Producer/Director
1962 Golden Laurel Laurel Awards Top Producer/Director
1961 Golden Laurel Laurel Awards Top Producer/Director
1960 Golden Laurel Laurel Awards Top Producer/Director
1960 Star on the Walk of Fame Walk of Fame Motion Picture On 8 February 1960. At 6506 Hollywood Blvd.
1960 Star on the Walk of Fame Walk of Fame Television On 8 February 1960. At 7013 Hollywood Blvd.
1959 Golden Laurel Laurel Awards Top Producer/Director
1959 Silver Seashell San Sebastián International Film Festival North by Northwest (1959)
1958 Golden Globe Golden Globes, USA Best TV Show Alfred Hitchcock Presents (1955)
1958 Silver Seashell San Sebastián International Film Festival Vertigo (1958)
1950 Mention Locarno International Film Festival Stage Fright (1950)
1948 Kinema Junpo Award Kinema Junpo Awards Best Foreign Language Film Suspicion (1941)
1939 NYFCC Award New York Film Critics Circle Awards Best Director The Lady Vanishes (1938)

Nominated Awards

Nominated awards

YearAwardCeremonyNominationMovieAward shared with
1973 Golden Globe Golden Globes, USA Best Director - Motion Picture Frenzy (1972)
1968 Golden Laurel Laurel Awards Producer-Director 6th place.
1961 Oscar Academy Awards, USA Best Director Psycho (1960)
1961 DGA Award Directors Guild of America, USA Outstanding Directorial Achievement in Motion Pictures Psycho (1960)
1960 DGA Award Directors Guild of America, USA Outstanding Directorial Achievement in Motion Pictures North by Northwest (1959)
1959 Primetime Emmy Primetime Emmy Awards Best Direction of a Single Program of a Dramatic Series - Less Than One Hour Alfred Hitchcock Presents (1955)
1959 DGA Award Directors Guild of America, USA Outstanding Directorial Achievement in Motion Pictures Vertigo (1958)
1957 Primetime Emmy Primetime Emmy Awards Best Male Personality - Continuing Performance
1957 DGA Award Directors Guild of America, USA Outstanding Directorial Achievement in Motion Pictures The Trouble with Harry (1955)
1957 DGA Award Directors Guild of America, USA Outstanding Directorial Achievement in Motion Pictures The Man Who Knew Too Much (1956)
1956 Primetime Emmy Primetime Emmy Awards Best MC or Program Host - Male or Female
1956 Primetime Emmy Primetime Emmy Awards Best Director - Film Series Alfred Hitchcock Presents (1955)
1956 Palme d'Or Cannes Film Festival The Man Who Knew Too Much (1956)
1955 Oscar Academy Awards, USA Best Director Rear Window (1954)
1955 DGA Award Directors Guild of America, USA Outstanding Directorial Achievement in Motion Pictures Rear Window (1954)
1955 DGA Award Directors Guild of America, USA Outstanding Directorial Achievement in Motion Pictures Dial M for Murder (1954)
1955 Golden Lion Venice Film Festival To Catch a Thief (1955)
1954 Golden Lion Venice Film Festival Rear Window (1954)
1953 Grand Prize of the Festival Cannes Film Festival I Confess (1953)
1952 DGA Award Directors Guild of America, USA Outstanding Directorial Achievement in Motion Pictures Strangers on a Train (1951)
1947 Grand International Award Venice Film Festival Spellbound (1945)
1946 Oscar Academy Awards, USA Best Director Spellbound (1945)
1946 Grand Prize of the Festival Cannes Film Festival Notorious (1946)
1945 Oscar Academy Awards, USA Best Director Lifeboat (1944)
1941 Oscar Academy Awards, USA Best Director Rebecca (1940)

2nd Place Awards

2nd place awards

YearAwardCeremonyNominationMovieAward shared with
1967 Golden Laurel Laurel Awards Producer-Director
1965 Golden Laurel Laurel Awards Producer-Director
1963 Golden Laurel Laurel Awards Top Producer/Director
1958 Golden Laurel Laurel Awards Top Producer/Director
1954 NYFCC Award New York Film Critics Circle Awards Best Director Rear Window (1954)
1936 NYFCC Award New York Film Critics Circle Awards Best Director The Man Who Knew Too Much (1934)


Filmography

Actor

TitleYearStatusCharacter
Family Plot 1976 Silhouette at Office of Vital Statistics (uncredited)
Frenzy 1972 Spectator at Opening Rally (uncredited)
Topaz 1969 Man in Wheelchair at Airport (uncredited)
Torn Curtain 1966 Man in Hotel Lobby with Baby (uncredited)
The Alfred Hitchcock Hour 1962-1965 TV Series Alfred Hitchcock - Host
Marnie 1964 Man Leaving Hotel Room (uncredited)
The Birds 1963 Man Walking Dogs Out of Pet Shop (uncredited)
Alfred Hitchcock Presents 1955-1962 TV Series Alfred Hitchcock - Host / Alfred's Brother / Man on the Book Cover / ...
Psycho 1960 Man Outside Real Estate Office (uncredited)
North by Northwest 1959 Man Who Misses Bus (uncredited)
Vertigo 1958 Man Walking Past Elster's Office (uncredited)
The Wrong Man 1956 Prologue Narrator (uncredited)
Lux Video Theatre 1954-1956 TV Series Lux Video Theatre Intermission Guest / Lux Video Theatre Guest
The Man Who Knew Too Much 1956 Man in Morocco Marketplace (uncredited)
The Trouble with Harry 1955 Man Walking Past Sam's Outdoor Exhibition (uncredited)
To Catch a Thief 1955 Man Sitting Next to John Robie on Bus (uncredited)
Rear Window 1954 Songwriter's Clock-winder (uncredited)
I Confess 1953 Man Crossing the Top of Long Staircase (uncredited)
Strangers on a Train 1951 Man Boarding Train Carrying a Double Bass (uncredited)
Stage Fright 1950 Man Staring at Eve on Street (uncredited)
Under Capricorn 1949 Man at Governor's Reception (uncredited)
Rope 1948 Man Walking in Street After Opening Credits (uncredited)
The Paradine Case 1947 Man Carrying Cello Case (uncredited)
Notorious 1946 Man Drinking Champagne at Party (uncredited)
Spellbound 1945 Man Leaving Elevator (uncredited)
Shadow of a Doubt 1943 Man on Train Playing Cards (uncredited)
Saboteur 1942 Man in Front of NY Drugstore (uncredited)
Suspicion 1941 Man Mailing Letter (uncredited)
Mr. & Mrs. Smith 1941 Man Passing David Smith on Street (uncredited)
Foreign Correspondent 1940 Man with Newspaper on Street (uncredited)
Rebecca 1940 Man Outside Phone Booth (uncredited)
The Lady Vanishes 1938 Man in London Railway Station (uncredited)
The Girl Was Young 1937 Photographer Outside Courthouse (uncredited)
Sabotage 1936 Man Walking Past The Cinema as the Light is Renewed (uncredited)
The 39 Steps 1935 Passerby Near the Bus (uncredited)
The Man Who Knew Too Much 1934 Man in the Raincoat Passing The Bus (uncredited)
Murder! 1930 Man on Street (uncredited)
Blackmail 1929 Man on Subway (uncredited)
Easy Virtue 1928 Man with Stick Near Tennis Court (uncredited)
The Ring 1927/I Man-Dipping Attraction Worker (uncredited)
The Lodger 1927 Extra in Newspaper Office (uncredited)

Director

TitleYearStatusCharacter
Memory of the Camps 2014 TV Movie documentary
Frontline 1985 TV Series documentary 1 episode
Family Plot 1976
Frenzy 1972
Topaz 1969
Torn Curtain 1966
Marnie 1964
The Birds 1963
The Alfred Hitchcock Hour 1962 TV Series 1 episode
Alfred Hitchcock Presents 1955-1961 TV Series 17 episodes
Psycho 1960
Startime 1960 TV Series 1 episode
North by Northwest 1959
Vertigo 1958
Suspicion 1957 TV Series 1 episode
The Wrong Man 1956
The Man Who Knew Too Much 1956
The Trouble with Harry 1955
To Catch a Thief 1955
Rear Window 1954
Dial M for Murder 1954
I Confess 1953
Strangers on a Train 1951
Stage Fright 1950
Under Capricorn 1949
Rope 1948
The Paradine Case 1947
Notorious 1946
Spellbound 1945
Watchtower Over Tomorrow 1945 Documentary short uncredited
The Fighting Generation 1944 Short uncredited
Aventure malgache 1944 Short
Bon Voyage 1944 Short
Lifeboat 1944
Shadow of a Doubt 1943
Saboteur 1942
Suspicion 1941
Mr. & Mrs. Smith 1941
Foreign Correspondent 1940
Rebecca 1940
Jamaica Inn 1939
The Lady Vanishes 1938
The Girl Was Young 1937
Sabotage 1936
Secret Agent 1936
The 39 Steps 1935
The Man Who Knew Too Much 1934
Strauss' Great Waltz 1934
Number 17 1932
East of Shanghai 1931
Mary 1931
The Skin Game 1931
Murder! 1930
The Shame of Mary Boyle 1930
Elstree Calling 1930 some sketches
An Elastic Affair 1930 Short
Sound Test for Blackmail 1929 Short documentary
Blackmail 1929
The Manxman 1929
Champagne 1928
Easy Virtue 1928
The Farmer's Wife 1928
When Boys Leave Home 1927
The Ring 1927/I
The Lodger 1927
The Mountain Eagle 1926
The Pleasure Garden 1925
Always Tell Your Wife 1923 Short uncredited
Number 13 1922 unfinished

Producer

TitleYearStatusCharacter
Family Plot 1976 producer - uncredited
Frenzy 1972 producer - uncredited
Topaz 1969 producer - uncredited
Torn Curtain 1966 producer - uncredited
Marnie 1964 producer - uncredited
The Alfred Hitchcock Hour 1964 TV Series executive producer - 1 episode
The Birds 1963 producer - uncredited
Alcoa Premiere 1962 TV Series executive producer - 1 episode
Alfred Hitchcock Presents TV Series producer - 7 episodes, 1955 - 1962 executive producer - 1 episode, 1956
Psycho 1960 producer - uncredited
North by Northwest 1959 producer - uncredited
Suspicion 1957-1958 TV Series executive producer - 25 episodes
Vertigo 1958 producer - uncredited
The Wrong Man 1956 producer - uncredited
The Man Who Knew Too Much 1956 producer - uncredited
The Trouble with Harry 1955 producer - uncredited
To Catch a Thief 1955 producer - uncredited
Rear Window 1954 producer - uncredited
Dial M for Murder 1954 producer - uncredited
I Confess 1953 producer - uncredited
Strangers on a Train 1951 producer - uncredited
Stage Fright 1950 producer - uncredited
Under Capricorn 1949 producer - uncredited
Rope 1948 producer - uncredited
Notorious 1946 producer - uncredited
Lifeboat 1944 producer - uncredited
Lord Camber's Ladies 1932 producer
Number 13 1922 producer - uncredited

Writer

TitleYearStatusCharacter
Memory of the Camps 2014 TV Movie documentary treatment adviser
Gas 2006 Short story
Don't Give Me the Finger 2005 Short play - as Sir Alfred Hitchcock
Lifepod 1993 TV Movie short story
Alfred Hitchcock Presents 1993 Video Game original series
Notorious 1946 screenplay contributor - uncredited
Lifeboat 1944 story idea - uncredited
Forever and a Day 1943 uncredited
Saboteur 1942 story - uncredited
Round the Film Studios 1937 TV Series narrative script - 1 episode
Number 17 1932 scenario
East of Shanghai 1931 adaptation
The Skin Game 1931 adaptation
Murder! 1930 adapted by
The Shame of Mary Boyle 1930 adaptation
Blackmail 1929 adapted by
Champagne 1928 writer
The Farmer's Wife 1928 uncredited
The Ring 1927/I written by
The Lodger 1927 uncredited
Dangerous Virtue 1925
Die Prinzessin und der Geiger 1925
The Passionate Adventure 1924
White Shadows 1924
Woman to Woman 1923 writer

Miscellaneous

TitleYearStatusCharacter
Tell Your Children 1922 title designer
The Man from Home 1922 title designer
The Spanish Jade 1922 title designer
Love's Boomerang 1922 title designer
Three Live Ghosts 1922 title designer - uncredited
The Call of Youth 1921 Short title designer
The Bonnie Brier Bush 1921 title designer
Dangerous Lies 1921 title designer
The Mystery Road 1921 title designer
Appearances 1921 title designer
The Princess of New York 1921 title designer
The Great Day 1920 title designer

Art Director

TitleYearStatusCharacter
Dangerous Virtue 1925
Die Prinzessin und der Geiger 1925
The Passionate Adventure 1924
White Shadows 1924
Woman to Woman 1923
Tell Your Children 1922
The Man from Home 1922
The Spanish Jade 1922
Three Live Ghosts 1922

Assistant Director

TitleYearStatusCharacter
Dangerous Virtue 1925 assistant director
Die Prinzessin und der Geiger 1925 assistant director
The Passionate Adventure 1924 assistant director
White Shadows 1924 assistant director
Woman to Woman 1923 assistant director

Soundtrack

TitleYearStatusCharacter
Alfred Hitchcock Presents 1993 Video Game "Funeral March of a Marionette"
Volere volare 1991 "Funeral March of a Marionette"
The Magic of David Copperfield VII: Familiares 1985 TV Special "Funeral March of a Marionette"
The Magic of David Copperfield 1978 TV Special "Funeral March of a Marionette"
The Magic of ABC 1977 TV Special "Funeral March of a Marionette"

Editor

TitleYearStatusCharacter
Target for Tonight 1941 Documentary US version, uncredited
Men of the Lightship 1941 Documentary short US version, uncredited
White Shadows 1924

Production Designer

TitleYearStatusCharacter
White Shadows 1924

Set Decorator

TitleYearStatusCharacter
White Shadows 1924

Thanks

TitleYearStatusCharacter
Variations on a High School Romance 2010 inspirational thanks
Adjusted 2009 Short special thanks
Indigo 2009/I Short in memory of
Evocator 2009 Short grateful acknowledgment
Artists of the Roundtable 2008 Video documentary special thanks
Creature Story 2008 Short special thanks
Wingrave 2007 Video dedicatee
S1ngles 2004 TV Series dedicatee - 1 episode
Julie and Jack 2003 special thanks - as Mr. Alfred Hitchcock
Blyustiteli poroka 2001 TV Series dedicated to - 1 episode
As Long as He Lives 1998 Short dedicatee
Running Time 1997 special thanks
Psycho II 1983 the producers acknowledge the debt owed to - as Sir Alfred Hitchcock
High Anxiety 1977 dedicated to: the Master of Suspense
Dark Creek special thanks announced
Mysteria 2016 Short dedicatee
At Granny's House 2015 thanks
The Giant Deer 2014 Short special thanks
Lazarus: Apocalypse 2014 original inspiration
Intoxicated 2013 Short dedicatee
Dying 2 Meet U 2012 inspirational thanks
Tráiganme la Cabeza de la Mujer Metralleta 2012 acknowledgment
Him Indoors 2012 Short special thanks
The Circle of Men 2011 Short special thanks
The Waiting Room 2011/IV Short special thanks
Edición Especial Coleccionista 2011 TV Series in memory of - 1 episode
Satisfied 2011 thanks
Tru Luv 2010 Short special thanks

Self

TitleYearStatusCharacter
AFI Life Achievement Award: A Tribute to James Stewart 1980 TV Special documentary Himself / Speaker (uncredited)
AFI Life Achievement Award: A Tribute to Alfred Hitchcock 1979 TV Movie documentary Himself
CBS: On the Air 1978 TV Mini-Series documentary Himself
NBC: The First Fifty Years - A Closer Look, Part Two 1978 TV Movie documentary Himself
The 29th Annual Primetime Emmy Awards 1977 TV Special Himself - Presenter
La nuit des Césars 1977 TV Series documentary Himself
The Tonight Show Starring Johnny Carson 1969-1976 TV Series Himself - Guest
The Elstree Story 1976 TV Movie documentary Himself
The World of Alfred Hitchcock 1976 TV Movie documentary Himself
The 46th Annual Academy Awards 1974 TV Special Himself - Presenter: Jean Hersholt Humanitarian Award
The Men Who Made the Movies: Alfred Hitchcock 1973 TV Movie documentary Himself
Tomorrow Coast to Coast 1973 TV Series Himself
V.I.P.-Schaukel 1972 TV Series documentary Himself
Aquarius 1972 TV Series documentary Himself
Camera Three 1972 TV Series Himself
The Dick Cavett Show 1970-1972 TV Series Himself
Film Night 1972 TV Series Himself
The 29th Annual Golden Globe Awards 1972 TV Special Himself
Yesterday's Witness 1971 TV Series Himself - Interviewee
Samedi soir 1971 TV Series Himself
Was haben Sie mit Jeffersen gemacht, Alfred? 1970 TV Movie documentary Himself
Hollywood: The Selznick Years 1969 TV Movie documentary Himself (uncredited)
The Mike Douglas Show 1969 TV Series Himself - Guest
Today 1966-1969 TV Series Himself
London aktuell 1969 TV Series documentary Himself
The 40th Annual Academy Awards 1968 TV Special Himself (Thalberg Award Recipient)
Hinter der Leinwand 1966 TV Series documentary Himself
Rezepte aus der Gruselküche - Alfred Hitchcock zu Gast beim Frankfurter Stammtisch 1966 TV Movie Himself
Film Preview 1966 TV Series Himself
Cinema 1966 TV Series documentary Himself
Hitchcock on Grierson 1965 TV Movie documentary Himself
Monitor 1964 TV Series documentary Himself - Interviewee
Telescope 1964 TV Series documentary Himself
CBS: The Stars' Address 1963 TV Movie Himself
Picture Parade 1960 TV Series documentary Himself
Tactic 1959 TV Series Himself
Cinépanorama 1956 TV Series documentary Himself
The Red Skelton Hour 1955 TV Series Himself / Award for Best Director
What's My Line? 1954 TV Series Himself - Mystery Guest #2
Ship's Reporter 1948 TV Series Himself
Show-Business at War 1943 Documentary short Himself (uncredited)
Picture People No. 10: Hollywood at Home 1942 Documentary short Himself
Round the Film Studios 1937 TV Series Himself - Director
Sound Test for Blackmail 1929 Short documentary Himself

Archive Footage

TitleYearStatusCharacter
National Endowment for the Arts: United States of Arts 2017 TV Series documentary short Himself
Stupéfiant! 2016 TV Series Himself
La otra sala: Clásicos 2016 TV Series documentary
Extra 2015 TV Series Himself
Pop Culture Beast's Halloween Horror Picks 2015 TV Series documentary Himself
Hitchcock/Truffaut 2015 Documentary Himself
Talking Pictures 2015 TV Series documentary Himself
Die Ringstraße - Trilogie eines Boulevards 2015 TV Mini-Series documentary Himself
Reel Herstory: The Real Story of Reel Women 2014 Documentary Himself
Night Will Fall 2014 Documentary Himself
Top 40 Ultimate Action Movies 2014 TV Movie documentary Himself
Missing Reel 2014 TV Mini-Series documentary Himself
Memory of the Camps 2014 TV Movie documentary Himself (uncredited)
Alfred Hitchcock: Master of Suspense 2013 Documentary Himself
What Is Cinema? 2013 Documentary Himself
Stars of the Silver Screen 2013 TV Series Himself
Perspectives 2013 TV Series documentary Himself
Planeta Globalizado 2013 Documentary Himself
The One Show 2013 TV Series Himself
Amateur Night 2011 Documentary Himself
The Story of Film: An Odyssey 2011 TV Mini-Series documentary Himself
Edición Especial Coleccionista 2011 TV Series Himself
Moguls & Movie Stars: A History of Hollywood 2010 TV Mini-Series documentary Himself
The Psycho Legacy 2010 Video documentary Himself
Fasten Your Seatbelt: The Thrilling Art of Alfred Hitchcock 2009 Video documentary short Himself
Coming Attractions: The History of the Movie Trailer 2009 Documentary Himself
The Master's Touch: Hitchcock's Signature Style 2009 Video documentary Himself
A Night at the Movies: The Suspenseful World of Thrillers 2009 TV Movie documentary Himself
Dans le labyrinthe de Marienbad 2009 Video documentary short
Hollywood sul Tevere 2009 Documentary Himself
Legenden 2009 TV Series documentary Himself
Il était une fois... 2009 TV Series documentary Himself
Alfred Hitchcock in East London 2009 Documentary Himself
London Tonight 2009 TV Series Himself
Paul Merton Looks at Alfred Hitchcock 2009 TV Movie documentary Himself
Made at Elstree: 80 Years of Making Movies, 20 Movie Memories 2008 Video documentary
American Masters 1998-2008 TV Series documentary Himself / Himself - Interviewee
Mike Douglas: Moments & Memories 2008 Video Himself
Spine Tingler! The William Castle Story 2007 Documentary Himself
Cinemassacre's Monster Madness 2007 TV Series documentary Himself
Cámara negra. Teatro Victoria Eugenia 2007 TV Short documentary Himself
Who Is Norman Lloyd? 2007 Documentary
British Film Forever 2007 TV Mini-Series documentary Himself
Cannes, 60 ans d'histoires 2007 TV Movie documentary Himself
Rick Stein in du Maurier Country 2007 TV Movie documentary Himself (uncredited)
Hoge bomen: Pioniers 2007 TV Series documentary Himself
Going to Pieces: The Rise and Fall of the Slasher Film 2006 Documentary Himself
Hitchcocked! 2006 TV Movie documentary Himself
Billy Wilder Speaks 2006 TV Movie documentary Himself
Silent Britain 2006 TV Movie documentary Himself
Un écran nommé désir 2006 TV Movie documentary Himself
Multilingual Murder: A Conversation Between Alfred Hitchcock and François Truffaut 2006 Video documentary short Himself
Filmmakers in Action 2005 Documentary Himself (uncredited)
Shepperton Babylon 2005 TV Movie documentary Himself
Fantástico 30 Anos - Grandes Reportagens 2004 Video documentary Himself
Hitchcock and Dial M 2004 Video documentary short Himself (uncredited)
Personal History: Foreign Hitchcock 2004 Video documentary short Himself
The Hitchcocks on Hitch 2004 Video documentary short Himself
Le fantôme d'Henri Langlois 2004 Documentary
Épreuves d'artistes 2004 TV Movie documentary Himself
101 Biggest Celebrity Oops 2004 TV Special documentary Himself - #85: Psycho: The Remake
The 100 Greatest Scary Moments 2003 TV Movie documentary Himself
Living Famously 2003 TV Series documentary Himself
Sendung ohne Namen 2002 TV Series documentary Himself
Alfred Hitchcok and To Catch a Thief: An Appreciation 2002 Video short Himself
Making of 'To Catch a Thief' 2002 Video documentary Himself
Reel Radicals: The Sixties Revolution in Film 2002 TV Movie documentary Himself (Psycho (1960) trailer footage) (uncredited)
Who Is Alan Smithee? 2002 TV Movie documentary Himself (uncredited)
Biography 1998-2001 TV Series documentary Himself / Himself - Director
Legends 2001 TV Series documentary Himself
Cinéma, de notre temps 2001 TV Series documentary Himself
Plotting 'Family Plot' 2001 Video documentary Himself
Screenwriter John Michael Hayes on 'Rear Window' 2001 Video documentary short Himself (uncredited)
The Story of 'Frenzy' 2001 Video documentary Himself - Director, Frenzy
'Rear Window' Ethics: Remembering and Restoring a Hitchcock Classic 2000 Video documentary Himself
All About 'The Birds' 2000 Video documentary Himself
Destination Hitchcock: The Making of 'North by Northwest' 2000 Video documentary short Himself
The Trouble with Marnie 2000 TV Movie documentary Himself
Inside 'Dr. No' 2000 Video documentary short Himself
Hitchcock: Shadow of a Genius 1999 TV Movie documentary Himself
Reputations 1999 TV Series documentary Himself
Hitchcock: The Early Years 1999 Video documentary short Himself
The 20th Century: A Moving Visual History 1999 TV Mini-Series documentary Himself
The Best of Hollywood 1998 TV Movie documentary Himself
François Chalais, la vie comme un roman 1997 TV Movie documentary Himself
The Making of 'Psycho' 1997 Video documentary Himself
François Truffaut: The Man Who Loved Cinema - Love & Death 1996 TV Movie documentary Himself
Lights, Camera, Action!: A Century of the Cinema 1996 TV Mini-Series documentary Himself
The Universal Story 1995 TV Movie documentary Himself
Citizen Langlois 1995 TV Movie documentary Himself
Tales from the Crypt 1995 TV Series Himself
Cinema Europe: The Other Hollywood 1995 TV Mini-Series documentary Himself
Family Portraits 1995 TV Mini-Series documentary Himself
Hitchcock: Alfred the Great 1994 TV Movie documentary Himself (uncredited)
François Truffaut: Portraits volés 1993 Documentary Himself
Alfred Hitchcock Presents 1993 Video Game Alfred Hitchcock
Alfred Hitchcock: The Art of Making Movies 1990 Short Himself
Alfred Hitchcock Presents 1985-1989 TV Series Himself - Host / Himself
AFI Life Achievement Award: A Tribute to Jack Lemmon 1988 TV Special documentary Himself
Frontline 1985 TV Series documentary Himself
Terror in the Aisles 1984 Documentary Himself (uncredited)
Ingrid 1984 Documentary Himself
Margret Dünser, auf der Suche nach den Besonderen 1981 TV Movie documentary Himself
The 53rd Annual Academy Awards 1981 TV Special Himself
Midi Trente 1972 TV Series Himself
Mondo Hollywood 1967 Documentary Himself (uncredited)
Source
IMDB
Tags

Related Articles

Leave a Reply

Your email address will not be published. Required fields are marked *

Close